Here are 100 books that Portrait of the Artist as a Young Dog fans have personally recommended if you like
Portrait of the Artist as a Young Dog.
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I‘m primarily a poet, and it seems natural to love prose that gets the most out of every word. I also deeply admire the great works of—say, Theodore Dreiser, who seems, to me, to splash words all over the page. Don’t get me wrong. But it’s precision I love and admire most. It’s what I’ve striven for. It’s what appeals to me in the books I’ve chosen. The phrase “the style is the man” simply iterates the notion that the writer who comes closest to his (or her, of course) innermost passions, deepest held convictions, and writes with clarity in expressing them, is, in fact, the author himself.
As the song goes: “It ain’t whacha say, it’s the way how’s ya say it.” And that’s what I love about all five of these books. It isn’t exactly the place, or the time, or a particular character; it’s the style.
Joyce’s early stories, though, do cast magic over a certain time and place and make them come alive as if they were written yesterday.
The Dead, probably the best known of them, and made into a touching movie (John Houston’s last), is a great example of the feeling Joyce could evoke in us, the readers, with the carefully chosen words of a poet.
A definitive edition of perhaps the greatest short story collection in the English language
James Joyce's Dubliners is a vivid and unflinching portrait of "dear dirty Dublin" at the turn of the twentieth century. These fifteen stories, including such unforgettable ones as "Araby," "Grace," and "The Dead," delve into the heart of the city of Joyce's birth, capturing the cadences of Dubliners' speech and portraying with an almost brute realism their outer and inner lives. Dubliners is Joyce at his most accessible and most profound, and this edition is the definitive text, authorized by the Joyce estate and collated from…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I‘m primarily a poet, and it seems natural to love prose that gets the most out of every word. I also deeply admire the great works of—say, Theodore Dreiser, who seems, to me, to splash words all over the page. Don’t get me wrong. But it’s precision I love and admire most. It’s what I’ve striven for. It’s what appeals to me in the books I’ve chosen. The phrase “the style is the man” simply iterates the notion that the writer who comes closest to his (or her, of course) innermost passions, deepest held convictions, and writes with clarity in expressing them, is, in fact, the author himself.
I love this book because it forced me to take sharp notice of Hemingway.
No, it wasn’t the big novels, the ones that had become best-sellers; they were everywhere. But when this book fell into my lap, it made me want to dig right into him. It’s his earliest collection of stories, and though Hemingway said once that they were interconnected, critics then and now disagree.
I think they’re great because they show the early manifestations of what he coined “the iceberg theory” of good writing—writing that forced me, one day, standing in a bookstore, reading the last few pages of A Farewell to Arms, twenty years or so after reading the book for the first time, to fairly nearly weep.
A Vintage Classics edition of the early collection of short fiction that first established Ernest Hemingway's reputation, including several of his most loved stories
Ernest Hemingway, winner of the Nobel Prize in Literature in 1954, did more to change the style of fiction in English than any other writer of his time with his economical prose and terse, declarative sentences that conceal more than they reveal. In Our Time, published in 1925, was the collection that first drew the world's attention to Hemingway. Besides revealing his versatility as a writer and throwing fascinating light on the themes of his major…
I‘m primarily a poet, and it seems natural to love prose that gets the most out of every word. I also deeply admire the great works of—say, Theodore Dreiser, who seems, to me, to splash words all over the page. Don’t get me wrong. But it’s precision I love and admire most. It’s what I’ve striven for. It’s what appeals to me in the books I’ve chosen. The phrase “the style is the man” simply iterates the notion that the writer who comes closest to his (or her, of course) innermost passions, deepest held convictions, and writes with clarity in expressing them, is, in fact, the author himself.
I am intrigued by these stories and have read a number of them a number of times.
There is universal acclaim for Fitzgerald’s masterpiece, The Great Gatsby, and these stories display those same qualities that created Gatsby.
One of my favorites is “The Rich Boy,” and one that I would recommend to every reader. Such clarity of mind, soul, and taste expressed in this story in particular makes great, gripping writing. I am even impressed by the stories written expressly for the magazines (every story can’t be a masterpiece).
A collection of 43 short stories by the author of "The Great Gatsby" and "Tender is the Night". The text contains tales such as "May Day" and "The Diamond as Big as the Ritz".
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I‘m primarily a poet, and it seems natural to love prose that gets the most out of every word. I also deeply admire the great works of—say, Theodore Dreiser, who seems, to me, to splash words all over the page. Don’t get me wrong. But it’s precision I love and admire most. It’s what I’ve striven for. It’s what appeals to me in the books I’ve chosen. The phrase “the style is the man” simply iterates the notion that the writer who comes closest to his (or her, of course) innermost passions, deepest held convictions, and writes with clarity in expressing them, is, in fact, the author himself.
O’Connor’s stories reveal good and evil as clearly as if viewed by a jeweler—through the loupe.
What she observed in the world around her, she expressed with clarity, and such reflections are not easily absorbed. They are deep and sometimes horrifying. Sometimes she actually made me uncomfortable by forcing me to feel slight touches of... perhaps not evil, but malicious or malevolent impulses residing in much of mankind.
Strange, too, is her ability to show irony and amusement in the great human comedy. I find her stories impossible to turn away from.
An essential collection of classic stories that established Flannery O’Connor’s reputation as an American master of fiction—now with a new introduction by New York Times bestselling author Lauren Groff In 1955, with the title story and others in this critical edition, Flannery O’Connor firmly laid claim to her place as one of the most original and provocative writers of her generation. Steeped in a Southern Gothic tradition that would become synonymous with her name, these stories show O’Connor’s unique view of life—infused with religious symbolism, haunted by apocalyptic possibility, sustained by the tragic comedy of human behavior, confronted by the…
I am a novelist, a journalist, a humanist celebrant, and coauthor with my husband of the best-selling Nicci French thrillers. Witnessing my father’s dementia and his slow-motion dying radically transformed the way I think about what it is to be human. In 2014, I founded John’s Campaign which seeks to make the care of those who are vulnerable and powerless more compassionate, and which is now a national movement in the UK. In 2016, I won the Orwell Prize for Journalism for ‘exposing Britain’s social evils' in the pieces I wrote exploring the nature of dementia.
There cannot be a more brilliant or more shattering evocation of what it feels like to gradually realise you are forgetting yourself and vanishing from your own life: the mind observes the mind’s deterioration. Bernleff’s pioneering novel, published in 1984, follows the journey of its narrator Maarten from the first days of confusion into a darkness of self-loss. A beautiful, poignant masterpiece about memory and forgetting.
Everyday Maarten notices his increasing forgetfulness, but his attempts to conceal it are fruitless. This novel shows the strength of the bond keeping him and his wife together, the result of a lifetime of loving, so that they manage to find a way to carry on in the face of deterioration.
I have chosen the five books below as the most original and thought-provoking ones on Russian history and culture, books that I return to again and again when thinking about the questions they raise. They are not books that I always agree with, but to me that makes them all the more valuable!
Red Square, Black Square is a unique, fragmented “postmodern” critique of Russian avant-garde and revolutionary ideas that bleeds into a deconstruction of Soviet ersatz culture that took its cue from them.
It combines horror and comedy, seriousness and self-satire, and itself partakes of the style and language (as well as the punning wit) of the avant-garde. I found it challenging and fun to read and full of surprises.
This book builds a new vision of the development of Russian revolutionary culture, bringing together fiction, criticism, utopian projects, manifestos, performance and film theory, religious philosophy, and the imaginary space of communism centered around the Mummy of Lenin.
Revolution and modernization are two main issues of the book. The author argues that in Modernism the work of art was conceived as a miniature of the world to come; thus, art was meant to make projects, not master-pieces. He analyzes the genre of the manifesto as a special rhetorical device of modernist discourse and shows how projects of biological and social…
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
My childhood, very much shaped by World War II, led me the study of international relations and political psychology. I have written numerous books on conflict management and prevention, and also on ancient Greek thinkers and writers, and the elusive nature of knowledge. In recent years I have begun to explore these themes in fiction. This shift has been exhilarating and liberating and provides me the opportunity to present the tragic understanding of life and politics to a larger audience.
Mansfield is another pioneering, modernist
writer, whose psychologically driven characters have sudden epiphanies.
Insights of this kind are extremely difficult to make credible in stories yet
she invariably succeeds. Understanding how she pulls this off enriched my
understanding of how plots work and how personalities are depicted. I might
also add that I am married to a New Zealand and some time in that country, so
nice to have a local, so to speak, author.
This was Katherine Mansfield's last collection of short stories to be published during her lifetime. They are The Garden Party, A Dill Pickle, Her First Ball, The Doll's House, The Daughters of the Late Colonel and A Cup of Tea. The stories vary in length and tone, yet all are sensitive revelations of human behaviour that reveal Mansfield's supreme talent as an innovator who freed the story from its conventions and gave it a new strength and prestige.
I have been passionate about making, reading, and studying comics for my whole life. When I first encountered autobiographical comics, they were all by women who I looked up to for their ability to tackle their lives with both words and images. This is a small list and biased towards the cartoonists I first encountered in the world of female autobiographical comics. There is so much more out there. I love how the flexibility and history of the comic form have allowed for so much blending of genres and styles.
Fun Home is Alison Bechdel’s most famous work (and it is phenomenal), but this one captured my heart. While the former focuses on her father, here Bechdel turns her focus on her relationship with her mother, weaving in a lot of psychoanalysis and modernist literature.
Bechdel’s characteristic intricacy and attention to detail are on full display, and the frequent inclusion of dreams and their interpretation (a particular interest of mine) make the whole book feel almost surreal yet completely grounded.
An expansive, moving and captivating graphic memoir from the author of Fun Home.
Alison Bechdel's Fun Home was a literary phenomenon. While Fun Home explored Bechdel's relationship with her father, a closeted homosexual, this memoir is about her mother - a voracious reader, a music lover, a passionate amateur actor. Also a woman, unhappily married to a gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood... and who stopped touching or kissing her daughter goodnight, for ever, when she was seven.
Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf.
The first twenty-five years of my life appeared to be atypical for an inner-city African American boy from a large family. Only a small number of children were bused to more “academically advanced” schools. I earned that honor by frequently running away from the local school. Overcoming the challenges of being a minority in a demanding, predominantly Jewish, school district eventually benefited me greatly. In the early 1970s, my parents did something unprecedented for a working-class African American family from Queens: They bought an old, dilapidated farmhouse in Upstate New York's dairy country as a summer home. What other unusual life experiences that impact people of color have taken place on the American tapestry?
From childhood through college and a burgeoning career, the author’s honest and unambiguous voice matures as he paints a vivid picture of growing up poor, Black, and gay. Despite societal and familial challenges, having a loving single mother committed to his education helped him to navigate to success. Page after page, readers will find something relatable in unexpected ways.
WINNER OF THE 2020 STONEWALL BOOK AWARD-ISRAEL FISHMAN NONFICTION AWARD
"Jones's voice and sensibility are so distinct that he turns one of the oldest of literary genres inside out and upside down." NPR'S Fresh Air
Jones tells the story of a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes, Jones draws readers into his boyhood and adolescence-into tumultuous relationships with his family, into passing flings with lovers, friends, and strangers. Each piece builds…
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
Bolaño wrote two epics: The Savage Detectives and the much more widely read 2666. Savage may be a sloppier novel—it follows two fictional founders of a fictional poetic movement called the visceral realists who are trying to track down the mysterious founder of the movement—but it’s also a novel about the elusiveness of meaning. With a lot of sex and violence thrown in for measure. The frame-story narrative informed my own, although I employed a lot less sex.
Winner of the Herralde Prize and the Romulo Gallegos Prize. Natasha Wimmer's translation of The Savage Detectives was chosen as one of the ten best books of 2007 by the Washington Post and the New York Times.
New Year's Eve 1975, Mexico City. Two hunted men leave town in a hurry, on the desert-bound trail of a vanished poet.
Spanning two decades and crossing continents, theirs is a remarkable quest through a darkening universe - our own. It is a journey told and shared by a generation of lovers, rebels and readers, whose testimonies…
