Books like In Other Rooms, Other Wonders — picked by fans

The Elephant Vanishes includes two of my favorite stories by any contemporary writer.

Set in the forested vicinity of a factory that makes elephants, “The Dancing Dwarf” follows the adventures of a marvelous dwarf who once danced for the king, alas, now pursued by soldiers of the revolution. The other side of the spectrum, “The Last Lawn of the Afternoon” partakes of the fantastic only by osmosis. The care this teenage boy takes mowing and trimming his assigned lawns feels so real it reminds me of myself.

This range keeps the reader slightly off balance and full of expectation, which might not be so exciting if we weren’t in the hands of one of the finest practitioners of the craft anywhere in the world.  

Isabel Allende shows us marvels from South American traditions, archetypal stories with the excitement of passionate lovers and desperate bandits.

Once you finish the stories—not one a clunker—your mind will have been temporarily readjusted to the dangerous and fantastical world of deeply hidden human motivations. It’s as good as her autobiographical Paula, which is an education between covers. At first, I wouldn’t read Isabel Allende because two friends told me she imitated Gabriel Garcia Marquez.

I later learned they had not actually read any of her books. I decided to see for myself. Not true, I told them. Read the books.

This collection is an Introduction to an established writer of traditional horror with thirteen stories previously published in magazines, anthologies, or collections. I read these now as a single continuous work (like a symphony) with re-emerging themes.

Weaving in and out throughout the collection, the image of the shape-shifter develops with a wild inventiveness that never spins out of control. The same with the writer’s fascination with music that comes out humorously in the story “Collectable,” disturbingly accurate in “Under Iron.”

There is dark humor working beneath the surface that keeps readers alert and tingling with anticipation, a good effect if you’ve never tingled.  

This collection reads like realistic stories from the perspective of a single point-of-view that throws common life into the realm of the weirdly uncommon.

In fact, I kept reading to figure out what I was reading. What changed in the process? My own perception of the world in which we live. These people may be like us, but the writer looks at them with new and different eyes. These stories sneak up on you and take over your mind for a marvelously short time because it’s a short book of short stories—one I recommend because it’s so unusual.

I picked up this book for its Scottish setting and gothic vibes (which did not disappoint!), but I devoured the book because of the characters who I was rooting for from page one.

It’s such a surprise and pleasure to read a large cast of (queer) women, each uniquely-drawn and with their own distinct desires and personalities. The setting of the book is brilliant as well–I cannot resist a book set in a Scottish forest. The story is threaded through with folklore, adding another layer to the gothic atmosphere. 

This book is a summer creamsicle of a book, melting down your fist as you devour it. It’s the sun beating down in parking lots as you run toward the water, sand crunching under your flip-flops. If you took Joan Didion’s descriptions of SoCal and crossed them with Anne-Marie MacDonald’s deft descriptions of mother/daughter pathos, then sprinkled it with 70’s childhood nostalgia, you’d get this daydream of a book.

Oh, yeah, and it’s also about a deadbeat parent who may or may not be an ocean deity. I accidentally grabbed this off the library shelf one day and loved it so much that I bought it. I take every opportunity to recommend it. It’s a beach read in the best, literal sense of the term. 

The first time I saw Pretty Deadly on the shelves at my local comic book store, I was fascinated and chilled by the cover art, and the story within did not disappoint. This Eisner-Award-nominated graphic novel by Captain Marvel writer Kelly Sue DeConnick melds Western and horror genres for a macabre tale about Death’s daughter, Deathface Ginny, riding a horse made of smoke and wind across the harsh and unrelenting landscapes of a brutal Wild West, doling out retribution. I love me some grim reaping, and the same dark, evocative imager. I love me some grim reaping, and I wanted the same dark, evocative imagery to come through on my pages and through Hettie’s own journey with the cursed gun Diablo at her side.   

This is quite literally the book that made me decide to become a writer.

It draws on two Scottish ballads (“Tam Lin” and “Thomas the Rhymer”), but rather than retelling them straight, it uses them as a springboard for its own original plot. The relationship between the two main characters and the story they are telling together instilled in me a burning desire to tell my own stories for other people to read, and it also sent me off down a lifelong path of reading about the folklore that underpins the novels I pick up.

This story is about Benny a teenager who can hear objects speaking and his mother, who is a compulsive hoarder.

Benny finds a group of people in a hidden wing of the local library which introduces him to a new world where he is accepted. He meets Aleph a drug user who leaves lines of poetry on paper in the books of the library and Slavoj a homeless drunk man who spouts much philosophy from his wheelchair. Ozeki makes the reality fantastic, the work is grounded in ordinary details.

The book is a beautiful portrait of a mix of characters you ordinarily would ignore and makes magic of the everyday. It's this everyday magic that I also wish to capture in my own fiction.

This is Mark Emery’s personal account of his challenging journey into the legal, political and financial brambles of USA, Inc. His courage and convictions outweigh unthinking acceptance of the System and its enslavement of citizen-serfs. Emery stands up for his status as a free man and asserts his God-given rights against all the odds, often winning and sometimes losing. It is a case study in freeing oneself from a Leviathan of centralized government power that seeks to subject people to its array of rules, regulations and statutes that only keeps us from knowing our true selves. Since publication Mark Emery has allied himself with Anna Maria Riezinger and her extensive research into corporate “government” and allied systems that have been engineered to transplant the constitutional republic of our Founding Fathers.