Here are 100 books that Fire and Hemlock fans have personally recommended if you like
Fire and Hemlock.
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I write and read fantasy that doesn’t play safe—where magic is messy, divine, rotten, or reborn in mud. I’m obsessed with stories that walk barefoot through forgotten folklore, eerie townships, and mythic detours. The Fallow Swallow grew from this exact craving: for fantasy that’s personal, poetic, and just a little unwell. I gravitate toward tales that embrace magical realism, morally grey characters, and dark humour—and these books helped shape my voice as a writer.
Reading this was like drinking tea with a ghost in a dusty library—charming, eerie, and wonderfully slow.
Clarke's ability to mix historical fiction with brooding, folkloric magic was inspiring. I admired how it builds tension not with battles, but with manners, contracts, and impossible choices. It taught me patience in worldbuilding and in life.
Two magicians shall appear in England. The first shall fear me; the second shall long to behold me The year is 1806. England is beleaguered by the long war with Napoleon, and centuries have passed since practical magicians faded into the nation's past. But scholars of this glorious history discover that one remains: the reclusive Mr Norrell whose displays of magic send a thrill through the country. Proceeding to London, he raises a beautiful woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious, fussy Norrell is challenged by the emergence of…
A heartfelt romantic fantasy set in a whimsical traveling theatre troupe—where the newest member is fleeing home, and the lead actor is hiding a dangerous fae curse.
Vai Delvecchio, escaping a family scandal, joins the eccentric Quicksand Theatre Company, where magic fuels both stage tricks and real-world consequences. As they…
As well as being a novelist, I am also a script editor for film and TV. I specialise in thriller narratives and big themes in screenwriting, so it's no accident I am drawn to them in fiction too. Dystopian worlds offer such a rich backdrop for the BIG questions and observations. By putting new societies and threats under the microscope in stories, it can hold a mirror up to what's going on in real life. I think of dystopian novels as being akin to the canaries in the coal mine: they are not only cathartic, they sound the warning bell on where we are going as a society ourselves.
I love this book because of Katniss Everdeen's depth. She’s not just another “kickass hottie”, she’s complex, with a powerful character arc driven by a deep sense of responsibility.
The book’s commentary on mental health and Katniss' parentification resonated with me personally. The story world of all the districts and President Snow's iron grip on them is well-drawn and has parallels to our own, too.
Sixteen-year-old Katniss Everdeen regards it as a death sentence when she is forced to represent her district in the annual Hunger Games, a fight to the death on live TV. But Katniss has been close to death before - and survival, for her, is second nature. The Hunger Games is a searing novel set in a future with unsettling parallels to our present. Welcome to the deadliest reality TV show ever...
I’m an award-winning and USA Today Best-Selling author whose work includes everything from short stories in school journals to horror and epic fantasy. But I’ve long been obsessed with books that work as well for adults as they do for children. The prose must be beautiful and designed to read aloud; the plot must be on point, and the characters must be compelling. And all of this with a PG rating. A tricky ask, even when the authors haven’t added Easter egg extras for adults. It’s because of this that I believe these are some of the best fantasy books ever written. So, enjoy!
“Doors are very powerful things. Things are different on either side of them”’
I love this quote. There’s nothing like the threshold of a door when it comes to story magic! It’s steeped in tradition since long before Roman times. And Diana Wynne Jones is the underrated Queen of this whimsical genre. Her words flow so beautifully, and not only that, her characters are the cutest. I fell in love with Calcifer, the little fire demon, and the headstrong Sophie.
Now an animated movie from Studio Ghibli and Hayao Miyazaki, the oscar-winning director of Spirited Away
In this beloved modern classic, young Sophie Hatter from the land of Ingary catches the unwelcome attention of the Witch of the Waste and is put under a spell...
Deciding she has nothing more to lose, Sophie makes her way to the moving castle that hovers on the hills above her town, Market Chipping. But the castle belongs to the dreaded Wizard Howl, whose appetite, they say, is satisfied only by the souls of young girls...
There Sophie meets Michael, Howl's apprentice, and Calcifer…
The wolves of the Wood do more than hunt you… they know your name.
When Red’s life collides with the royal family of Alameth, she is drawn into the haunting mystery of the wolves and the shadowed Wood that preys on her and her people. But as darkness closes in,…
I write and read fantasy that doesn’t play safe—where magic is messy, divine, rotten, or reborn in mud. I’m obsessed with stories that walk barefoot through forgotten folklore, eerie townships, and mythic detours. The Fallow Swallow grew from this exact craving: for fantasy that’s personal, poetic, and just a little unwell. I gravitate toward tales that embrace magical realism, morally grey characters, and dark humour—and these books helped shape my voice as a writer.
This was one of the first books that showed me fantasy could be bold and heretical.
The world was so rich—daemons, armored bears, oppressive religions—and Lyra felt like a character who’d been waiting to burst off the page for centuries. It’s a coming-of-age tale wrapped in cosmic questions and rebellion, and it sparked something in me that’s never gone out.
Philip Pullman invites you into a dazzling world where souls walk beside their humans as animal companions and powerful forces clash over the nature of the universe.
When fearless young Lyra uncovers a sinister plot involving kidnapped children and a mysterious substance called Dust, she sets out on a daring quest from Oxford to the frozen Arctic. With armored bears, witch queens, and a truth-telling compass as her allies, Lyra must face choices that will shape not just her destiny—but that of countless worlds. A thrilling blend of adventure, philosophy, and wonder, perfect for curious minds.
Hi, I’m E.C. Glynn. I love writing stories that tackle the messiness of religious societies and belief systems through a fantasy lens. What qualifies me for such an endeavour? Well, with a Master's in International Relations, a decade as a Recovering Catholic, a career as an Officer in the Army, and an unhealthy fascination with cults, I think that’s not a bad place to start for developing a nuanced and interesting perspective on the topic. I am a very picky reader and need to read books that have beautiful prose, interesting worlds, complex and convoluted concepts, and believable dialogue to enjoy my reading experience.
I have re-bought this book multiple times because I keep giving it away as a gift.
I am OBSESSED with the dynamic between the main male character and the main female character. The tricksy nature of the fae, combined with the forbidden nature of humans in the fae realm, lends such a delicious tapestry to the complicated social dynamics between Jude and Cardan, and indeed the rest of the Fairie Court.
I particularly loved the transition of Jude throughout this book – she hardens as Cardan softens, and in a dangerous world, it’s just the perfect combination.
"Lush, dangerous, a dark jewel of a book . . . intoxicating" - Leigh Bardugo, #1 New York Times bestselling author of Six of Crows
Of course I want to be like them. They're beautiful as blades forged in some divine fire. They will live forever.
And Cardan is even more beautiful than the rest. I hate him more than all the others. I hate him so much that sometimes when I look at him, I can hardly breathe.
One terrible morning, Jude and her sisters see their parents murdered in front of them. The terrifying assassin abducts all three…
I’ve worked in many places worldwide, including Native (Amerindian) communities, West Africa, and Jamaica. Each of these experiences has enriched my life and exposed me to the fact that our society is only one of many and, similarly, that all do not share our understanding of reality. Whether visiting Adongo, a Ghanaian shaman who lived on the Burkina Faso border, and watching him go into a trance and describe my spirit, or being in the sweltering dark of a sweat lodge transported by the chanting to another place, to merging with an ancient oak tree, I have been touched by magic. It’s out there.
Quite simply, Erin Morgenstern’s book is the finest example of urban fantasy I have ever read. Besides a plot rich in sorcery and romance, with a circus (think Bradbury’s Something Wicked This Way Comes) that appears mysteriously, vanishing just as suddenly and the shadowy game of two great sorcerers playing out their competitiveness through the lives of their young apprentices, this is a beautifully written book. The writing is elegant, rounded, and rich. What a writer! The imagery is transporting without clobbering the reader over the head. The characters are each fully drawn, but in slow increments as the story steams inexorably ahead like the mysterious train that carries the circus from locale to locale.
This book showed me that you do not need blazing dragons or drooling werewolves to create menace, sinister characters, and mystery. Morgenstern places this world of circus magic just out of reach but so…
Rediscover the million-copy bestselling fantasy read with a different kind of magic, now in a stunning anniversary edition to mark 10 years since it's paperback debut.
The circus arrives without warning. It is simply there, when yesterday it was not. Against the grey sky the towering tents are striped black and white. A sign hanging upon an iron gates reads:
Opens at Nightfall Closes at Dawn
Full of breath-taking amazements and open only at night, Le Cirque des Reves seems to cast a spell over all who wander its circular paths. But behind the glittering acrobats, fortune-tellers…
We are all surrounded by darkness. And we are all drawn to the light.
The Orkney Islands north of Scotland are steeped in stories of selkies, seal folk who swim in cold ocean waters and shed their skins to sing and dance on land.
When I was a kid, my father bought a boat, a Boston Whaler. It wasn’t all that big, but it was enough to take our family of six out on the Pacific Ocean—to Catalina Island, and to some of the smaller and uninhabited islands off the California coast. With flashlights, we explored Channel Island sea caves, listening to the echoing barks of hidden sea lions bouncing off the cavern walls. We snorkeled in the clear waters off Catalina—past schools of fish, manta rays, and dolphins. It was magical. It’s been years since I’ve lived anywhere near the ocean, but I’ve never forgotten the adventures we had, especially the encounters with the captivating creatures of the sea.
I’ve always wanted to write a book about an underwater town. Sea Change is as close as I’ve come, though there are no actual residential structures beneath the waves in my story.
But in The Girl Who Fell Beneath the Sea there is a whole, vibrant, beautifully-detailed underwater city, where various kinds of beings carry on with the business of their lives—working; eating; socializing with friends; making love, and making war. Nobody has gills or underwater breathing gear, but you come to this place after jumping into the sea, and schools of brightly colored fish swim through the air, while whales float like clouds in the sky above.
Aside from people, spirits, and sea animals of various kinds, there are the magnificent sea dragons. They have scales of a vibrant, dazzling blue and move freely through the (underwater) air—buoyant, joyous. They have whiskered mouths, and eyes so large and dark…
Deadly storms. An ancient curse. Will her sacrifice save them all?
For generations, deadly storms have ravaged Mina's homeland. Her people believe the Sea God, once their protector, now curse them with death and despair. To appease him, each year a maiden is thrown into the sea, in the hopes that one day the 'true bride' will be chosen and end the suffering.
Many believe Shim Cheong - Mina's brother's beloved - to be the legendary true bride. But on the night Cheong is sacrificed, Mina's brother follows her, even knowing that to interfere is a death sentence. To save…
When I was a kid, I moved from Sri Lanka to the US without any knowledge of English. I first learned the language through the stories I watched and then the ones I read. I spent hours in the library and was most strongly attracted to stories with magic and witches, which allowed me to escape my own life and find refuge in my imagination. These stories are why I became a writer, and many of these stories still hold sway over me today. When life gets hard, I love to escape into these magical worlds.
No list of magic would be complete without Nimona. Everyone’s talking about the Netflix adaptation, but if you ask me, the original graphic novel is not to be missed. A wonderfully quirky romp that somehow achieves moments of intense poignancy and beauty, this is a book for everyone.
Indies Choice Book of the Year * National Book Award Finalist * New York Times Bestseller * New York Times Notable Book * Kirkus Best Book * School Library Journal Best Book * Publishers Weekly Best Book * NPR Best Book * New York Public Library Best Book * Chicago Public Library Best Book The New York Times bestselling graphic novel sensation from Noelle Stevenson, based on her beloved and critically acclaimed web comic. Kirkus says, "If you're going to read one graphic novel this year, make it this one." Nemeses! Dragons! Science! Symbolism! All these and more await in…
I grew up playing outside during the day, reimagining the worlds I had read about the night before. With my imagination at full steam, I would hike, camp, fish, and hunt until I was tuckered out. Being somewhat isolated, I found solace in the characters in my regular reading, comforted by their humanity, foibles, and triumphs alike. I identified with overcoming adversity in order to survive. Book fueled the fire within me to choose the light over dark.
I loved The Book of Three because it was the first story that made me feel like adventure could begin anywhere—even for someone as unsure of themselves as Taran.
I connected with his clumsy eagerness to prove his worth, and watching him grow gave the journey real heart. The companions he meets—Eilonwy, Fflewddur Fflam, and Gurgi—bring warmth and humor, showing that bravery isn’t about perfection but about loyalty and sacrifice.
Lloyd Alexander’s world of Prydain felt alive with magic, danger, and wonder. It made me believe that even ordinary people could rise to do extraordinary things.
Since The Book of Three was first published in 1964, young readers have been enthralled by the adventures of Taran the Assistant Pig-keeper and his quest to become a hero. Taran is joined by an engaging cast of characters that includes Eilonwy, the strong-willed and sharp-tongued princess; Fflewddur Fflam, the hyperbole-prone bard; the ever-faithful Gurgi; and the curmudgeonly Doli--all of whom become involved in an epic struggle between good and evil that shapes the fate of the legendary land of Prydain.
Released over a period of five years, Lloyd Alexander's beautifully written tales not only captured children's imaginations but also…
Kindle Book Award Finalist. Readers' Favorite Book Award Finalist. Gotham Writers' YA Novel Discovery Contest Finalist. B.R.A.G. Medallion Honoree
Brigit Quinn has always felt like an outsider. Growing up in a small town where her mom’s pagan practices are the stuff of local gossip, she’s spent her whole life trying…
From my early days of reading Fire and Hemlock and various books of mythology, I’ve loved traditional tales from all around the world. In college I didn’t aim to major in things that would be useful to me as a fantasy writer, but anthropology and folklore made a great background for that job. Nowadays, I actively seek out books based on traditional stories, especially those that go beyond the most well-known European fairy tales and myths. Sometimes, they inspire me, in turn, to write my own stories!
So many of the books I read flinch from letting there be truly bad consequences to the protagonist’s actions, but this one is impressive in how little it pulls its punches.
When I picked it up, I wasn’t as familiar with the Persian folklore that inspired it as I am with other novels, but it made me want to go read the tales it’s based on. I also found the writing lovely, a cut above many of the novels I read. And for bonus points, it has queer representation, too!
From the author of Girls Made of Snow and Glass, this captivating and utterly original Persian-inspired fairy tale about a girl cursed to be poisonous to the touch is perfect for fans of Natasha Ngan and Naomi Novik.
'Monstrously beautiful and enchanting' Tasha Suri, author of Empire of Sand
There was and there was not, as all stories begin, a princess cursed to be poisonous to the touch. But for Soraya, who has lived her life hidden away from everyone, apart from her family, safe only in her gardens, it's not just a story.…
