100 Books Like The Shrike

I was about thirteen years old when I picked up Charles Portis’ book, and from the very first line, I wanted to be Mattie Ross. The novel was the first Western I remember reading and remains imprinted on my brain as a first to mash up the traditional themes of the righteous Code of the West and the hopelessness of a world awash in lawlessness and violence, all the while eliciting whoops of laughter.

Mattie was the first female protagonist I remember encountering with pluck and impertinence to match the infamous U.S. Marshal Rooster Cogburn and inspire my own.

I was immediately hooked by this brilliant novel because of its unusual omniscient narrator, the Grim Reaper. Death, stressed out by the surfeit of “clients” he must deal with during World War II, reveals himself to be a sensitive narrator who sees everything. He especially keeps his eye on a young German girl, her loving foster parents, and the Jewish man they hide and protect.

I fell in love with these characters as they struggled with moral decisions, wartime hardship, danger, and tragedy. Despite the realistic portrayal of German life during WWII, I found this book to be an uplifting read. 

While you read this story, you step into a world where magic and science intertwine, where armored bears rule the icy north, witches soar through the skies, and every person has a daemon—a living reflection of their soul. The adventure takes us across breathtaking landscapes, from the bustling streets of Oxford to the frozen wastelands of the Arctic, uncovering secrets that shake the very foundation of reality.

Lyra’s journey is thrilling, full of mystery, danger, and a sense of wonder that never fades. Philip Pullman weaves a story so immersive and thought-provoking that it makes us question everything we think we know. It’s a book that sparks curiosity, adventure, and just the right amount of rebellion.

This book introduced me to the forced proximity/enemies-to-lovers tropes and has haunted me ever since.

The pervading mystery of the story, punctuated by strong characters and a love that has a lot of yearning behind it, made this totally unputdownable.

The world-building is incredibly creative – focusing on a benevolent dictator with authoritative and intolerant rule for anything around magic or religion. It creates a fascinating landscape for the ensuing mystery, political intrigue, and romance that follows. 

We all know what happens when Death takes a holiday, but what happens when Death is given notice? 

Dismissed from the only job he’s ever known, Death must decide how to spend the time he has left. Taking on the random name “Bill Door,” he offers his talents scything hay, “one blade at a time, one time, one blade.” Death is a recurring character in Discworld and has the casually brutal forbearance of someone who has seen it all.

Seen, but not experienced and it is the dawning comprehension that I love most about Reaper Man: “[Death] wondered if he’d ever felt wind and sunlight before. Yes, he’d felt them, he must have done. But he’d never experienced them like this; the way wind pushed at you, the way the sun made you hot. The way you could feel Time passing. Carrying you with it.”

Season of Mists is my favorite of Gaiman’s graphic novels from his stellar Sandman run. Death, Dream’s older sister, appears at the end of the first arc and proved to be a fan favorite from that first on-page appearance. She’s a lovely, sweet, and utterly kind incarnation of the boundary that severs this life from whatever comes after. Gaiman creating a comforting presence out of an idea that terrifies most people. She’s charming in this installment, forcing her brother to face his misdeeds with compassion and honesty. It’s no wonder she is one of the only people in his family that Dream listens to!

This is the first book of the Incarnation series. What got me to read this book was the description. A man sees the incarnation of Death (the dark hooded grim reaper) and he shoots and kills him. Now that he has killed death, he must take Death’s place and become Death himself.

The second book in the series is about Chronos (time) and he lives his life backwards! The entire novel is written with time moving opposite of everyone else in the novel. I read these books in my early twenties and a lot of the series plot points still stick with me today. I have been influenced by it because in my series if one kills a mage, they must take their place as that mage.

I think The Doctor in Doctor Who and his wife moving opposite in time might have been influenced by the second book, I… show more.

One of my all-time favorite fantasy novels, and the one that got me hooked on fantasy as a girl – Alanna is the ultimate scrappy heroine and I dreamed of being her when I was growing up.

Alanna has a black cat companion, which may or may not have influenced me to adopt a black cat as an adult.

At the time I read it, I’d never heard of a woman wanting to be a knight before – Alanna helped me realize that all glass ceilings can be shattered, and this remains one of the most re-read novels on my shelf. 

This book is a summer creamsicle of a book, melting down your fist as you devour it. It’s the sun beating down in parking lots as you run toward the water, sand crunching under your flip-flops. If you took Joan Didion’s descriptions of SoCal and crossed them with Anne-Marie MacDonald’s deft descriptions of mother/daughter pathos, then sprinkled it with 70’s childhood nostalgia, you’d get this daydream of a book.

Oh, yeah, and it’s also about a deadbeat parent who may or may not be an ocean deity. I accidentally grabbed this off the library shelf one day and loved it so much that I bought it. I take every opportunity to recommend it. It’s a beach read in the best, literal sense of the term. 

I picked up this book for its Scottish setting and gothic vibes (which did not disappoint!), but I devoured the book because of the characters who I was rooting for from page one.

It’s such a surprise and pleasure to read a large cast of (queer) women, each uniquely-drawn and with their own distinct desires and personalities. The setting of the book is brilliant as well–I cannot resist a book set in a Scottish forest. The story is threaded through with folklore, adding another layer to the gothic atmosphere.