100 Books Like Imagine

I have a brother who is fifteen years my junior. When he was small, I often read him stories. One of our shared favourites, read over and over, was Sendak’s Wild Things. It’s a masterpiece.

He usually wrote the text, as well as making the wonderful pictures, and the text is short, simple, rhythmic, and beautiful. Sendak was a poet as well as an artist.

Think about it: a child of five and a young woman of twenty, reading the same book, poring over the illustrations together, and both having a whale of a time.

If you know a child of picture-book age who doesn’t own Sendak’s Where the Wild Things Are—buy it for them!

It’s quite possibly the scariest book ever written. Much scarier than most adult horror books. Adult horror books rely on cheap shock value to elicit cheaper scares. It provides the same (or greater) level of unease without resorting to the gratuitous.

I cannot fathom how this book managed to pull that off. But I can say that this book has more to offer adults than it can give to children. An adult can see the subtext of a story where a child disappears because a stranger offers them candy and toys, as well as the implication that such strangers may not be entirely human.

And I can’t tell you what makes it so great without spoiling the whole story. I was so engrossed in this story that it practically kidnapped me. I can’t recommend it enough.

I think Snicket’s wonderful series has all the classic ingredients of a Victorian gothic tale: orphans whose parents died in a fire, danger around every corner, sinister relatives, creepy and untrustworthy characters, and a dose of gloomy fun.

I loved the characters. The Baudelaire children Violet, Klaus, and Sunny are wonderfully drawn. The money-hungry, third-rate stage actor Count Olaf is a fantastic villain, so good I could read the series for him alone. I also loved the impending sense of doom in this book, the gothic setting, and the melodious and engaging prose.

If you know a young child or are young at heart yourself, read, share, and enjoy this Dr. Seuss classic. We live in a world where economic growth is almost universally touted as a panacea.

In his beautiful book, Dr. Seuss teaches us why “biggering” cannot go on forever. He graphically shows the costs it has on the natural world and our lives. It demonstrates what even children know: biggering is not bettering.

In this book, a little girl learns to hear the trees and see characters and creatures when her mother asks her to be quiet. Poetry is made when we stop to listen and be still. Each page builds from the last, and Pendziwol's poetic language draws the reader in. My poet’s heart resonates with this book’s message in a deep way. I think it is vital for children to experience a small amount of boredom because it can be the catalyst for creativity and ingenuity. So don't be afraid to tell your kids to be still! You're doing them a favor. Let this charming book lead the way.

A lovely, imaginative, and brilliant book all round.

This is a lovely rhyming book with cute illustrations. I love the author’s imagination about a winter world. It is a unique and inventive book that will open up a child’s mind. The activities at the end will be a hit with kids.

This book, originally published in French in 1927 (and now at long last translated into English by psychologist Alan Costall), is the earliest systematic analysis of the odd, nonrealistic features of children’s drawings, and the first to argue against those who considered these oddities as defects to be overcome. Instead, children’s drawings at different stages are shown to have their own logic and intelligence. Luquet opposed any kind of intervention or correction by adults, which he felt might destroy children’s love of drawing. He took children’s drawings seriously, never dismissing them in terms of what they lacked. This highly readable book, with its wonderful illustrations revealing the logic of children’s drawings, has had an enormous influence on how psychologists understand child art.    

A touch of French magic.

In this memoir, the reader is invited into the author’s enchanting world. She and her husband view a gracious old cottage. It’s tired, though possesses that special je ne sais quoi. Inexplicably drawn to its soul, they embark on a project to restore life and love into its walls and garden.

During this captivating journey, Lindy learns about her surroundings, the colourful characters who become their friends, the creatures that share their home, but mostly she learns about nature and the joys of living in harmony with the seasons. 

The author’s style is delightful. Her new experiences, feelings, and encounters are expressed with a gentle, poetic intimacy. She also delights with her culinary skills and shares heavenly recipes. For me, this was an intoxicating read.

After reading this one, I wanted to go back to the “Old Country,” and nobody writes about the Old Country quite like Singer. I really enjoyed his stories about ordinary people in extraordinary situations—or maybe they were ordinary situations to them.

I was drawn to his portrayal of a world that no longer exists but was vibrant, joyous, and tragic at the time. His characters spoke to me directly and inspired me to write short stories of my own. I once met Singer and was able to share one of my own short stories with him. He eventually put it in his archive, which was an honor for me.

If you’re in need of inspiration, this book will either make you fall in love with writing or fall back in love with it again. Although it’s a book for the younger writer (aged 9-12), it’s a perfect book for the young-at-heart, grown-up kid. It’s full of energy and verve – just the thing to boost creativity and confidence. Although it’s one of the shortest books on my list, its content packs a punch. It contains exercises to spark the imagination, helpful hints and tips from established authors, and plenty of advice on writing both fiction and nonfiction.