100 Books Like The Bad Beginning

I’m going to stick my neck out and say that, in my opinion, this book is the greatest ever retelling of the Arthurian story. Why do I love it? Primarily I think because his characters are so well-defined and crafted—they have feelings and families, emotions and frustrations—and are frequently not at all heroic. 

I love the elements of the book that play out within the animal kingdom—the rigid, controlled society of the Ants, the free and liberal existence of the Wild Geese—all brought to life by an author who was a renowned natural historian and who is using the power of his fantastical imagination to provide insight into the broad spectrum of political models and options for ruling. 

I first read this book when I was studying Politics and Philosophy as an undergraduate, and I was blown away by White’s insight, humanity, and the choices he… show more.

The only Young Adult book on this list but firmly deserving of its place, this book is the perfect example of how to successfully blend science fiction and fantasy. 

Colfer takes a traditional fantasy fairy society and gives them advanced weaponry, surveillance gadgets, and time-stopping devices. It works incredibly well, and through convincing world-building I was immediately bought into the idea of fantasy creatures with sci-fi technology. 

A standout feature of the novel is the characters, whose backstories, motivations, and behaviours all help to build this science fantasy world. We get an elf “LEPRecon” officer with access to bionic wings, a centaur who heads the technology department of the “Lower Elements Police,” and a dwarven thief who sells stolen human property on the black market. They were all enormously fun to read.

What’s not to love about a world so imaginatively cool and amazingly immersive?

I’ve legit spent hours of my life thinking about living in an underground cave system, and so this book was everything I wanted. I also loved being along for the adventure and feeling like I was discovering things right along with the characters.

It’s giving National Treasure vibes, which is one of my all-time favorite movies. 

I have a brother who is fifteen years my junior. When he was small, I often read him stories. One of our shared favourites, read over and over, was Sendak’s Wild Things. It’s a masterpiece.

He usually wrote the text, as well as making the wonderful pictures, and the text is short, simple, rhythmic, and beautiful. Sendak was a poet as well as an artist.

Think about it: a child of five and a young woman of twenty, reading the same book, poring over the illustrations together, and both having a whale of a time.

If you know a child of picture-book age who doesn’t own Sendak’s Where the Wild Things Are—buy it for them!

Miranda Sinclair is a latchkey kid who lives with her single mom on the Upper West Side of New York City in the late 1970s. I love the way Miranda navigates her dirty, dangerous, yet enchanting city – her street smarts, her fears, her relationships with the adults in the neighborhood who keep a watchful eye over her. And the book, while totally gritty and real, also has a lovely, melancholy element of magical realism that makes the story mysterious and poignant. 

Want to laugh out loud? Then read The Princess Bride. I’m sure you’ve seen the classic movie version, but you owe it to yourself to go back to the source material by William Goldman. I never knew a book could be so funny!

The narrative stretches the boundaries of storytelling, taking the reader down a path that is touching, scary, and hilarious in turns. I loved the absurdist characters. I loved even more Goldman’s clear, comic voice throughout.

I believe this book is one of the classic staples of surreal fiction. Its disjointed, spiraling narrative and sprawling non-linear plot lines challenge the definition of what a ‘book’ is. It uses everything from footnotes to text alignment to color schemes to make the act of reading itself increasingly difficult, which matches the house’s influence on the narrators’ memories and interests.

Reading it for me was like learning Latin or watching Casablanca–it gave context to decades of experimental media inspired by it, from TV shows to DOOM game mods. Love it or hate it, it’s a solid tool for any inhuman’s toolkit. 

It would be the most extreme of criminal acts for this beloved book not to be my ‘list topper!’ Reading this book instilled an instant love of good fantasy storytelling in me early on. It defines the fantasy genre, exemplifying the absolute best extremes in great world-building, characters, and epic storytelling.

Tolkien set the high bar I strive for in all areas in my own writing with one of the most memorable stories in one of the most unforgettable worlds of all time … and he managed to pull it all off within the context of a single book! No matter how many times I go back and re-read this one, I find something new to cherish, and you will too!

I almost didn’t include this Newbery Medal winner book by Louis Sachar on my list of magical middle-grade books set in the real world. Is it really magical? Is it set in the real world? With a fourteen-year-old protagonist, Stanley Yelnats, is it even middle-grade?

Here’s why my love for this book won out. Sachar weaves together a quirky, complex story, just interconnected enough to qualify as “magical.” The setting, a juvenile prison camp with a sadistic warden, is “real-world” enough. And Stanley, though emotionally young for fourteen, is a kind, thoughtful kid well worth rooting for.

About halfway through reading, its darkness almost prompted me to lay this book aside. I’m so glad I didn’t. In the end, its themes of perseverance, hope, and redemption shone through.

It’s quite possibly the scariest book ever written. Much scarier than most adult horror books. Adult horror books rely on cheap shock value to elicit cheaper scares. It provides the same (or greater) level of unease without resorting to the gratuitous.

I cannot fathom how this book managed to pull that off. But I can say that this book has more to offer adults than it can give to children. An adult can see the subtext of a story where a child disappears because a stranger offers them candy and toys, as well as the implication that such strangers may not be entirely human.

And I can’t tell you what makes it so great without spoiling the whole story. I was so engrossed in this story that it practically kidnapped me. I can’t recommend it enough.