My passion for stories began while I was still in elementary school. I was an avid reader, taking the tram to the library whenever I could. I read biographies, short stories, comic books, and novels of all kinds. In college I studied comparative literature focusing on novels of the 19th and 20th century in English and Spanish. I met many authors and was inspired to write my own stories. Eventually, this led to screenwriting as a career and then teaching and writing about screenwriting. I never abandoned my love of novels, publishing one of my first novels as a magazine for which I sold advertising to pay for printing.
This book got my attention in college when I was considering a career as a novelist. It immersed me in a dense world of complicated people trying to make a life in New York City in the early twentieth century.
I was fascinated by the details of their personalities and the complexities of their relationships. I saw in their story the story of my immigrant grandparents and the stories of the millions that have followed. It’s the story of the people of the United States, no matter which country you come from.
David Schearl arrives in New York in his mother's arms to begin his new life as an immigrant in the 'Golden Land'. David is hated by his father - an angry, violent man unable to find his niche in the New World - but is fiercely loved and protected by his Yiddish-speaking mother. An innovative, multi-lingual novel, Call It Sleep subtly interweaves the overwhelming love between a mother and son with the terrors and anxieties David experiences, as he seeks to find his own identity amidst the cultural disarray of early twentieth-century America.
After reading this one, I wanted to go back to the “Old Country,” and nobody writes about the Old Country quite like Singer. I really enjoyed his stories about ordinary people in extraordinary situations—or maybe they were ordinary situations to them.
I was drawn to his portrayal of a world that no longer exists but was vibrant, joyous, and tragic at the time. His characters spoke to me directly and inspired me to write short stories of my own. I once met Singer and was able to share one of my own short stories with him. He eventually put it in his archive, which was an honor for me.
In an underground coal mine in Northern Germany, over forty scribes who are fluent in different languages have been spared the camps to answer letters to the dead—letters that people were forced to answer before being gassed, assuring relatives that conditions in the camps were good.
Kafka’s stories pulled me right in from the first line to the last. His way of writing about the absurdities of life, of the numbing bureaucracy of government, and of life itself helped explain my feelings about my own world.
I have read and re-read his stories and marveled at his understanding of the challenges that society presents to the individual. His suffering is the suffering of the human race. I have often found myself in “Kafkaest” situations. Having read Kafka, they’re easier to deal with.
'When Gregor Samsa woke one morning from uneasy dreams, he found himself transformed into some kind of monstrous vermin.'
With a bewildering blend of the everyday and the fantastical, Kafka thus begins his most famous short story, The Metamorphosis. A commercial traveller is unexpectedly freed from his dreary job by his inexplicable transformation into an insect, which drastically alters his relationship with his family. Kafka considered publishing it with two of the stories included here in a volume to be called Punishments. The Judgement also concerns family tensions, when a power struggle between father and son ends with the father…
Borges became a great influence on my own writing. His stories liberated my imagination and opened my eyes to other South American writers in the same way that Singer opened my eyes to other Yiddish writers and stories.
The characters are so specific yet universal in their appeal. The stories are thought and emotion provoking, which is what I strive for in my own work.
In an underground coal mine in Northern Germany, over forty scribes who are fluent in different languages have been spared the camps to answer letters to the dead—letters that people were forced to answer before being gassed, assuring relatives that conditions in the camps were good.
Márquez is most famous for One Hundred Years of Solitude, but I like this book better because it’s less dense but more emotional. It’s also shorter and easier to follow. Obviously a love story, it stands out because it takes place during a difficult time demonstrating that love, again, can conquer all, even death.
Again, I have a personal tie to the author as I stayed in what had been his apartment at Cuba’s film school, EICTV when I taught a seminar there. Many of his possessions were still there, and I could feel inspired just by being there.
There are novels, like journeys, which you never want to end: this is one of them. One seventh of July at six in the afternoon, a woman of 71 and a man of 78 ascend a gangplank and begin one of the greatest adventures in modern literature. The man is Florentino Ariza, President of the Carribean River Boat Company; the woman is his childhood sweetheart, the recently widowed Fermina Daza. She has earache. He is bald and lame. Their journey up-river, at an age when they can expect 'nothing more in life', holds out a shimmering promise: the consummation of…
Standing poolside, soaking wet, holding two soggy tickets to that evening’s Emmy Awards, Buddy Ralston tries to figure out who he is and who is this fantastic looking woman he’s hoping to pick up. It’s September 2019. Hollywood. A novel in the first person as told to the first cohort of the University of Me, or Who Do You, as it became to be called, founded by Buddy Ralston, né Sy Rabinowitz, three-time Emmy Award winner who finally learned how to become the person he’d hoped he’d become when he was a child.
