Here are 100 books that Children's Drawings (Le Dessin Enfantin) fans have personally recommended if you like
Children's Drawings (Le Dessin Enfantin).
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I’ve had a life-long love affair with the arts. I intended to become an artist, but ultimately became a psychologist researching psychological aspects of the arts. My first book, Invented Worlds, examined the key questions and findings in the psychology of the arts. In Gifted Children: Myths and Realities, I wrote about gifted child artists. My Arts & Mind Lab at Boston College investigated artistic development in typical and gifted children, habits of mind conferred by arts education, and how we respond to works of art. The walls of my home are covered with framed paintings by young children, often side by side paintings by professional artists.
Most studies of child art describe development towards realism. Artful Scribbles is one of the first accounts to focus on the expressiveness and aesthetics of child art. Developmental psychologist Howard Gardner discusses in depth the puzzle of why the flowering of children’s art (as valued in the West in the last century) does not last. While drawings of 8- or 9-year-olds are more realistic and “accurate” than those of preschoolers, they seem to have lost the exploratory freshness of the art of younger children. This is one of the earliest studies of children’s art to take seriously the idea of the child as an artist and to consider the relationship between child art, modern art, and the art of adolescents and of mature artists.
Psychologists have long understood that the art works of children relate to their intellectual and emotional development but this is the first book to describe the developmental process of drawing. Gardner explores the vital links between childrens art and their emotional, social, and cognitive development.
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I’ve had a life-long love affair with the arts. I intended to become an artist, but ultimately became a psychologist researching psychological aspects of the arts. My first book, Invented Worlds, examined the key questions and findings in the psychology of the arts. In Gifted Children: Myths and Realities, I wrote about gifted child artists. My Arts & Mind Lab at Boston College investigated artistic development in typical and gifted children, habits of mind conferred by arts education, and how we respond to works of art. The walls of my home are covered with framed paintings by young children, often side by side paintings by professional artists.
This book by art historian Jonathan Fineberg will open your eyes to the fundamental connections between young children’s art and the art of famous 20th century modern artists like Vasily Kandinsky, Paul Klee, Joan Miró, Pablo Picasso, and others. You might be surprised to learn that many of these artists collected children’s drawings and were profoundly influenced by child art. This book will help you understand the images that inspired these modern masters. It will change how you look at both modern art and child art, and you will come away with a greater appreciation of both.
"When I was the age of these children I could draw like Raphael. It took me many years to learn how to draw like these children."--Pablo Picasso, upon viewing an exhibition of children's drawings, as quoted by Sir Herbert Read in 1945 The idea that modern art looks like something a child can do is a long-standing cliche. For some modernists, however, the connection between their work and children's art was direct and explicit. This groundbreaking and heretical book, centered on such modern masters as Klee, Kandinsky, Picasso, and Miro, presents for the first time material from the collections of…
I’ve had a life-long love affair with the arts. I intended to become an artist, but ultimately became a psychologist researching psychological aspects of the arts. My first book, Invented Worlds, examined the key questions and findings in the psychology of the arts. In Gifted Children: Myths and Realities, I wrote about gifted child artists. My Arts & Mind Lab at Boston College investigated artistic development in typical and gifted children, habits of mind conferred by arts education, and how we respond to works of art. The walls of my home are covered with framed paintings by young children, often side by side paintings by professional artists.
This is a classic book by German-born psychologist Rudolf Arnheim, in which he lays out the principles underlying our perception and understanding of works of visual art. One of the major principles discussed is the human tendency to see the simplest form possible in any visual array. This ‘simplicity principle’ is also used to explain the intelligence and inventiveness of children’s art. In a brilliant chapter called Growth, Arnheim shows us that children are not striving towards realism; rather they are trying to create the simplest possible recognizable structural equivalent for the object they are representing. The inventiveness with which children reduce complex forms to simple structural equivalents requires far more intelligence than mindless copying.
Since its publication fifty years ago, this work has established itself as a classic. It casts the visual process in psychological terms and describes the creative way one's eye organizes visual material according to specific psychological premises. In 1974 this book was revised and expanded, and since then it has continued to burnish Rudolf Arnheim's reputation as a groundbreaking theoretician in the fields of art and psychology.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve had a life-long love affair with the arts. I intended to become an artist, but ultimately became a psychologist researching psychological aspects of the arts. My first book, Invented Worlds, examined the key questions and findings in the psychology of the arts. In Gifted Children: Myths and Realities, I wrote about gifted child artists. My Arts & Mind Lab at Boston College investigated artistic development in typical and gifted children, habits of mind conferred by arts education, and how we respond to works of art. The walls of my home are covered with framed paintings by young children, often side by side paintings by professional artists.
Nadia was a severely autistic and mentally challenged child who, at age 3, drew horses that in important respects rivalled those by Leonardo da Vinci. Nadia was clearly a case of “savant syndrome” – an individual severely impaired in most areas but with one island of genius-level skill. Psychologist Lorna Selfe first wrote about this amazing case in 1977. In 2011, Selfe tells us what happened to Nadia’s drawing ability as she grew older and why her drawings regressed sharply to a more primitive level. This book will introduce you to the many theories put forth to explain this strange almost eerie phenomenon. It will help you think about the difference between artistic giftedness in the context of autism and mental challenges versus such giftedness in the context of an otherwise typically developing child.
This book re-examines the case of Nadia, discovered as a child aged six, who had been drawing with phenomenal skill and visual realism from the age of three, despite having autism and severe learning difficulties. The original research was published in 1977 and caused great international interest. Nadia Revisited updates her story and reconsiders the theories that endeavour to explain her extraordinary talent.
As well as summarising the central issues from the original case study and presenting her remarkable drawings, the book explains Nadia's subsequent development and present situation in light of the recent research on autistic spectrum disorders and…
My love affair with France began years ago with a holiday to St Malo. Since then, it’s been hard to stay away. Luckily, my husband felt the same way and eventually, we decided to buy a country estate in the rural southwest. Today, I write about our wacky lives here, how we refurbished our home and came to live with somany animals. We’re immersed in a quirky farming community that lives in harmony with the seasons. Honestly? Nothing much has altered for the past thirty years. It’s magical. Oh, and when we have time, we’ll explore our locality. We still have so much here to discover.
In this memoir, the reader is invited into the author’s enchanting world. She and her husband view a gracious old cottage. It’s tired, though possesses that special je ne sais quoi. Inexplicably drawn to its soul, they embark on a project to restore life and love into its walls and garden.
During this captivating journey, Lindy learns about her surroundings, the colourful characters who become their friends, the creatures that share their home, but mostly she learns about nature and the joys of living in harmony with the seasons.
The author’s style is delightful. Her new experiences, feelings, and encounters are expressed with a gentle, poetic intimacy. She also delights with her culinary skills and shares heavenly recipes. For me, this was an intoxicating read.
No. 1 Best Seller in French Travel and New Release in French Cooking.
“Is it too much?” I mouth to my husband when the estate agent’s back is turned. I’m talking about the amount of work, not the asking price, as we survey the dilapidated state of the 300-year-old house. He gives me a knowing look, purses his mouth in a French way and shakes his head. He’s going to do a deal. The truth is, too much work or not, it’s too late. The fairy-tale cottage has spun her magic web around us, and we are her willing captives.…
I am a Graphic Illustrator, Muralist, and Educator, serving as an adjunct professor at the Cleveland Institute of Art and I love birds! I was born and raised in the Chautauqua Lake Region of Western, NY and I find myself very much at home with our feathered friends. My passion for color, shape, and nature enables me to draw the viewer's eye to things that otherwise might go unnoticed. Letter Birds was created when my children were 5 and 7 and I would draw while they slept. When they awoke they would find a colorful drawing of a feathered friend along with a new letter to learn. My children continue to be my creative muses - even as teenagers!
Anyone who loves kids' art can relate to Art 😉. McDonnell captures the freedom and love of creating from a child's perspective and beyond. A beautiful portrait of the rawness and whimsy that comes from children's artwork – where there are no boundaries. This sweet book brings us back to that simple artistic joy where there are no limits, where we can create as we feel, play, sleep, and create some more!!
A young artist, Art, is your lively guide into this captivating and dynamic book. ART celebrates art (and Art) with a simple text that's full of life, creations that practically dance off the pages and a surprisng and heartwarming ending. An expression of pure joy.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I became fascinated with France and the French as a child, and over the past 40 years I have spent as much time as I can here. I’ve been fortunate to be able to combine my dual passions—for France and for literature—in creating a series of classes for CUNY study abroad programs and for the Politics & Prose bookstore. Through this work, over the past 20+ years I have spent much of my time reading and teaching works of literature that explore France and the French people in depth. I now live in France, and I continue to find the French endlessly fascinating. I think I always will.
This is one of the best books I know for covering a huge amount of material in a compact, reader-friendly, yet very thorough form. The author provides insightful perspective on French history, psychology, culture, cuisine, language, and habits, and offers particularly helpful advice about how to recover from the inevitable moments of cultural awkwardness. Although some of the practical information is outdated, the general insights into and analysis of French people and their culture will never go out of date. I think it’s well worth reading for anyone who has an interest in France and the French that goes beyond the surface; anyone who has a genuine interest in understanding this fascinating people and culture.
CultureShock! France peels away the layers of the French and their country to reveal the heart of the Gallic temperament. The book navigates through essential topics such as learning the French language, how best to work with the French, observing their body language and even how to choose wine in a restaurant. Glean practical advice on finding a home, getting the utilities running and putting the children into school. Find out more about the French, a complex people who maintain a cool composure on the outside yet are inwardly passionate about art, romance, cuisine and wine. Discover how easily the…
I often turned to my imagination when I was a child. Nobody Can Take My Happy Awaywas inspired by the times I was bullied. My peers teased me about my clothes, my teeth, my home, and how I talked. I wanted to hide from everyone, so I had fewer opportunities to make friends. Because I lived in my own head, I found acceptance in the world of make-believe. I read books about strange worlds with characters that thrived in their surroundings. Eventually, it didn’t matter if someone teased me at school. Reading these books helped me be myself. I found strength in being the odd one out.
This interactive book inspired me to look at ordinary things in a new way. The pictures are great, they take you to new places using everyday things and people as a stepping stone. My favorite part of the book is the dial that allows you to switch faces. Common objects take on a whole new life in this book. I remember having a lot of fun looking at it.
This book felt more like playtime than reading, and that’s what I loved about it when I was a child. It made me decide to be an author and illustrator creating imaginative books. The style and theme of this book are my ideal inspiration for future projects. I want to write stories that exist for the sake of making happy memories.
Inspiring, intriguing, endlessly entertaining -- Norman Messenger's interactive book allows us to step out of our everyday lives, shed our preconceptions, and experience a little magic.
IMAGINE . . . a ladder without steps, a clock without hands, a racket without strings, a kiss without a mouth. Imagine a world where the hills have faces and wherever you went, you'd have someone to talk to. Imagine flipping a series of flaps to form fantastical creatures or turning a wheel to fit the top of one face on the bottom of another. Imagine that Norman Messenger's quirky, humorous suggestions, ingenious visual…
I live in my imagination. I never really grew out of seeing imaginary friends and fantastical elements in the world. Every budding flower or dancing sun shadow is a call to create. This is why I find children’s literature so thrilling and why my own writing often resides within the realm of make-believe. I love kids lit because it allows a grown-up like me to be a kid again – even if it’s just for a few pages.
In this book, a little girl learns to hear the trees and see characters and creatures when her mother asks her to be quiet. Poetry is made when we stop to listen and be still. Each page builds from the last, and Pendziwol's poetic language draws the reader in. My poet’s heart resonates with this book’s message in a deep way. I think it is vital for children to experience a small amount of boredom because it can be the catalyst for creativity and ingenuity. So don't be afraid to tell your kids to be still! You're doing them a favor. Let this charming book lead the way.
When a child is asked to "Please, be quiet!" they sit silent ... and their imagination sweeps them away on a breathtaking journey.
Through the window, the child can hear the trees breathe and watches them sway back and forth as they begin to dance. Then bears join in, accompanied by the child on their drum, making so much noise they wake up a dragon! The dragon's smoky breath fills the sky, and the wind forms a knight on a steed that gallops through the stars. The child's adventure continues, as one wonderful flight of fancy leads to the next,…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
My passion is writing. I started writing when I was 10 years old and my passion was reignited by my 11-year-old son. Writing runs in my blood as my late father was a journalist and the first black editor of the Zambia Daily Mail and my late brother was a poet. To date, I have published 17 children's books. I love writing children’s books with a positive message and also to make them laugh and entertained.
A lovely, imaginative, and brilliant book all round.
This is a lovely rhyming book with cute illustrations. I love the author’s imagination about a winter world. It is a unique and inventive book that will open up a child’s mind. The activities at the end will be a hit with kids.
How can one child end the long, fierce Winter? Original Fairytale written in rhyming verse with the magic of friendship. The story and colorful illustrations will delight young readers 8 to 98! * * * * * * * * * * * Winter has lasted for many long years; No babies were born during this time of fears.
Mariah surprises the world with her birth. Can she bring back Spring, with its laughter and mirth?
The kids have grown up and they work hard each day. She's too young to help, so she's left out to play.
