Here are 83 books that Ice Palace fans have personally recommended if you like
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I’ve always been drawn to epic journeys. From Jules Verne’s stories exploring the lengths, depths, and breadths of the known world, to little hobbits trekking across vast fantasy scapes in order to steal from dragons, something about the huge proportions of these grand adventures has always drawn me in. Perhaps it was no wonder, then, that my first book Nevertell was set in Siberia: a place so big that its sheer size tested the limits of my imaginings. If you, too, are drawn to sprawling, epic journeys, then these five fabulous recommendations are for you.
From the moment I opened this book I could feel the prickling tension of something about to happen. And when it does, prompting Mila and her sisters to set off on a quest through this wild and wintry world, you just know it’s going to be epic. With treacherous terrain and overwhelming odds, The Way Past Winter fully lives up to its promise of grand adventure.
The Way Past Winter is a riveting adventure about magic, an eternal winter, and one girl's unbreakable determination to reunite her family.
Mila, her sisters, and her brother, Oskar, live in a small forest cabin, surviving in a world gripped by frost and snow.
When a mysterious man shows up on her doorstep, Mila and her family grant him shelter for the night. But in the morning, the man is gone—and he's taken Oskar with them.
• Written by awardwinning and internationally recognized author Kiran Millwood Hargrave • Inspired by European folklore • Middle grade novel that explores deeper topics—grief,…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
There’s something truly magical about our ability to perceive the world through our senses. Our abilities to see, hear, smell, taste, and touch are like superpowers that we take for granted. Because of many amazing sensory experiences—like viewing the world from the top of a tower, feeling the pull of ocean waves at my feet, comparing flavors within chocolate, hearing wood thrushes in the forest—I find myself drawn to the beauty that our senses add to life. So, I’ve written two middle-grade novels (The Splintered Light and The Other Side of Luck)with an eye (and an ear) on sensory perception. I hope you enjoy these books!
Stolen jewels. A girl Robin Hood figure. Friendship. And an escape into the jungle with an elephant. Full of adventure and heart, The Girl Who Stole an Elephant provides a window into the lush setting of ancient Sri Lanka, and carried me along with its fast pace. Nizrana Farook’s descriptions are teeming with sensory details, and I thoroughly enjoyed them.
Inspired by the lush terrain of Sri Lanka, this fun tale of friendship, risk, and reward is just right for middle grade fans of fantasy and page-turning adventure.
Chaya, a nobleman's rebellious, outspoken, no-nonsense daughter, just can't resist the shiny temptations the king's palace has to offer.
But playing Robin Hood for an impoverished community doesn't come without risks, and when Chaya steals the queen's jewels from a bedside table—a messy getaway jeopardizes the life of a close friend. After an equally haphazard prison break, Chaya barely escapes...on the king's prized elephant!
With leeches and revolution lurking in the jungle,…
I’ve always been drawn to epic journeys. From Jules Verne’s stories exploring the lengths, depths, and breadths of the known world, to little hobbits trekking across vast fantasy scapes in order to steal from dragons, something about the huge proportions of these grand adventures has always drawn me in. Perhaps it was no wonder, then, that my first book Nevertell was set in Siberia: a place so big that its sheer size tested the limits of my imaginings. If you, too, are drawn to sprawling, epic journeys, then these five fabulous recommendations are for you.
Some books get a lot of praise, and some books truly deserve it. Boy, Everywhere is one of those books. Not only does it follow an epic journey across vast distances that’s fraught with danger and strife, it also follows a child going from a life he loves in Damascus to new and challenging beginnings in England. What’s so astounding about Sami’s journey is that it could so easily be real – and for many, it is. This book will take you on a journey of understanding and empathy, as well as across continents.
This debut middle-grade novel chronicles the harrowing journey taken by Sami and his family from privilege to poverty, across countries and continents, from a comfortable life in Damascus, via a smuggler's den in Turkey, to a prison in Manchester. A story of survival, of family, of bravery ... In a world where we are told to see refugees as the 'other', this story will remind readers that 'they' are also 'us'.
I’ve always been drawn to epic journeys. From Jules Verne’s stories exploring the lengths, depths, and breadths of the known world, to little hobbits trekking across vast fantasy scapes in order to steal from dragons, something about the huge proportions of these grand adventures has always drawn me in. Perhaps it was no wonder, then, that my first book Nevertell was set in Siberia: a place so big that its sheer size tested the limits of my imaginings. If you, too, are drawn to sprawling, epic journeys, then these five fabulous recommendations are for you.
I have a special copy of The Hunting of the Snark that my Nan gave me over 20 years ago. It quickly became my favourite book and I reread it all the time – returning to my adventure with a hapless crew (which includes a Beaver and a man who’s forgotten his own name), and following a leader (the Bellman) who, it’s safe to say, hasn’t a clue what he’s doing. And off they go across uncharted seas to hunt the fearsome snark. Why? I still don’t know... By turns silly and lyrical, hilarious and heartbreaking, this tale reminds me that the world often makes no sense at all, but it can still be meaningful – and beautiful too.
The nonsensical poem The Hunting of the Snark (An Agony in Eight Fits) was written by Lewis Carroll in 1874 and published in 1876. Describing "with infinite humor the impossible voyage of an improbable crew to find an inconceivable creature", the work borrows in-part from Carroll's Jabberwocky in Through the Looking-Glass.
When I was at school, reading was a chore. We were given books that held no interest and told to dissect the author’s words to find a deeper meaning. It put me off reading for years. It wasn’t until I came across a thriller that I discovered my love of books, and I’ve been hooked ever since. There’s nothing like mounting tension to get you flipping the pages, and I try to do that in my books.
What I loved most about this was the story within the story. A famous author is travelling back from a convention in Brazil when his plane goes down. The only other survivor is a young boy, not quite in his teens. In order to reach safety, they must battle not only Colombian drug runners and other nefarious characters, but the jungle itself.
"This is one of the best stories I've had the pleasure of reading in a long time. I highly recommend it."—Vigilant Reader Book Reviews
A plane crashes in South America, leaving only two survivors.
Reclusive author Jonas Drake stumbles from the fiery wreckage of the crashed 747 and meets Jeremy, a young boy struggling to come to grips with the loss of his mother. Hunted by F.A.R.C. insurgents chasing them for ransom, the pair flee into the rainforest with no plan and almost no hope.
Desperate to distract Jeremy from the nightmares surrounding them, Jonas tells him stories from his…
I am an American citizen who taught Classical Studies at the University of Toronto, Canada. I have taught Homer (in translation and in Greek), ancient myth, and “reception” of ancient myth. All the books that I discuss below I have taught many times in a first-year seminar about creative “reception” of the Odyssey. Other topics include comparable stories (like The Tempest by Shakespeare) and other great works of reception (like Derek Walcott’s stage version of the Odyssey and his epic poem "Omeros"). Every time I’ve taught the class, I’ve learned the most from free-wheeling discussions with students.
Though I love to read Homer’s Odyssey in the original Greek, I also appreciate translations that allow particular themes to emerge in new ways.
All translations of the ancient epic are necessarily inventive recreations of the ancient Greek Homeric story, and I like the way this translation employs a quick-paced poetic meter and updates the tale to suit modern sensibilities on uncomfortable aspects of the Odyssey (e.g., misogyny, slavery).
The introduction also provides an authoritative explanation of the Homeric Odyssey.
The first great adventure story in the Western canon, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty and power; about marriage, family and identity; and about travellers, hospitality and the changing meanings of home in a strange world.
This vivid new translation-the first by a woman-matches the number of lines in the Greek original, striding at Homer's sprightly pace. Emily Wilson employs elemental, resonant language and an iambic pentameter to produce a translation with an enchanting "rhythm and rumble" that avoids proclaiming its own grandeur. An engrossing tale told in a compelling…
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
I was introduced to the fascinating world of the Ancient Greeks by an inspirational teacher at my Primary School when I was about 10 years old—he read us tales of gods and monsters and heroes and heroism, and I was entranced. My grandpa bought me a copy of The Iliad. I read it with my torch under the bedclothes and embarked on a magical journey that has seen me spend the greater part of my life travelling in the world of the Ancient Greeks, both physically and intellectually. Those characters, both real and mythical, have become my friends, enemies, warnings, and role-models ever since.
Homer’s Iliadis a fabulously exciting tale of action and heroism, as the mightiest Greek heroes fight beneath the walls of Troy for the most beautiful woman who ever lived. But there is so much more to it! It’s partly the tale of one man’s anger, and partly a timeless tale about war and sacrifice for all humanity. Homer confronts some of the most significant human problems with amazingly contemporary power and nuance: the beauty and horror of combat; the inseparability of glory and destruction; the raw emotional power of reconciliation between mortal enemies; and the fact that there is more to life than revenge and more to being a man than slaughtering other men. Richmond Lattimore’s inspired translation makes you feel like Homer himself is reciting the tales to you.
"Sing, goddess, the anger of Peleus' son Achilleus / and its devastation." For sixty years, that's how Homer has begun the Iliad in English, in Richmond Lattimore's faithful translation-the gold standard for generations of students and general readers.
This long-awaited new edition of Lattimore's Iliad is designed to bring the book into the twenty-first century-while leaving the poem as firmly rooted in ancient Greece as ever. Lattimore's elegant, fluent verses-with their memorably phrased heroic epithets and remarkable fidelity to the Greek-remain unchanged, but classicist Richard Martin has added a wealth of supplementary materials designed to aid new generations of readers.…
I have been writing poetry for over 50 years and realized that as soon as I read Milton’s Paradise Lost – which blew my mind and emotions with its power of language – that epic poetry is the highest and greatest form of poetry. Thus, I have been assiduously reading epics ever since! I love them. And I write books on poetry writing (e.g. The Poetry Show: Macmillan, 1987), write on poetry for New York’s The Epoch Times, and am on the Advisory Board of The Society of Classical Poets. My own HellWard demonstrates a lifetime’s distillation about writing epic poetry, and shortly volume 2, StairWell, will be available.
This is a remarkable book, truly a modern epic poem. The verse is not strictly formal but somehow throughout its length Glaysher maintains interest, so that although his language can seem archaic in places, yet because the poetry is about such current issues that concern us – the fate of planet Earth and humanity more specifically – and because the linguistics are so varied and skillful, we realize that this is a poet working for deliberate effects, and not one who has only read poetry from three hundred years ago. One fabulous quality of this poem is its clarity and luminous quality. I love the fact that this poem is easy to understand and follow: it is a poet writing for people, not one trying to show off.
"Gazing from the moon, we see one Earth, without borders, Mother Earth, her embrace encircling one people, humankind."
Thirty years in the making, The Parliament of Poets: An Epic Poem, by Frederick Glaysher, takes place partly on the moon, at the Apollo 11 landing site, the Sea of Tranquility.
Apollo, the Greek god of poetry, calls all the poets of the nations, ancient and modern, East and West, to assemble on the moon to consult on the meaning of modernity. The Parliament of Poets sends the main character, the Poet of the Moon, on a Journey to the seven continents…
I have always been intrigued by fantastical world-building that is complex, detailed, forensically credible, and immeasurably encyclopedic in scope. It should propel you to a world that feels almost as real as the world you leave behind but with intricate magic systems and razor-shape lore. Ironically, some of my choices took a while to love, but once they “sunk in,” everything changed. Whenever life gets too much, it has been cathartic, essential even, to transport to another universe and find solace in prose dedicated to survival, soul, and renewal.
This may be considered an odd choice on the surface, given the true events of the Trojan War. This was also another I initially struggled with. Nevertheless, despite the factual elements, it’s viewed as one of the earliest epic fantasies in Western literature, along with The Odyssey, which came after.
Centered on just a few days of the ten-year siege of Troy, the lives of humans and their gods are intricately linked. It is one of the earliest examples of pathos with much sympathy actually lying with the enemies, the Trojans, a people based in Asia Minor, and their allies from all over the region. Outside the gods, it also references monsters such as Bellerophon, the Gorgon, and centaurs, with the gods often used as a plot device to refract the emotions and flaws of the characters.
The world-building is vivid and rich in dactylic hexameter, a rhythmic style.…
One of the greatest epics in Western literature, THE ILIAD recounts the story of the Trojan wars. This timeless poem still vividly conveys the horror and heroism of men and gods battling amidst devastation and destruction, as it moves to its tragic conclusion. In his introduction, Bernard Knox observes that although the violence of the Iliad is grim and relentless, it co-exists with both images of civilized life and a poignant yearning for peace.
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I don't write within received categories: our lives aren't lived in categories, but are full of varying realities, whether of home, childhood, marriage, parenthood, fantasy, dream, work, or relaxation, and more all mixed together. I can't write in any other way, however dominant a particular strand or age may be on the surface in a given work.Orpheus Rising may have a child hero, and a fantastic, elegant Edwardian Elephant as a spirit guide, but it let me tell a story of love lost and regained, of family broken and remade, of a father in despair and remade, themes of real importance in any life.
This is my favorite novelin Rieu's prose translation which has a real freshness, as if the very first book. I wanted that sense of freshness for my book, as well as the story of a man desperately trying to get home to his wife. The story takes place in the framework of Sam's 11-year-old imagination, and so carries him and his father through fantastic adventures as trying as those Odysseus faces in The Odyssey.
'The Odyssey is a poem of extraordinary pleasures: it is a salt-caked, storm-tossed, wine-dark treasury of tales, of many twists and turns, like life itself' Guardian
The epic tale of Odysseus and his ten-year journey home after the Trojan War forms one of the earliest and greatest works of Western literature. Confronted by natural and supernatural threats - ship-wrecks, battles, monsters and the implacable enmity of the sea-god Poseidon - Odysseus must use his bravery and cunning to reach his homeland and overcome the obstacles that, even there, await him. E. V. Rieu's translation of The Odyssey was the very…
