Here are 100 books that Hunger fans have personally recommended if you like
Hunger.
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I became fascinated by the intersection of food, sustainable agriculture, and culture when I moved to Iowa. I had long been an environmentalist, but moving to the land of big corn forced me to rethink food production. I wrote a book that explored agricultural narratives in India (Growing Stores from India) and developed a class on Religion and Food. I then became curious about how people and communities translate their values of sustainability into practice. For example, how do you decide what to eat, and who gets to decide? These books helped me think about links between food, sustainability, and culture and the power to decide what to eat.
What should we eat, and how do we choose? Where does our food come from?
In Omnivore’s Dilemma, Michael Pollan traces the origins of four meals to help answer this question. Each of these meals represents a food production system, big organic, industrial agriculture, for example. He takes us from a McDonald’s meal (hint: it’s corn) to a hunt.
In reading this book, I especially loved his investigative journalism, how he explored the environmental, social, and economic ramifications of each food and its system of production.
The New York Times bestseller that's changing America's diet is now perfect for younger readers
"What's for dinner?" seemed like a simple question-until journalist and supermarket detective Michael Pollan delved behind the scenes. From fast food and big organic to small farms and old-fashioned hunting and gathering, this young readers' adaptation of Pollan's famous food-chain exploration encourages kids to consider the personal and global health implications of their food choices.
In a smart, compelling format with updated facts, plenty of photos, graphs, and visuals, as well as a new afterword and backmatter, The Omnivore's Dilemma serves up a bold message…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
We live in a bizarre era of Elon Musk stans who seem certain that if you work hard you’ll be rewarded not only with ‘fuck you’ money, but ‘fuck everyone’ money. I think any writer worth their salt should at some point tackle the issues of their age in their writing. In our era racism, sexism, climate change, and a range of other social justice issues are all exacerbated through the improper distribution of wealth. You could give a man a fish, and he might eat for a day. Or you could eviscerate the rich, share their wealth, and throw the whole world a parade!
While I enjoyed this book while I was reading it, it was only after I’d digested it (pun intended) that I really came to appreciate its value. I think one of the real measures of an artwork is how much it sits with you in the months and years after the initial read/watch/listen, and this is one I think about often. The story follows a documentarian attempting to serve the corporate hierarchy and produce an asinine show about American wives and the meat-filled dinners they serve their husbands, but the novel gradually unfolds as a complex critique of misogyny, corporate control, Japanese and American culture, and the brutal nature of the modern livestock industry.
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In a single eye-opening year, two women, worlds apart, experience parallel awakenings.
In New York, Jane Takagi-Little has landed a job producing Japanese docu-soap My American Wife! But as she researches the consumption of meat in the American home, she begins to realize that her ruthless search for a story is deeply compromising her morals.
Meanwhile, in Tokyo, housewife Akiko Ueno diligently prepares the recipes from Jane's programme. Struggling to please her husband, she increasingly doubts her commitment to the life she has fallen into.
I’m a novelist and a teacher of writing. My books are fueled by curiosity above all else. I have no expertise in science, so I stand in wonder at complicated systems that remain mostly hidden to me. My interest in food is similarly recreational. I’m married to a great chef and cookbook author, so I’ve learned a lot by osmosis. But when I think back on the process of writing OnePotato, I have to give a lot of credit to my students. They seem to be part of a generation that’s genuinely passionate about eating in healthy, equitable, and sustainable ways. Much of my book was sparked by conversations in the classroom.
This is the newest book on my list, and it reads like a glimpse into the future. Zimberoff investigates big tech’s scramble to create eggs without chickens, milk without cows, and meat without animals. It’s remarkable in both its breadth and its access to key players. I mentioned my character’s struggle to balance nature and technology earlier. In this arena, the line is even finer. If there’s ever a sequel to my own book, it will surely explore alternative proteins.
The full inside story of the technology paradigm shift transforming the food we eat and who is making it
Ultra-processed and secretly produced foods are roaring back into vogue, cheered by consumers and investors because they are plant-based-often vegan-and help address societal issues. And as our food system leaps ahead to a sterilized lab of the future, we think we know more about our food than we ever did, but because so much is happening so rapidly, we actually know less. In Technically Food, investigative reporter Larissa Zimberoff pokes holes in the marketing mania behind today's changing food landscape and…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’m a novelist and a teacher of writing. My books are fueled by curiosity above all else. I have no expertise in science, so I stand in wonder at complicated systems that remain mostly hidden to me. My interest in food is similarly recreational. I’m married to a great chef and cookbook author, so I’ve learned a lot by osmosis. But when I think back on the process of writing OnePotato, I have to give a lot of credit to my students. They seem to be part of a generation that’s genuinely passionate about eating in healthy, equitable, and sustainable ways. Much of my book was sparked by conversations in the classroom.
There’s a minor thread in my novel about the Irish Potato Famine, and this book was a major resource. It was sobering to learn that there was enough food to feed the Irish peasantry, but it was not distributed according to need. (Much of it was exported.) Worse still, it was a cultural moment in which the wealthy found ways to absolve themselves of the poverty of their neighbors. But I was most shocked to learn about the scientific implications. Essentially, the potato variety that failed was a monoculture. And the solution to the blight involved returning to the Andes, with its vast genetic diversity, and finding a resistant strain.
It started in 1845 and lasted six years. Before it was over, more than one million men, women, and children starved to death and another million fled the country. Measured in terms of mortality, the Great Irish Potato Famine was one of the worst disasters in the nineteenth century - it claimed twice as many lives as the American Civil War. A perfect storm of bacterial infection, political greed, and religious intolerance sparked this catastrophe. But even more extraordinary than its scope were its political underpinnings, and "The Graves Are Walking" provides fresh material and analysis on the role that…
I grew up in small-town America, very far from where I was born (London), with a strong desire to travel and explore. I also developed a thirst for history—the older the better! At eighteen, I went to work on European digs before studying Archaeology in the UK and teaching in Southern Africa. Across these adventures I both experienced and witnessed the victimization of young women—an even more common ordeal in the past. So now I write historical fiction about resourceful, brave women who strive to be the active, powerful centres of their own stories. I hope you find the books on my list as inspiring as I do!
When I teach creative writing, I often use this excellent historical novel set in the USSR during WW2 as an example. There are scenes from this book seared into my memory—they are so powerful, visceral, and moving.. Helen Dunmore is able to put the reader in the centre of the most harrowing circumstances, where people are starving, freezing, and dying in the thousands, and yet allow us to care about the individual and feel uplifted by their struggle. In Leningrad, Anna has already lost her mother, who died giving birth to her baby brother, Kolya. During the brutal siege of 1941-44, Anna must somehow keep her young brother alive without losing her humanity. A story of one ordinary woman pushed to extraordinary bravery—representing so many.
Called "elegantly, starkly beautiful" by The New York Times Book Review, The Siege is Helen Dunmore's masterpiece. Her canvas is monumental -- the Nazis' 1941 winter siege on Leningrad that killed six hundred thousand -- but her focus is heartrendingly intimate. One family, the Levins, fights to stay alive in their small apartment, held together by the unlikely courage and resourcefulness of twenty-two-year-old Anna. Though she dreams of an artist's life, she must instead forage for food in the ever more desperate city and watch her little brother grow cruelly thin. Their father, a blacklisted writer who once advocated a…
I’ve been described as ‘the Energizer bunny,’ so it’s no surprise that I’m drawn to colorful and passionate fictional characters—especially historical ones who have not only life’s circumstances to deal with but societal limitations too. My personality is such that if I’m told I can’t achieve something, I grit my teeth and say, ‘Watch me!’ So, it’s only natural that I draw on this sheer bloody-mindedness to breathe life into my own historical fiction ensembles. Creating characters who are as limp as wet lettuces is one of my biggest challenges. I want everyoneto have gumption, but I also understand that good balance in a story is important.
A toast to Tatiana and Alexander! *throws back a shot of vodka*
Compounded by Simons’ exquisitely detailed storytelling, which waxes lyrical about the siege of Leningrad during the summer of 1941, these lovebirds fromThe Bronze Horsemansit high on my list of unforgettable historical fiction characters.
The superb languor of Alexander’s courtship with Tatiana during a time of terrible hardship helped me overlook both of their faults, and become wholly invested in them as a couple.
He is unrelenting in his desire to take care of Tatiana and her family, and while she is young and at times incredibly naïve, she is also brilliantly resilient.
The character I love to hate: Dasha. Ugh! How can a sister be so cruel?
Boy, did my emotions run the gauntlet with this one!
A magnificent epic of love, war and Russia from the international bestselling author of TULLY and ROAD TO PARADISE
Leningrad 1941: the white nights of summer illuminate a city of fallen grandeur whose palaces and avenues speak of a different age, when Leningrad was known as St Petersburg.
Two sisters, Tatiana and Dasha, share the same bed, living in one room with their brother and parents.
The routine of their hard impoverished life is shattered on 22 June 1941 when Hitler invades Russia. For the Metanov family, for Leningrad and particularly for Tatiana, life will never be the same again.…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am a historian, curator, and writer born and raised in New York City, a place whose history intrigued me from an early age. With a mother who moved from small-town New Jersey to Greenwich Village in the 1950s, and a father who had childhood memories of World War I in the Bronx, I think my interest was sort of preordained. I remain fascinated by cities as engines of change, as flashpoints for conflict, and as places that are simultaneously powerful and vulnerable.
Leningrad (now St. Petersburg) endured one of history’s great sieges when Hitler’s armies surrounded it in 1941. By the time the Red Army liberated it in 1944, the city’s thriving population of 2.5 million had been reduced by evacuations, bloodshed, and starvation. Salisbury brings to life the harrowing experiences of ordinary men and women who managed to survive with their dignity and devotion to civilization intact. The book casts an ironic shadow forward to the ordeal of Ukraine’s city dwellers today. And if you want to understand Vladimir Putin—whose childhood was shaped by family traumas in wartime Leningrad—this is a good place to start.
The Nazi siege of Leningrad from 1941 to 1944 was one of the most gruesome episodes of World War II. Nearly three million people endured it just under half of them died. For twenty-five years the distinguished journalist and historian Harrison Salisbury pieced together this remarkable narrative of villainy and survival, in which the city had much to fear-from both Hitler and Stalin.
I have a degree in history and political science, with a particular interest in military history—especially World War II history, and most especially Eastern Front history. My family has Polish roots, and my own stories tend to focus on the Polish and Ukrainian experiences, but I keenly feel the need for more YA books not only about the Eastern Front but about other, even lesser-known theaters of World War II.
Marina Scott’s The Hunger Between Us fills a curious gap in YA fiction about World War II: This is the only YA novel I’ve ever read that deals with the Siege of Leningrad.
But it’s not really about the Siege of Leningrad; it’s about a girl searching doggedly for her lost friend, refusing to give up hope in a city where hunger has turned neighbor against neighbor, father against daughter, and nobody can be trusted. A profoundly character-driven war novel.
In a city ruled by hunger, the black market is Liza's lifeline, where she sells or steals whatever she can get her hands on just for enough food to survive. Morality, after all, has become a fluid thing during the brutal year her city has been under siege. But when Liza's best friend proposes that they go to the secret police, rumored to give young women food in exchange for 'entertainment,' Liza thinks there surely must be some other way. Then her friend disappears, and Liza devises a plan to find her, entangling herself with two dangerous young men -…
I particularly enjoyed writing this book about a city that I love and have visited many times (starting in the late 1970s, when I was a student), and whose history I know well too. Most books, by foreigners anyway, talk about the city from a distance; I wanted to write something visceral, about sounds and smells as well as sights, and above all, how locals themselves think about their city, the way in which its intense and in some respects oppressive past shapes St Petersburg’s life today – yet all the same, never gets taken too seriously. Readers seem to agree: as well as an appreciative letter from Jan Morris, whose travel writing I’ve always admired, I treasure an email message from someone who followed my advice and tramped far and wide – before ending up in the room for prisoners’ relatives to drop off parcels at Kresty (the main city prison) when he wrongly assumed he was using an entrance to the (in fact non-existent) museum.
You can’t understand modern St Petersburg without an awareness of its wartime history, and among many searing accounts of the Siege of Leningrad, this has the greatest philosophical depth. The translation by Alan Myers is excellent, and there are helpful notes by Emily van Buskirk.
The 900-day siege of Leningrad (1941-44) was one of the turning points of the Second World War. It slowed down the German advance into Russia and became a national symbol of survival and resistance. An estimated one million civilians died, most of them from cold and starvation. Lydia Ginzburg, a respected literary scholar (who meanwhile wrote prose 'for the desk drawer' through seven decades of Soviet rule), survived. Using her own using notes and sketches she wrote during the siege, along with conversations and impressions collected over the years, she distilled the collective experience of life under siege. Through painful…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
As a lover of history, when I lived in Hawaii, Japan, and Guam, I visited World War II sites. I had a fascinating career as a political reporter. I reported on a “Christmas Drop,” a tradition since WWII. On Johnston Atoll, I did photojournalism on the incineration of chemical weapons from East Germany. I interviewed a Kuwaiti sheik and human shields during Desert Storm. I covered negotiations when the Philippines didn’t renew US military base leases. While at the San Antonio Express News, I researched the WWII Japanese soldier, Shoichi Yokoi, who hid on Guam for nearly 28 years. That was the seed for my novel No Surrender Soldier.
Symphony for the City of the Dead is a riveting nonfiction story, written in novel style, about the Siege of Leningrad and the role played by Russian composer Shostakovich and his Leningrad Symphony. The story gives a glimpse of life for people trapped inside the Russian city for nearly three years, from 1941, when Nazis surrounded Leningrad. One million people died from bombings or starvation. After reading the moving account in MT Anderson’s book, I listened to Symphony for the City of the Dead. It will move you to tears. I love MT Anderson’s writing and depth, but this book is one of my all-time favorites due to the fact that it is nonfiction. It’s difficult to fathom how people could survive such horrific conditions. Yet, Shostakovich created such powerful haunting music from the tragedy.
“This ambitious and gripping work is narrative nonfiction at its best. . . . The book has all the intrigue of a spy thriller. . . . A must-have title with broad crossover appeal.” — School Library Journal (starred review)
In September 1941, Adolf Hitler’s Wehrmacht surrounded Leningrad in what was to become one of the longest and most destructive sieges in Western history—almost three years of bombardment and starvation. Trapped between the Nazi invading force and the Soviet government itself was composer Dmitri Shostakovich, writing a symphony to rouse, rally, eulogize, and commemorate his fellow citizens: the Leningrad Symphony.…
