100 Books Like Symphony for the City of the Dead

When I learned, at seventeen, of my father’s Jewish heritage, I flung myself headlong into reading about Judaism. Naturally, this led me to the Holocaust and World War II, and my novels are inspired by family stories from this harrowing time. While doing research, I traveled to Germany and London, interviewed WWII veterans, and read countless memoirs, academic nonfiction tomes, and historical fiction books about this era. I now speak at libraries and to community organizations about the Ritchie Boys, Secret Heros of WWII. People sometimes tell me concentration camp stories are too disturbing, so I recommend books about Jewish survival, heroism, and everyday life during the Third Reich.        

Anyone who’s attended high school knows it’s often survival of the fittest outside class and a sort of shadow-boxing inside of it. At my late-1970s prep school in the suburbs of Los Angeles, some days unfolded like a “Mad Max” meets “Dead Society” cage match. While everything changed when the school went coed in 1980, the scars would last into the next millennia for many. Mine did, and it’d thrust me on a journey not only into classic literature of the young-male archetype, but also historical figures who dared to challenge the Establishment for something bigger than themselves. I couldn’t have written my second novel, Later Days, without living what I wrote or eagerly reading the books below.

As a lover of history, when I lived in Hawaii, Japan, and Guam, I visited World War II sites. I had a fascinating career as a political reporter. I reported on a “Christmas Drop,” a tradition since WWII. On Johnston Atoll, I did photojournalism on the incineration of chemical weapons from East Germany. I interviewed a Kuwaiti sheik and human shields during Desert Storm. I covered negotiations when the Philippines didn’t renew US military base leases. While at the San Antonio Express News, I researched the WWII Japanese soldier, Shoichi Yokoi, who hid on Guam for nearly 28 years. That was the seed for my novel No Surrender Soldier. 

As a lover of history, when I lived in Hawaii, Japan, and Guam, I visited World War II sites. I had a fascinating career as a political reporter. I reported on a “Christmas Drop,” a tradition since WWII. On Johnston Atoll, I did photojournalism on the incineration of chemical weapons from East Germany. I interviewed a Kuwaiti sheik and human shields during Desert Storm. I covered negotiations when the Philippines didn’t renew US military base leases. While at the San Antonio Express News, I researched the WWII Japanese soldier, Shoichi Yokoi, who hid on Guam for nearly 28 years. That was the seed for my novel No Surrender Soldier. 

I am a historian, curator, and writer born and raised in New York City, a place whose history intrigued me from an early age. With a mother who moved from small-town New Jersey to Greenwich Village in the 1950s, and a father who had childhood memories of World War I in the Bronx, I think my interest was sort of preordained. I remain fascinated by cities as engines of change, as flashpoints for conflict, and as places that are simultaneously powerful and vulnerable. 

I particularly enjoyed writing this book about a city that I love and have visited many times (starting in the late 1970s, when I was a student), and whose history I know well too. Most books, by foreigners anyway, talk about the city from a distance; I wanted to write something visceral, about sounds and smells as well as sights, and above all, how locals themselves think about their city, the way in which its intense and in some respects oppressive past shapes St Petersburg’s life today – yet all the same, never gets taken too seriously. Readers seem to agree: as well as an appreciative letter from Jan Morris, whose travel writing I’ve always admired, I treasure an email message from someone who followed my advice and tramped far and wide – before ending up in the room for prisoners’ relatives to drop off parcels at Kresty (the main city prison) when he wrongly assumed he was using an entrance to the (in fact non-existent) museum.

I grew up in small-town America, very far from where I was born (London), with a strong desire to travel and explore. I also developed a thirst for history—the older the better! At eighteen, I went to work on European digs before studying Archaeology in the UK and teaching in Southern Africa. Across these adventures I both experienced and witnessed the victimization of young women—an even more common ordeal in the past. So now I write historical fiction about resourceful, brave women who strive to be the active, powerful centres of their own stories. I hope you find the books on my list as inspiring as I do!

I’m a novelist and a teacher of writing. My books are fueled by curiosity above all else. I have no expertise in science, so I stand in wonder at complicated systems that remain mostly hidden to me. My interest in food is similarly recreational. I’m married to a great chef and cookbook author, so I’ve learned a lot by osmosis. But when I think back on the process of writing One Potato, I have to give a lot of credit to my students. They seem to be part of a generation that’s genuinely passionate about eating in healthy, equitable, and sustainable ways. Much of my book was sparked by conversations in the classroom.

Growing up, I felt both the denial and existential shame in the ether of my family—that something was missing. Decades after my birth, I learned that many of my ancestors died by the Nazis. I’m Jewish, but it was never mentioned; my grandfather and father kept it quiet. In fact, we celebrated Christmas. I started to research my lineage at the same time I was writing a story about a catholic boy who falls in love with a Jewish girl when I stumbled upon a reference to a WWII Nazi slave labor death camp called Berga and was stunned to learn that Jewish POWs were enslaved at a death camp. 

When I was six years old, my Dutch relatives visited. Stories swirled about their bravery in getting secrets from the Germans and sharing the intel with the Allies, about their privation during the hunger winter, and their work hiding their Jewish countrymen. I studied abroad in 1977-1978 and took the opportunity to visit my Dutch relatives. They told me more stories of their resistance work, their escapades, and, most importantly, their “why” during my time with them. Such stories don’t leave you–ever. They percolated in my head for years until a voice came to me, Rika’s voice, and I began to write. Sixty Blades of Grass is the result.