Books like Hour of the Witch — picked by fans

I love this book because it is not afraid to look at deep sadness and disappointment in an honest and complex way. This novel is a collection of short stories that all take place in a coastal Main town and are connected by the large presence of Olive.

Olive is intelligent, acerbic, and abrasive. She is anything but easy. I appreciate the compassion Strout gives her imperfect characters as they struggle with their messy lives. I grew to care more for Olive as I traveled her rocky path with her, even as she was often the one to throw down the rocks before her.

This is a quiet book, which I read in a quiet way. It brought me comfort in its illumination of uncomfortable things. 

This one will probably surprise a few people, but it is a historical romance. For those who haven’t read the book, please know that the movie starring Daniel Daydream- Lewis does not accurately parallel the book. I chose this novel because it is an American story with American characters, published in 1826. Cora is another very strong character, certainly ahead of her time and admired by Hawkeye, who was also an unusual character for the period. I enjoyed the historical details intertwined with fiction. Definitely worth your time to read.

The book explores the cultural differences in the 1600s of Martha’s Vineyard of Native Americans and Puritans.

It is inspired by the story of the first Native American to graduate from Harvard College, as narrated by his friend Bethia. She is forbidden education but learns from him. 

Brooks, as always, has characters teeming with excited tension and reveals historical life set in that time and place. I love her depiction of the early settling in of the Puritans.

This novel, published in 2000 by the University Press of New England, has in my opinion never gained the readership it deserves. It’s a rich, funny, deeply humane captivity tale based on the true story of Nathan Blake, who was taken by Algonkian-speaking people from his home in Keene, New Hampshire, in 1746, and brought up to Canada, where he was held for three years as a slave. The novel weaves a defamiliarized but extremely plausible-feeling tapestry of early colonial America that complicates the stereotypes established by Cooper’s influential novel set in the same period, and Hebert’s main character, Caucus-Meteor—an elderly, multilingual Indian and the last survivor of his band—is by my lights one of the great characters in literature.

Ok, this isn’t actually a historical novel, but it was a bestseller when it came out back in 1682 and in some ways it does read like fiction. The story of a Puritan settler and her three children who were captured by Narragansett Indians during King Phillip’s War, Rowlandson’s account, judged by contemporary mores, is both racist and religiously bigoted. Still, it provides a rare first-hand rendering of the Puritan experience of a central truth of 17th century America: the collision of two radically distinct societies and the personal fallout resulting from that collision. As such it’s an invaluable historical document—though one best considered alongside other, less publicized primary accounts, which tell us that many seventeenth-century English captives, especially younger ones, were reluctant to return to the English settlements because of the freedom and ease they found in Indian society.

Dolores Price is one of the most honest, funny, and irresistible narrators I’ve ever encountered, and the story of her coming of age grabbed me by the heart and didn’t let go until the very last page. I found the trauma she suffers to be highly relatable, and her way of plowing through it is both admirable and heartbreaking.

I’ve read this book at least three times over the last several years, and each time, it has made me cry harder than any other book I’ve read. For me, each time I’ve read this book, it’s been an amazing, cathartic experience.

I have always loved the lais of Marie de France and have taught them for years, introducing students to her proto-feminism and sly humor (check out Lanval for a send-up of the conventional medieval romance).

So when I came across this novel, I snapped it up, and it didn’t disappoint. I was captivated by Groff’s depiction of Marie: a rebel against religion and conventional gender roles, an exile in a convent who becomes the hero and hones her craft of writing.

Groff swept me into the book with her luminous descriptions of atmospheres and landscapes. I loved the gawky and ungainly Marie’s lonely fascination with Queen Eleanor of Aquitaine and the way she turns heartbreak into art. 

A compelling story on the magical, yet dangerous world of Witches, Bess Hawksmith watches her mother swing from the Hanging Tree during 17th Century England. Turning to Warlock; Gideon Masters, who introduces her to the darker parts of the craft. This is where the story will take a turn for the worst, when Bess discovers the real price of accepting his help. It is a battle of good vs bad, love and hate.

The Cicada Tree is a wonderful Southern Gothic magical realism mash-up leavened with humor and illuminating reflections on the human condition told in voices that drip with authentic Southernisms. Analeise Newell, this novel’s protagonist, is a complex, not-as-kind-as-she-knows-she-should-be eleven-year-old who drinks whiskey and is a piano prodigy. Her close friendship with Etta Mae, a budding coloratura soprano, sheds light on accepted racial inequities in the Deep South of the 1950s, building to (in the author’s words) a “chain of cataclysmic events with life-altering consequences-all of it unfolding to the maddening whir of a cicada song.” 

I have a soft spot for characters who find strength by dint of superhuman effort, and the way this fifteen-year-old takes charge after the 1906 earthquake—haltingly, uncertainly, as is only plausible—makes me wish I’d met her.

Her path is steeper than the San Francisco hills, yet her refusal to ask for pity wins me over. I also admire how Edgarian uses her protagonist’s coming of age to represent San Francisco’s, a parallel delivered with a light touch.

But above all, the novel explores the fraught relation between women and power; and how Vera walks that tightrope makes compelling fiction.