100 Books Like Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson

This one will probably surprise a few people, but it is a historical romance. For those who haven’t read the book, please know that the movie starring Daniel Daydream- Lewis does not accurately parallel the book. I chose this novel because it is an American story with American characters, published in 1826. Cora is another very strong character, certainly ahead of her time and admired by Hawkeye, who was also an unusual character for the period. I enjoyed the historical details intertwined with fiction. Definitely worth your time to read.

When Caleb’s Crossing came out I couldn’t wait to read it. Not only was it written by one of my favorite authors, it was inspired by a true story and set in the same place and time period as the novel I was working on. Brooks’ depiction of the love between a Puritan minister’s daughter and the son of a Wampanoag leader is fraught with tension as two very different cultures collide. The novel brings to life the forces driving the conflict through the characters of Bethia and Caleb as they struggle to navigate a perilous time and the looming prospect of war.

This novel, published in 2000 by the University Press of New England, has in my opinion never gained the readership it deserves. It’s a rich, funny, deeply humane captivity tale based on the true story of Nathan Blake, who was taken by Algonkian-speaking people from his home in Keene, New Hampshire, in 1746, and brought up to Canada, where he was held for three years as a slave. The novel weaves a defamiliarized but extremely plausible-feeling tapestry of early colonial America that complicates the stereotypes established by Cooper’s influential novel set in the same period, and Hebert’s main character, Caucus-Meteor—an elderly, multilingual Indian and the last survivor of his band—is by my lights one of the great characters in literature.

I loved this book for being historical fiction at its finest, and I loved the main character, Mary Deerfield, for being a woman who did not fit within her own time.

It’s 1660s Boston, and Mary is married to an abusive man. Determined not to die at his hand, she must fight against everything in her society to free herself from her marriage.

I loved how this book so insightfully explored the dynamics of an abusive relationship while also bringing to vivid life a distant time and place. 

Mary Rowlandson’s narrative of her captivity experience with Native Americans during King Philip’s War was one of the first bestsellers in the English colonies. And it’s the first published “captivity narrative” in what was to become a popular American literary genre. Rowlandson’s book is a fast-moving and dramatic account that describes in detail the attack that destroyed her home and culminated in her capture. She includes a harrowing account of carrying her fatally wounded daughter on an arduous journey, her despair when her daughter dies, her struggles to survive among people she’s been taught to revile, and her eventual ransom and release. This book has long been one of the most important primary sources documenting Native culture in New England at the time of English colonization.

Reverend Roger Williams learned the local Algonquin language and wrote a book about it to teach Puritan settlers to respect the natives and their culture. The authorities threatened to ship him back to England, but he escaped south to the land of the Narragansetts, where he set up the colony that became Rhode Island and Providence Plantations. There he allowed religious freedom—even the despised Quakers and Catholics. He attempted a complete separation of church and state and preached on respecting native land rights. He sided with the Narragansetts when King Philip’s War broke out in 1675, a long and bloody battle throughout New England, in which two of my ancestors were killed by Indians, while two others enriched themselves. Roger William’s dream was of an America that could have been.

Quabbin is a relic of a lost world – both figuratively and literally. In his old age, Francis Underwood remembered his childhood village, the buildings, the personalities, their dress, manners, and speech, their faith and their passions for reform, their old social customs and their emerging middle-class sensibilities – and most of all their stories. But it is a world, as Underwood knew, that was passing away. His secluded old New England village was opening to the world, and its agrarian ways were soon to be eclipsed by the industrial village. What Underwood did not know, but we do, is that his childhood home has literally disappeared, under the flooding waters of the Quabbin Reservoir. This is an extraordinary testimonial to that lost world!

This book is densely illustrated (I’d guess that about three-quarters of the 430 8”x10” pages of the main text are filled with images). This was what first led me to travel to New England to see these stones for myself, which I did six years later.

This combination of rich art and Puritan values should challenge anyone’s assumptions about early American sensibilities.

Well, the title was amusing. The rest of the book was fascinating, alarming, and totally surprising for an author who was researching the lives of Puritans in early New England. The public records, Puritan laws, along with Thompson’s analysis opened up a world of new information and removed every myth I’d heard about these staunchly religious people.

The Tashjians’ book challenged the idea that Puritans rejected visual art. Their study is important in documenting a new aesthetic, where the skull (death’s head) gives way to the winged faces of angels (cherubs), which were more gentle and sentimental in style rather than dark and threatening. Specific stonecutters discussed in this book include John Bull, William Codner, Zerrubbabel Collins, William Young, Henry Christian Geyer, Joseph Lamson and his shop, William Mumford, John Stevens and family, and Jonathan and Moses Worster. These are names well-known to anyone versed in this art form.

I was taken by the fact that new motifs in gravestone design could spread through the stonecutter community with such personalized innovations and styles. Further, in chapter 8: "The Icons of Essex," County provided a contrast with another style of cutting faces in stone. This book significantly broadened my view of stonecutting styles in New England. It also… show more.