100 Books Like The Sultan’s Jew

A true academic page-turner, Family Papers is an intimate, intergenerational portrait of an Ottoman Jewish family from Salonica, a city that a young David Ben Gurion once dubbed “the most Jewish city on earth.” Sara Abrevaya Stein describes their transformation as they are buffeted by the events of the twentieth century that nearly extinguish them and see them dispersed and living under “Greek, German, French, Spanish, Portuguese, British, Indian and Brazilian rule.” Stein’s book is simultaneously a powerful lesson in the historian’s craft and a compelling introduction to an era that saw borders redrawn, nations invented, and Jewish identity reimagined.

Drawing on memoirs, Jews and Islamic Law in Early 20th-Century Yemen provides an engaging portrait of Yemeni Jews in the decades before their mass migration to Israel. Wagner chronicles the vast social and political challenges that Yemenis faced and how these impacted the intimate ties and sometimes formidable tensions between Jews and Muslims. His book is one of the most entertaining in Jewish studies. Like the memoir writers upon whom he draws, Wagner has an eye for a good story. We learn about Jews from all walks of life – upstanding rabbis and merchants, but also practitioners of magic, bootleggers, swindlers, and ruffians who are unafraid to brawl with Muslims. All of these stories are carefully analyzed and contextualized by Wagner, who is deeply learned in both Jewish and Islamic literature.

Dina Danon’s The Jews of Ottoman Izmir vividly captures life in that city as it was being transformed by Ottoman and European modernities. Danon’s book embraces the full diversity of the city. We meet men, women, children, Jews, Christians, and Muslims, rich and poor, foreigners and locals. Danon argues that the story of Jewish modernization in Izmir is very different from that of the Jews of Europe. In Izmir, Jews were not made to feel that their religious particularism impinged on their loyalty as citizens. They never dismantled their semi-autonomous institutions of communal leadership, nor were they asked to do so. Nonetheless, even as the community retained its organizational structure, fissures developed along socio-economic lines that profoundly changed how Jews engaged both with one another and with their fellow Ottomans. 

Alma Heckman’s The Sultan’s Communists uses the life stories of five prominent Moroccan Jewish communists to paint a complex picture of Jewish identity in twentieth-century Morocco. By documenting their struggles, Heckman details the often surprising ways in which Moroccan Jews negotiated their political environment and mediated between Moroccan patriotism, French colonialism, radical politics, Arab and Jewish identity, and Zionism. She also describes the ways in which the Moroccan sultan reimagined his relationship with the country’s Jews and the surprising history of how and why he ultimately came to embrace Jewish communists, who, to begin with, had been the subject of severe repression, including imprisonment and exile. 

Estebenico is believed to be the first Black man to be brought to the Americas. In Lalami’s telling, the small party he is with becomes separated and lost, resulting in a years-long journey through unknown lands. Against a vividly detailed backdrop of the early Americas Lalami patiently lays out how Estebanico's willingness to acquire new skills in language and medicine begins to shift the dynamic of his relationship with the master who he had been brought to serve. 

Ernst writes about the Muslim Sufi tradition for the general public with passion and verve, making sometimes complex ideas intimately accessible and conveying the excitement and passion of male and female Muslim seekers after union with their divine beloved. He covers Sufi forms of worship, the role of saints and intercession, and ecstatic poetry, dance, and song. It is a fascinating exploration of a widespread and essential Muslim spiritual tradition that contrasts with the sober, puritanical Salafi strain with which many readers may be more familiar.

The title of this book reflects the entire book—and the lives and work of the authors.

A Muslim woman and a Jewish man demonstrate why they refuse to be enemies, even when large segments of their respective communities are them to be so. They use their own life stories and transform them into a dialogue of mutual respect, demonstrating to the reader that Muslims and Jews have more in common than they have differences.

The book is both manifesto and instruction as to how we can create communities that share rather than conflict with one another. 

This book is about a young mother who takes her two daughters to Marrakech, Morocco in the 1960s so she can study Sufism, which, although not technically a “cult” does seem rather cult-like when described from the point of view of a five-year-old child who is watching her mother do strange ritual spinning to try to annihilate her ego.

You might remember the 1998 movie adaptation of this book starring Kate Winslet, but I think the book is better because of its dreamy, almost other-worldly descriptions of street life in Marrakech. This gem of a book is steeped in childlike wonder and longing and it will be over far too soon.

A deeply visual book, full of intricate details of craftwork and intimate moments of daily life, this is described as an ‘ideal photo album’ of Morocco, and it’s a very enjoyable and beautiful book to explore if you are planning to go to Morocco or longing to return after a trip there. A really lovely way to immerse yourself in Moroccan culture for a little while. 

Far too many foreigners, myself included, have rocked up in Morocco and set to work recording versions of traditional tales for an outside audience. Almost all of them have realized that, what they imagined would be a straightforward exercise, was a near-impossible feat. One of the few European writers who have succeeded, and succeeded exceptionally well, is BBC reporter Richard Hamilton. As I read The Last Storytellers, I marvelled at how well he succeeded where so many others failed. The reason is that Hamilton has two qualities in abundance: patience and sensitivity. Reading the stories he presents takes me to the central square in Marrakech, Jma al Fna. I can see it, feel it, smell it, and, most importantly, I can hear the storytellers there recounting tales that pre-date A Thousand and One Nights.