Books like Homeland — picked by fans

I never thought I’d cheer for a crippled torturer, but somehow Abercrombie makes me do it.

The characters in The Blade Itself feel raw and jagged, like real people rather than fantasy archetypes. What I loved most was how no one is truly heroic—everyone’s broken, desperate, or scheming, yet still magnetic. The dialogue crackles with wit, and the shifting perspectives kept me hooked.

It’s grimdark, yes, but never bleak for the sake of it. Instead, it reveals how ugly and fascinating people can be when survival and ambition collide.

This was the first fantasy recommendation I ever got from my dad. He saw me taking an interest in stories with castles, knights, wizards, and kings and knew just the book from his favorite author to put in my hands.

I hadn’t had any experience with Stephen King before this, and I found that his prose was friendly and familiar to me; the story itself is good, a solid entry into the genre, and I found the intrigues of the villain to be the most interesting part of the story. It turns out that the King (ha) of horror can write a fine fantasy story, too.

I do not think any list relating to fantasy books would be complete without an entry from David Gemmell, a true gold standard of the genre. Legend is another book I first fell in love with as a teenager. I loved the simple enough premise: countless enemies at the gates of a fortress, and if the fortress falls, the Drenai Empire falls.

The story also introduces what I believe to be one of the most iconic heroes in heroic fantasy, the Deathwalker—Druss The Legend. While there were battles like nothing I had ever read before it was the interaction between the characters and the fellowship of the embattled defenders which brought me into this world fully as I read. The expert craft of the story made me really care about each of the characters and their fate. 

There is an expertly realised villain in Ulric, the leader of the enemy,… show more.

I listened to the audiobook edition of this story and was completely blown away.

The narration is superb, with the reader performing songs and really making the story come alive, but the prose was just wonderful. Seriously, I would hear lines and think, “Oh my God, I wish I could write like that!”

I haven’t read much fantasy that was written in the past 20 years, but I can see why this is regarded as a modern classic. I loved it and wish he would finally complete the trilogy! 

The Ruins of Gorlan for me was a reminder that you never let anyone tell you, “you can’t”.

Will was a misfit, an orphan. He was too small for battle school and becoming a knight, not adept at being a diplomat, a scholar, nor even a cook. He had no idea what would become of him. It was a fear that permeates down deep. I remember how I felt when I couldn’t go into the army, was unable to go to Devry, and I didn’t want the ordinary.

For Will, it all changes and his fantastic journey begins as he’s chosen to be the ranger’s apprentice. And I cheered inside. I knew it. He didn’t give up. We didn’t give up. And found what our skills were best suited for.

Reading this book feels like soaring through the skies on Dragonback, experiencing a world filled with magic, danger, and destiny. From the moment Eragon discovers Saphira’s egg, we’re thrown into an adventure that takes us across vast landscapes—towering mountains, ancient forests, and bustling cities full of secrets.

The bond between dragon and rider is at the heart of this story, and it’s impossible not to feel a sense of awe as they grow together. Christopher Paolini builds a world so rich and immersive that every battle, every piece of lore, and every new land explored feels like stepping into something legendary. It’s a book that makes us want to go on our own epic journey—if only we had a dragon to take us.

In reading The Black Company, I felt like I was stumbling onto soldiers’ private journals.

No shining heroes, no noble speeches—just tired men doing dirty jobs for dirtier employers. What hooked me wasn’t the battles but the banter, the sense of weary camaraderie. Croaker’s perspective makes war almost intimate, showing us the quiet boredom between bursts of chaos. I loved how Cook doesn’t romanticize anything. Instead, he captures the confusion, cruelty, and humor of being part of something too big to fully grasp.

It’s fantasy that smells like mud, sweat, and campfire smoke.

Mathew Harffy has a lot going for him in the historical fiction world. His fight scenes are not overly technical and are easy to follow. They have just the right amount of blood and gore to make you believe the characters are really in danger but are not simply gratuitous violence. What I really love about this book is his voice when he writes descriptions of the forest and the people who live in it. I grew up in the woods of a small town in Canada, and I know how the forest can be a peaceful, tranquil setting one moment and then suddenly transform into a place of shadows and dread. Judging by the cover of this book, I think Harffy knows this as well.

Bernard Cornwell’s fight scenes are what I would call emotional rather than technical. You feel his fights, the vibration of sword against shield, the panic of your feet slipping in the mud, the fear rising up in your guts that will allow only a half-crazed scream to come out of your mouth. If you’re looking for a manual on sword fighting, Cornwell is not your man. But if you want to be put in a character’s armor while someone is trying to skewer him with a spear, no one does it better. I was drawn to this book because it was about an archer, and I know how hard it is to write fight scenes with archers in them. I am an amateur bowyer and having made more than a few bows I know how much skill it takes to make and use these weapons. Cornwell did a lot of… show more.

An oldie, but I loved this book! It was actually two books when originally published (Time of the Dragons and Last of the Zinja). Set mostly in Mongolia and Japan, it tells the story of a warrior monk who falls in love with a Japanese princess who becomes a consort to Kubilai Khan (Ghenghis Khan’s grandson). As a kid, I loved the TV show Kung-Fu with David Carradine and Jebu (the main character) is a much bigger, badder version of Cane. Like Cane, Jebu is a half-blood but his barbarian side is the one that shows through so he is huge and red-haired. Lots of good action in this one.