53 Books Like Homeland

I never thought I’d cheer for a crippled torturer, but somehow Abercrombie makes me do it.

The characters in The Blade Itself feel raw and jagged, like real people rather than fantasy archetypes. What I loved most was how no one is truly heroic—everyone’s broken, desperate, or scheming, yet still magnetic. The dialogue crackles with wit, and the shifting perspectives kept me hooked.

It’s grimdark, yes, but never bleak for the sake of it. Instead, it reveals how ugly and fascinating people can be when survival and ambition collide.

This was the first fantasy recommendation I ever got from my dad. He saw me taking an interest in stories with castles, knights, wizards, and kings and knew just the book from his favorite author to put in my hands.

I hadn’t had any experience with Stephen King before this, and I found that his prose was friendly and familiar to me; the story itself is good, a solid entry into the genre, and I found the intrigues of the villain to be the most interesting part of the story. It turns out that the King (ha) of horror can write a fine fantasy story, too.

I do not think any list relating to fantasy books would be complete without an entry from David Gemmell, a true gold standard of the genre. Legend is another book I first fell in love with as a teenager. I loved the simple enough premise: countless enemies at the gates of a fortress, and if the fortress falls, the Drenai Empire falls.

The story also introduces what I believe to be one of the most iconic heroes in heroic fantasy, the Deathwalker—Druss The Legend. While there were battles like nothing I had ever read before it was the interaction between the characters and the fellowship of the embattled defenders which brought me into this world fully as I read. The expert craft of the story made me really care about each of the characters and their fate. 

There is an expertly realised villain in Ulric, the leader of the enemy,… show more.

I’ve read The Name of the Wind twice, and each time it feels like sitting down to hear a bard weave his life into song.

Kvothe isn’t perfect—he’s brilliant, arrogant, reckless—but that’s why I believe him. Rothfuss’s prose has a rhythm that lingers in my head like music. What struck me most wasn’t the magic or mystery, but the small human moments: playing the lute for coins, hungering for knowledge, fumbling through mistakes.

For me, it was less about answers and more about the act of telling one’s story, flaws and all.

In reading The Black Company, I felt like I was stumbling onto soldiers’ private journals.

No shining heroes, no noble speeches—just tired men doing dirty jobs for dirtier employers. What hooked me wasn’t the battles but the banter, the sense of weary camaraderie. Croaker’s perspective makes war almost intimate, showing us the quiet boredom between bursts of chaos. I loved how Cook doesn’t romanticize anything. Instead, he captures the confusion, cruelty, and humor of being part of something too big to fully grasp.

It’s fantasy that smells like mud, sweat, and campfire smoke.

Mathew Harffy has a lot going for him in the historical fiction world. His fight scenes are not overly technical and are easy to follow. They have just the right amount of blood and gore to make you believe the characters are really in danger but are not simply gratuitous violence. What I really love about this book is his voice when he writes descriptions of the forest and the people who live in it. I grew up in the woods of a small town in Canada, and I know how the forest can be a peaceful, tranquil setting one moment and then suddenly transform into a place of shadows and dread. Judging by the cover of this book, I think Harffy knows this as well.

Bernard Cornwell’s fight scenes are what I would call emotional rather than technical. You feel his fights, the vibration of sword against shield, the panic of your feet slipping in the mud, the fear rising up in your guts that will allow only a half-crazed scream to come out of your mouth. If you’re looking for a manual on sword fighting, Cornwell is not your man. But if you want to be put in a character’s armor while someone is trying to skewer him with a spear, no one does it better. I was drawn to this book because it was about an archer, and I know how hard it is to write fight scenes with archers in them. I am an amateur bowyer and having made more than a few bows I know how much skill it takes to make and use these weapons. Cornwell did a lot of… show more.

An oldie, but I loved this book! It was actually two books when originally published (Time of the Dragons and Last of the Zinja). Set mostly in Mongolia and Japan, it tells the story of a warrior monk who falls in love with a Japanese princess who becomes a consort to Kubilai Khan (Ghenghis Khan’s grandson). As a kid, I loved the TV show Kung-Fu with David Carradine and Jebu (the main character) is a much bigger, badder version of Cane. Like Cane, Jebu is a half-blood but his barbarian side is the one that shows through so he is huge and red-haired. Lots of good action in this one. 

When I learned that this novel and the epic series that followed were, in fact, a chronicle of the tabletop role-playing adventures by the authors and their friends, it became my introduction to the massive world of Dungeons & Dragons.

That such creativity and imagination could be sparked by playing a game was a life-altering event that propelled me not only to play it but would eventually inspire me to write my own book series.

A classic tale of heroism and adventure, the original Dragonlance Chronicles perfectly blends all the best qualities of high fantasy, including some well-timed moments of humor that had me genuinely laughing out loud.

This was my first introduction to Sanderson’s work, and I knew within a few pages that we were going to be a good fit. I’d just gotten off of reading through Martin’s A Song of Ice and Fire, and the “multiple POVs” angle of the book was a big pull for me.

The frankly bizarre world of the book (and the series of which this is book 1, The Stormlight Archive) was so full of strange creatures and patterns–so studded with interesting, resourceful characters–that I couldn’t put it down over the course of days to finish it.