Books like Hollow Bones — picked by fans

This haunting, gothic masterpiece was also an immersive read for me for another reason.

A couple of years back, I was fortunate to be able to travel to Cornwall. I was in duMaurier country in the exact setting that inspired the author to pen Rebecca. I could even catch a glimpse in the distance of Menabilly, the real-life Manderley, in addition to walking the cove where Rebecca and her boat, Je reviens, vanished.

So, a fully immersive experience for me, along with relishing the gothic mastery that duMaurier brings to a reader. If you haven't read it yet...you should.

This incredible read was especially so because I remembered every single plot point and detail from the 1970s TV series—which was truly faithful to the novel—despite being young when I watched the show.

Upon finishing the novel, it made perfect sense why it had stuck in my memory grooves like cement. Because this story… this story… is really, really something. The fictional village in the story is called Cornwall Coombe because the villagers are all descendants of Cornish people who settled the area.

It delves into folk traditions from the ages brought over and carried out. These traditions are the basis of a gothic, folk horror nightmare that unravels for a family who move into the town and leads to a truly chilling outcome.

This novel's compelling cover reeled in this reader straightaway and, indeed, delivers with a plot that captures the gothic folk horror genre in a tidy and well-written package.

As I read it, it felt like Harvest Home and The Wicker Man were seated on either shoulder. Overarching the story is also a "morality play" at work, expertly woven in. Bonus points for historical roots and an English village setting.

So original, so folky horror, so good and, simply put, a treat.

This author masterfully captures rich elements from the gothic genre and its subgenres in The Artist of Blackberry Grange.

The setting and timeframe of Kansas City, Missouri, and Eureka Springs, Arkansas, in the 1920s provide a wonderful backdrop for this tale of many, many layers about a plucky heroine named Sadie.

An undercurrent weaving throughout is caregiving for a loved one with dementia, which many readers (including myself) can identify with. With shades of Oscar Wilde’s The Picture of Dorian Gray and undertones from Daphne du Maurier, The Artist of Blackberry Grange is truly gothic lightning in a bottle, and I did not want it to end.

Overall, this is a novel of stunning achievement.

This book takes a different approach to the more general accounts of critical thinking, by focusing on how it helps us to appreciate literature.

The author does this by showing how using critical thinking can deepen our understanding of literature, including drama (Shakespeare, Beckett), poetry (such as Donne, Larkin, Marvell, Owen, and Wordsworth), and first-person narratives.

The book sparkles with wonderful applications of critical thinking, enabling us to appreciate texts such that we see them in a new way, with all sorts of insights being suggested and developed. Her plea that we should also look at screenplays by using a critical thinking perspective is very convincing.

Read this book and your reading of literature will be significantly enriched. 

Twelth Night or, What You Will just has to be on here, being the mother of all boys-clothes-wearing heroines. The plot has been adapted in so many books and films that it is definitely worth it to read the original (or better yet: watch the play) to see where the brilliancy stems from.

These 21 pen-portraits of Shakespearian characters were designed for actors, but they are invaluable for all. This is the book I turn to before I watch any play by Shakespeare. It is the product of the author’s experiences as a lifelong inspirational teacher in Wales, lecturer to New York drama students, and consummate performer of sparkling lecture-recitals across the United States.

Published in 1970, these carefully selected characters (7 from the Histories and 7 apiece from the Comedies and Tragedies) leap from the page to amuse, shock, frighten, and enchant. Philip Burton was a firm believer in Shakespeare’s wizardry, and in these brilliant sketches, he imparts more than a little magic of his own.

A Dead Man in Deptford was the last published novel of Anthony Burgess’s lifetime and can be seen as a companion piece to his earlier fictional biography of William Shakespeare, Nothing Like the Sun. A Dead Man in Deptford follows Christopher Marlowe’s life, and Will of Warwickshire lurks very very much in the background of this novel. This somehow adds to the poignancy, as even within his own story, the reader is always aware that Marlowe’s era will be dominated by the name of William Shakespeare. 

Shakespeare the Man is not the best book out there on William Shakespeare. There are many others that are better researched and less opinionated. However, Rowse gave me the best impression of what Shakespeare has meant to centuries of dramatists and researchers. It was recommended to me by the late Dr. John M. Bell of NYU, who was the most knowledgeable man on Shakespeare I've ever known. I see why he recommended this. It's a short but thorough read, and very enjoyable. Just don't treat Rowse's every word as gospel. His book is about Shakespeare, the man and myth.

De Humani Corporis Fabrica Libri Septem ["On the Fabric of the Human Body in Seven Books"] will likely catch you by surprise since, unlike most books featured on this website, this one was printed back in 1543. Fortunately, this means that anyone with a working Internet connection and web browser can access this mystifying medical atlas from the sixteenth century. Annotated editions of On the Fabric of the Human Body are available online from numerous medical colleges, so please take the time to find and appreciate this masterpiece of anatomy and artistic imagination.