100 Books Like The Twelfth Night; Or, What You Will

Having climbed many a tree with the boys as a kid, I cannot stay away from a good gender-bender romance. The suspense, the humour of it, and the inevitable conclusion that not your appearance but your choices define who you are – a perfect combination in my opinion. Mix in a male counterpart who is supportive and understanding and I am hooked! So much so, that I have written a book about a girl who dressed up as a boy.

Having climbed many a tree with the boys as a kid, I cannot stay away from a good gender-bender romance. The suspense, the humour of it, and the inevitable conclusion that not your appearance but your choices define who you are – a perfect combination in my opinion. Mix in a male counterpart who is supportive and understanding and I am hooked! So much so, that I have written a book about a girl who dressed up as a boy.

Having climbed many a tree with the boys as a kid, I cannot stay away from a good gender-bender romance. The suspense, the humour of it, and the inevitable conclusion that not your appearance but your choices define who you are – a perfect combination in my opinion. Mix in a male counterpart who is supportive and understanding and I am hooked! So much so, that I have written a book about a girl who dressed up as a boy.

Having climbed many a tree with the boys as a kid, I cannot stay away from a good gender-bender romance. The suspense, the humour of it, and the inevitable conclusion that not your appearance but your choices define who you are – a perfect combination in my opinion. Mix in a male counterpart who is supportive and understanding and I am hooked! So much so, that I have written a book about a girl who dressed up as a boy.

I am an associate professor of English at the University of Connecticut. I’ve spent most of my career thinking about the role children have played in American culture. Adults, past and present, often overlook the intelligence and resilience of children who have managed to change both their immediate circumstances, and the world around them. I seek out these children and do my best to honor their stories. I’ve written or edited four other books on race and childhood, and have a podcast on children in history.

I apparently announced, at the age of five, that I would write books and grow roses when I grew up. I’m no gardener, but I’ve remained true to my other ambition. After producing books on women’s history, I became a biographical historian, especially attracted to the lives of people dedicated to drama. This requires exploring what lies behind the stage. We have to understand our subjects’ dreams and determination, use of dissimulation, the harsh realities of making a living, and, in the case of actors, doing so by becoming somebody else. Unravelling these layers is our challenging task. But how rewarding it can be!

While I taught Shakespeare’s plays all my teaching career, I stayed in my lanes: Hamlet, Othello, The Merchant of Venice, King Lear. As a poetry teacher, I used his sonnets as examples of metaphor and form, but never did I consider myself an expert. However, when the idea for my novel popped into my head, I realized I had some serious reading to do. Not only did I study the facts, I delved into the fiction. While some of these books came out during my writing and others after, I didn’t lose my interest, picking up whatever new Shakespeare book appeared. These are some of my favorites.

I'm a New Yorker with a background in the performing arts. Though a lifelong reader and bookstore loiterer, my early writing career was focused on the stage as well as the pursuit of a career in screenwriting. This led to many years writing and producing theatre as well as working in film and TV both as a writer and in production. The books I've chosen, I feel influenced the American language in the last century, an influence reflected in the tone of the novels and films from that period described by scholars as “Between the Wars.” It's a period that fascinates me for it exists now only in books and movies and is therein preserved.

I’ve been obsessed with art since I was a kid. When I look at art, I see stories, not just about what I’m seeing, but about what it was like when the painting was created: was the artist tired, grumpy, frustrated? Why’d they paint it the way they did? Sadly, my artistic talent is limited, but fortunately, I can tell stories. After visiting William Orpen’s painting of Mona Dunn at the Beaverbrook Art Gallery, I couldn’t help wondering why he made her look so pensive. The only way I could answer that question was by writing my own story about Mona and the other paintings in the gallery!

I'm the multiple, award-winning author of 4 novels and one novella, raised in Memphis, Tennessee, and now living in Southern California. The geographical distance gives me a laser-sharp, appreciative perspective of the South, and I celebrate the literary greats from the region. The South is known as the last romantic place in America, and I believe this to be true. The South’s culture, history, and social mores are part and parcel to its fascinating characters, and nothing is more important in the South than the telling of a good story. As a writer, I'm in love with language. I love Southern turns of phrase and applaud those writers who capture Southern nuance. It is well worth writing about Southern sensibilities.