Here are 100 books that Harvest Home fans have personally recommended if you like
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I have researched and observed attempts to map, enhance, and control biological human bodies since I was a teenager. I was always interested in how people described and related to themselves as biological creatures. As part of that, I was fascinated by attempts to talk about the human body with other words than the strict biological, both by poets, artists and by, entrepreneurs, and scientists. As a researcher in cultural studies, I concentrate on different ways to understand ourselves as biological creatures and on imaginaries about (bio)technology and how these dreams about what technology can do affect our self-understanding.
The book is better than the movie, and the movie is amazing. I love how the author manages to create a dense feeling of female suffocation, gaslighting, hallucination, panic, satanism, conspiracies, deception, and paranoia while simultaneously describing the ordered and neat lives of New York City's emerging glitterati through detailed descriptions of the housewife’s sphere of choosing the right material of towels and the right hue of wallpaper when nesting.
Rosemary’s personal limits and borders, both physical and psychological, are challenged as she becomes a vessel of something unknown, but only unknown to her. An amazingly dense yet easily accessible book.
'The Swiss watchmaker of the suspense novel' Stephen King
Rosemary Woodhouse and her struggling actor-husband, Guy, move into the Bramford, an old New York City apartment building with an ominous reputation and only elderly residents. Neighbours Roman and Minnie Castavet soon come nosing around to welcome them; despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, her husband starts spending time with them. Shortly after Guy lands a plum Broadway role, Rosemary becomes pregnant, and the Castavets start taking a special interest in her welfare.
As the sickened Rosemary becomes increasingly isolated, she begins to…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I think of reading horror stories as perfect armchair adrenalin-thrill-seeking. I prefer horror on the quiet side, dark and thematic, with any depiction of blood and gore in measured quantities. My favorite is historical horror with a moral edge, or underlying theme that explores who we are—good, bad, or in-between—as human beings, and how societal norms have changed from one era to another. The monsters of our imaginations are scary, but for true terror, there's nothing more frightening than the things we've done to each other throughout history. Dress society’s ills or expectations in monster clothes and write a story about them, and I’ll want to read it.
I can never get enough ghost and haunted house stories that have social commentary themes. This is one of the books that helped inspire my own book. Trevor Riddell’s parents are separated, and Trevor and his father move to his lumber-robber-baron grandfather’s mansion in the woods of the northwest, where Trevor’s father and aunt hope to talk their ailing father into a big-money real estate deal involving the house and land.
This book has everything I love: ghosts, intrigue, mystery, history, emotionally-complex antagonists, and epistolary story-telling through letters and journals. Woven into all that, Stein manages to insert a moral about conservation and trees (and other things I’ll let you discover on your own). Ghost stories have a history of being morality tales, and this is a modern version—true to the tradition—that I really enjoyed.
From the author of the million-copy bestselling The Art of Racing in the Raincomes the breathtaking and long-awaited new novel.
This novel centres on four generations of a once terribly wealthy and influential timber family who have fallen from grace; a mysterious yet majestic mansion, crumbling slowy into the bluff overlooking Puget Sound in Seattle; a love affair so powerful it reaches across the planes of existence; and a young man who simply wants his parents to once again experience the moment they fell in love, hoping that if can feel that emotion again, maybe they won't get divorced after…
I’ve always admired epistolary novels—stories told in the form of diaries, letters, or other mass media. They seem so real and so much more believable than plain narratives. When dealing with fantastic subjects, like paranormal phenomena, any technique that can draw the weird back into the real world helps me become more invested as a reader. It’s a quality I’ve also tried to capture as a horror writer. Moreover, the epistolary format pairs well with unreliable narrators, often filtering stories so as to make them more ambiguous and disturbing. From the many epistolary works I’ve read over the years, here are my picks for the most compelling—and creepy.
This phantasmagorical oral history unfolds during one of my favorite time periods, the psychedelic late 60s/early 70s. It also fuses two of my favorite sub-genres, folk horror and haunted houses.
I could easily visualize the setting and the different characters as I read their statements and tried to piece together the reality of what happened during the band’s infamous time at Wylding Hall.
After the tragic and mysterious death of one of their founding members, the young musicians in a British acid-folk band hole up at Wylding Hall, an ancient country house with its own dark secrets. There they record the classic album that will make their reputation but at a terrifying cost, when Julian Blake, their lead singer, disappears within the mansion and is never seen again. Now, years later, each of the surviving musicians, their friends and lovers (including a psychic, a photographer, and the band s manager) meets with a young documentary filmmaker to tell his or her own version…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Maybe because I grew up in San Diego, a city that boasts what ghost hunter Hans Holzer called the most haunted house in America, I’ve always loved ghost stories. I never encountered a ghost when I visited the Whaley House Museum, as Regis Philbin did when he spent the night, but I once took a photograph there that had an unexplained light streak on it. Although I conceived a passion for the printed word with my first Dick and Jane reader and wrote my first story at the age of six, it took me a few decades to fulfill my long-held desire to write a ghost story of my own.
This book had the greatest influence on my desire to write my own ghost story.
I liked the stalwart Brit characters, Roderick and Pamela, even though they were a bit slow putting together the clues. I figured out the secret before they did, which only added to the fun. The writing style is old-fashioned enough to add to the atmosphere, and the story is beautifully told.
A gothic, bone-chilling Irish ghost story first published in 1941 and now brought back into print. The title benefits from an introduction by well-known academic Professor Luke Gibbons and Martin Scorsese and various critics, including William K. Everson and Leonard Maltin, regard The Uninvited as one of the best ghost stories ever filmed.
I grew up in an isolated rural pub in England. My love of folk horror was born of a strong nostalgia for that time and it has fed into both my writing and my reading. I understood isolation, small communities, the effect of strangers, as well as the sense of ‘otherness’ in the atmosphere of the countryside – the calm before the storm, the liminal twilight. It also meant that I could tell when a writer had captured the ‘essence’ of folk horror. When the author weaves a story between the landscape and man, blends traditions and mythology – they take me to that place I know.
I have a real thing about needing the setting to be pretty much a character in itself in the folk horror I read.
For me, it is that which brings out the atmosphere, the sense of otherworldliness, critical to such stories. Starve Acre, a haunting tragedy, set in bleak moorland offers no rural idyll. The desolate setting perfectly mirrors the disintegrating marriage of a couple who are trying come to terms with the loss of their young son.
Whilst the wife turns to the spirit world, the husband researches a legend, uncovering the sinister story of the demonic Jack Grey as he does so. Bringing the legend to life and turning it into delusion, culminates in one of the most disturbing final scenes I’ve come across, certainly gave me chills.
The worst thing possible has happened. Richard and Juliette Willoughby's son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life, but is now a haunted place.
Juliette, convinced Ewan still lives there in some form, seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try and keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree.
I grew up in an isolated rural pub in England. My love of folk horror was born of a strong nostalgia for that time and it has fed into both my writing and my reading. I understood isolation, small communities, the effect of strangers, as well as the sense of ‘otherness’ in the atmosphere of the countryside – the calm before the storm, the liminal twilight. It also meant that I could tell when a writer had captured the ‘essence’ of folk horror. When the author weaves a story between the landscape and man, blends traditions and mythology – they take me to that place I know.
I love the film The Wicker Man (released in 1973) and was delighted to discover this novelisation from its director and screenwriter.
Full of pagan religion and ritual sacrifice on remote Summerisle, it is wonderfully creepy. Nor is it a flat retelling of the film but an expansion of the character of poor Sergeant Howie. Set up by Lord Summerisle to be the May sacrifice, he is tormented and abused as he searches for a missing child and on film is shown as priggish and cold.
Yet in the book, he is brave, vulnerable, doggedly trying to do the right thing in the face of adversity. He also performs a touchingly heroic act at the end of the book even as he suffered - I admit to shedding a tear.
First published in 1978, five years after the release of the classic horror film from which it is adapted, The Wicker Man by director Robin Hardy and screenwriter Anthony Shaffer, is a gripping horror classic.
A novelization of the haunting Anthony Shaffer script, which drew from David Pinner's Ritual, it is the tale of Highlands policeman, Police Sergeant Neil Howie, on the trail of a missing girl being lured to the remote Scottish island of Summerisle. As May Day approaches, strange, magical, shamanistic and erotic events erupt around him. He is convinced that the girl has been abducted for human…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’ve been a fan of horror stories as long as I can remember. The sense of building dread, and the moment of release when the terrible thing happens. I love stories about people put in impossible situations, and seeing how they overcome them, and that’s what good horror brings to the table. Being an avid reader I always have a book with me. To me, picking the right book to take on a holiday is as important as choosing the right clothing. I certainly hope this list gives you some ideas for your next vacation read.
Spending the summer in a cabin in the woods? Then The Ceremonies is a darn fine choice. The first time I read it was on a camping trip, and I was captivated by the way Klein describes the empty, lonely wilderness surrounding the Poroth Farm (the main location of the tale).
The protagonist of the book is an English professor who’s writing a book on the Gothics, and through the course of the book name drops a ton of classic horror novels and stories from the early 20th century. This book is not only a tremendous cosmic/folk horror novel, but sort of a treatise on classic gothic literature.
Not only is The Ceremonies a truly unsettling horror novel in its own right, but it could inspire a whole new reading list for you!
Graduate student Jeremy Freirs and aspiring dancer Carol Conklin, summering in the New Jersey village of Gilead, are trapped in a nightmare of terror, with an evil force emanating from a place once called Maquineanok, the Place of Burning
I grew up in an isolated rural pub in England. My love of folk horror was born of a strong nostalgia for that time and it has fed into both my writing and my reading. I understood isolation, small communities, the effect of strangers, as well as the sense of ‘otherness’ in the atmosphere of the countryside – the calm before the storm, the liminal twilight. It also meant that I could tell when a writer had captured the ‘essence’ of folk horror. When the author weaves a story between the landscape and man, blends traditions and mythology – they take me to that place I know.
Coy Hall is a newer writer on the scene but the work he has produced so far has been of exceptional quality.
This particular book contains short stories which interlink yet standalone. Hall’sGrimoire of the Four Impostershas its folk horror set against the historical backdrop of the 16th and 17th centuries. I freely admit to being a history fan and seeing this mixed with a favourite subgenre is a delight.
The stories are dark and menacing, vibrant with character, and melding folklore and the occult into a showcase of storytelling. They show that folk horror can be done differently.
I’m a poet, children’s writer, and songwriter from Drogheda, Ireland. Ballads were always part of my family life. My favourite uncle, Gerry Cullen, is a song collector and singer who was central to the revival of folk singing in Drogheda. It was only when I embarked on a Creative Writing PhD in 2015 that I fully recognised the influence of ballads on my work. This has brought me deeper into ballad studies and I have just begun a postdoctoral fellowship at University College Dublin to reclaim lost street poets and tenement balladeers of 19th-century Ireland. For me, the ballad is a peerless narrative form: compact, rhyming, rhythmic, and memorable.
In 1961, American illustrator Peter Spier won a Caldecott Honor for his version of this ancient song, and in 2014 he revisited his book, turning the black and white illustrations into glorious colour. As a scholar of ballads, I’m thrilled by their persistent popularity. The first evidence of “The Fox” is in a manuscript in the British Library from the second half of the fifteenth century, with its chorus—“Pax vobis, quoth the fox, for I am going to the town.” It’s clearly the same song, just missing the ‘o’ after town.What’s the attraction? Besides Spier’s shimmering double spreads of Americana, there’s tight storytelling with great visual details, a tune, a chorus, and a hero’s journey with a happy ending—for Fox and his family, at least!
This Caldecott Honor book from beloved illustrator Peter Spier is a spirited take on a classic American folk song.
"[Spier's] finely detailed, action-packed New England autumn vistas are almost startlingly beautiful."—The New York Times
Over fifty years after he won a Caldecott Honor for The Fox Went Out on a Chilly Night, legendary illustrator Peter Spier went back to this time-honored favorite in 2014 to paint the half of the book that was originally printed in black and white. In this glowing, restored vision of Spier’s beloved classic, follow the wily fox as he roams a sleepy New England town…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I write historical fiction set in New England and based on the lives of real people. My New England roots go back to the 1630s when my English ancestors first came to the region so I’m steeped in its traditions and literature. I love doing the research for my books, especially when my characters lead me in new directions. I spent ten years digging into the conflict between the Puritans and the indigenous Natives and in the process discovered a largely forgotten story that has long-lasting implications for our day.
Our Beloved Kin is a unique account of King Philip’s War that centers on the history of Native resistance and their experience of the conflict. Drawing on early documents and information often overlooked in previous studies, the author, a member of the Missisquoi Band of Abenaki, presents an in-depth chronicle of the war and the events leading up to it. I wish this book had been in print when I was researching my book. While it wouldn’t have changed the basic arc of the novel, it would have given me a more complete understanding of James Printer’s perspective.
Winner of the 2019 Bancroft Prize: A compelling and original recovery of Native American resistance and adaptation to colonial America
"By making what we thought was a small story very large indeed-Ms. Brooks really does give us 'A New History of King Philip's War.'"-The Wall Street Journal
"Provides a wealth of information for both scholars and lay readers interested in Native American history."-Publishers Weekly
With rigorous original scholarship and creative narration, Lisa Brooks recovers a complex picture of war, captivity, and Native resistance during the "First Indian War" (later named King Philip's War) by relaying the stories of Weetamoo, a…
