Here are 100 books that Hokuloa Road fans have personally recommended if you like
Hokuloa Road.
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Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
You don’t have to travel far for very bad things to happen to you, as the main characters in this book discover when they ignore local warnings about fishing in a nearby creek. I consider this a masterwork in any genre, and I’m actually re-reading it right now, even though it kinda broke me the first time.
It’s a Lovecraftian, cosmic horror story that also creates a kind of allegory for grief. Having lost my parents in my late twenties, it felt like a fantastical yet unnervingly accurate reflection of the experience.
In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's…
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunged off a waterfall to her death, leaving behind a legacy shrouded in secrets. Her great-niece Julia, a struggling journalist recovering from a divorce, seeks answers decades later.
Tasked with retrieving Dr. Greer’s discovery–a flower that could have world-changing…
I've been writing dark thrillers since 2003 and am fascinated by the whole "what would I do" premise of the genre. There's nothing like taking an ordinary character and throwing them into the most harrowing situation my imagination can conjure. Then, I picture myself in that situation, and the goosebumps arrive immediately. The scariest books are those rooted in reality, the kind where these terrible things could happen to us with just one wrong turn in our car, just one decision to engage with a stranger's question. A truly scary book features you as the protagonist. What would you do?
There's that moment in any thriller where you happily suspend all disbelief because outright fear insists upon it. That's the case with The Ruins, a bizarre man-versus-nature tale where poisonous vines kill anyone who dares come close to them.
I remember reading this, thinking, "What the hell is happening?" Then I just accepted the premise and blazed through the book with my stomach in my throat the entire time.
Craving an adventure to wake them from their lethargic Mexican holiday before they return home, four friends set off in search of one of their own who has travelled to the interior to investigate an archaeological dig in the Mayan ruins. After a long journey into the jungle, the group come across a partly camouflaged trail and a captivating hillside covered with red flowers. Lured by these, the group move closer until they happen across a gun-toting Mayan horseman who orders them away. In the midst of the confrontation, one of the group steps inadvertently backwards into the flowering vine.…
Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
Alright, so a theme seems to be developing here, but in this case, ‘Don’t mess with nature’ gets a Canadian island treatment (those poor Boy Scouts). And, of course, a storm is coming. And, of course, the communications go out. I was gripped and frankly grossed out by this Stephen King-esque tale.
There are also shades of Frankenstein and Lord of the Flies, and I love a horror novel that asks the question of which monsters are worse—the ones we create or the ones that lurk inside.
'THE TROOP scared the hell out of me, and I couldn't put it down. Not for the faint-hearted' STEPHEN KING
He felt something touch his hand. Which is when he looked down.
For the scouts of Troop 52, three days of camping, hiking and survival lessons on Falstaff Island is as close as they'll get to a proper holiday.
Which was when he saw it.
But when an emaciated figure stumbles into their camp asking for food, the trip takes a horrifying turn. The man is not just hungry, he's sick. Sick in a way they have never seen before.…
A wind sorcerer. A dark spirit. An unsolved murder.
On the haunted Draakensky Windmill Estate, sketch artist Charlotte Knight arrives to live on the property, hired to illustrate the poetry of Rainer Maria Rilke—a bright and lucrative opportunity to boost her struggling art career.
As a horror writer whose interests tend to favor morbid topics that are often neglected, end-of-the-world stories have fascinated me since I first read Stephen King’s The Stand at far too young of an age. I love how these works enable the exploration of life, death, and survival. My appreciation for the subject matter deepened during my studies in Seton Hill University’s Writing Popular Fiction MFA program, where I learned how genre fiction has the unique ability to both enlighten and entertain readers. This inspired me to write my post-apocalyptic horror novel, What Remains.
This book hooked me from the first chapter and didn’t let go until the last page.
My well-worn paperback was my constant companion when I first read it, looking for any quiet moment in my day to see how parents Eric and Andrew were going to survive their unimaginable predicament.
The constant tug of war between danger and safety, logic and faith, and cruelty and mercy kept me on the edge of my seat until the bitter end.
Paul Tremblay’s terrifying twist to the home invasion novel—inspiration for the upcoming major motion picture from Universal Pictures
“Tremblay’s personal best. It’s that good.” — Stephen King
Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road.
One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen, but he is young, friendly, and he wins her over almost…
As a child, I learned that I was able to lucid dream at will, speaking to the beings I met in these places I’d never seen before, and it always gave me a sense of interconnectedness. A thread that goes through all of us and our histories. I believe that the ancients dedicated so much of their energy and resources to preserving their stories in order to maintain this connection because it’s so important. Inside all of us is a darkness that, if left unchecked would lead us to ruin. These books all demonstrate the inner struggle we have to understand and redirect that darkness toward the light and the good.
This book explores the customs and development of the Polynesian Islands prior to interference from European powers.
I see the rawest forms of our instincts and psychology in the indigenous peoples of the world. This book is a call for all readers to suspend the tendency to judge other cultures and time periods and just be observers.
Pulitzer Prize–winning author James A. Michener brings Hawaii’s epic history vividly to life in a classic saga that has captivated readers since its initial publication in 1959. As the volcanic Hawaiian Islands sprout from the ocean floor, the land remains untouched for centuries—until, little more than a thousand years ago, Polynesian seafarers make the perilous journey across the Pacific, flourishing in this tropical paradise according to their ancient traditions. Then, in the early nineteenth century, American missionaries arrive, bringing with them a new creed and a new way of life. Based on exhaustive research and told in Michener’s immersive prose,…
Starting at age ten, I loved everything about Superman. I loved his origin story—who wouldn’t root for an alien baby arriving on Earth with superpowers that are eventually used to fight evil? Superman comics were a place for me to escape for entertainment and to dream about becoming something more…maybe something super. I hope kids today will dream about superheroes and, in the end, realize they have superpowers they can use to make their lives and the world a better place. This explains why I connect with the following five books.
I’m a huge Alan Gratz fan, and this book did not disappoint. Like the creators of Superman, Siegel and Schuster, in Heroes, we have a tween writer, Frank, and a tween artist, Stanley, who talk non-stop about superhero comics as they set out to write their own. But this day is December 7, 1947, and the Japanese military attacks the boys’ Pearl Harbor home.
Gratz brings history to life with the stories of life-like characters. Frank was already riddled with fears, even fear of flip flops (you’ll have to read the book), and now the situation is beyond his worst fears. Not many of us will be tested as these boys are tested, but Gratz has the power in his writing to put us in perilous situations in order to examine our own lives.
I lived most of my life in Hawai‘i’s multiethnic community—an amazing place, where, for the most part, people of diverse ancestries got along. The foundation of tolerance was the culture of Native Hawaiians, who lived isolated from outsiders for centuries before the nineteenth century and thus had few prejudicial ideas about others. The natives generally welcomed them and adopted their beliefs. While confrontations and violence occurred, they were limited, not long-term or widespread. Of course, outsiders brought their racial and cultural prejudices, but, today, with a high rate of intermarriages among all the ethnic groups, Hawai'i is one of the most integrated societies in the world.
Bamboo Ridge Press was established in 1978 to publish the multiethnic literature of Hawai’i. In this selection the best of its first eight years, the writers, of various ancestries, celebrate their families, cultures, and traditions, but also the cultures and traditions of others—a Hawaiian poet writes about a Tang fisherman; a poet of Chinese-Japanese ancestry and a writer of Puerto Rican ancestry reflect on Hawaiian activism; a white poet features bodhisattvas and Kuan Yin while another dedicates her song to a Hawaiian musician. Native Hawaiian writers are underrepresented in this collection published during a renaissance of Hawaiian culture, but a year earlier, in 1985, Bamboo Ridge also published Mālama: Hawaiian Land and Sea, an anthology of Native Hawaiian writers.
Poetry. Fiction. This anthology of fiction and poetry is a good introductory survey of Hawai'i literature. Selected from issues of the first eight years of BAMBOO RIDGE, The Hawaii Writers' Quarterly, it features the work of more than 50 writers and includes an introduction by the editors as well as an essay on Asian american literature in Hawai'i by Stephen Sumida.
My passion to write about Hawaiʻi began with a desire to see the world that I knew and loved reflected in literary form, complete with all its complexities and nuance. Growing up alongside Hawaiʻi’s sovereignty movement, there was so much I didn’t understand. School textbooks didn’t mention Hawaiʻi. The little I learned about our culture and history was from dancing hula. So when I started reading some of the books on this list, it put all of my memories into context. Everything about my home became clearer to see (and therefore write about). The true beauty of Hawaiʻi exists behind its postcard image, and this is how you get there!
When I was growing up, all I learned about my home was the year Hawaiʻi became a state.
My mother forbid me from speaking local pidgin at home because of the prevailing stereotype that locals were uneducated, unrefined, and not able to understand the complexities of the wider world.
Television and film portrayed people from Hawaiʻi as pagans needing saving from themselves, who drank and sinned themselves to death unless saved by white foreigners. In more ways than one, the loss of the Hawaiian Kingdom was placed on the shoulders of leaders too weak and simple-minded to maintain and protect it.
Hawai’i’s Story challenges that. Written by Queen Liliʻiuokalani after she was imprisoned and overthrown by a group backed by U.S. Marines and intended to aid in the fight against annexation, this memoir reveals a Hawaiian Kingdom that is the most literate nation in the world at the time and…
Hawaii's Story by Hawaii's Queen (1898) is an autobiography by Lili'uokalani. Published in 1898, the book was written in the aftermath of Lili'uokalani's attempt to appeal on behalf of her people to President Grover Cleveland, a personal friend. Although it inspired Cleveland to demand her reinstatement, the United States Congress published the Morgan Report in 1894, which denied U.S. involvement in the overthrow of the Kingdom of Hawaii. Hawaii's Story by Hawaii's Queen appeared four years later as a final effort by Lili'uokalani to advocate on behalf of Hawaiian sovereignty, but it unfortunately came too late. That same year, President…
I live in California and write novels based on my grandmother’s stories of our female ancestors. I love tales of everyday women who lived normal lives (according to them) but were quite remarkable to my 21st-century eyes. I wrote The Aloha Spirit about my husband’s grandmother, who was an amazing woman. His family is from Hawaii, and we visit there frequently. Anyone who spends time in the islands experiences the warm welcome of the people, which we know as the aloha spirit. I know Grandma had a difficult life, and I wrote the novel to explore how she might have overcome those difficulties to find her aloha spirit.
Frank Leong is a wealthy shipping industrialist who moves his family from China to Oahu at the turn of the nineteenth century. Frank is murdered, which completely destroys his family. Whispers of an ancient parable haunt the Leongs, of a red string that connects someone to their perfect match but can also punish for mistakes in love. Frank’s pregnant teenage granddaughter, Theresa, is the next target to suffer from her family’s curse. The story is told from multiple points of view in this tragic multigenerational story of secrets and betrayal. My own interest in family history made this novel resonate deeply within me as several generations of women fail in their relationships.
“Diamond Head is an intricate meditation on what is in our control and what is fate—and on whether children must bear the costs of their parents’ mistakes.” —Celeste Ng, #1 New York Times bestselling author of Everything I Never Told You and Little Fires Everywhere
At the turn of the nineteenth century, Frank Leong, a fabulously wealthy shipping industrialist, moves his family from China to the island of Oahu. But something ancient follows the Leongs to Hawaii, haunting them. The parable of the red string of fate, the cord that binds one intended beloved to her perfect match, also punishes…
I live in California and write novels based on my grandmother’s stories of our female ancestors. I love tales of everyday women who lived normal lives (according to them) but were quite remarkable to my 21st-century eyes. I wrote The Aloha Spirit about my husband’s grandmother, who was an amazing woman. His family is from Hawaii, and we visit there frequently. Anyone who spends time in the islands experiences the warm welcome of the people, which we know as the aloha spirit. I know Grandma had a difficult life, and I wrote the novel to explore how she might have overcome those difficulties to find her aloha spirit.
I truly enjoy historical fiction that presents a culture or era from a different point of view. This one is set in early twentieth-century Hawaii. It features a girl, Letty, returning from a boarding school on the mainland. Letty’s devoted to animals, and she is one of the first female veterinarians in history. She jumps into the ocean to save a horse. Her healing powers are strengthened by her connection to the ancient Hawaiian land. The undercurrent of power gives this novel a fantasy feel, but it doesn’t lose its historical aspect. Then Letty learns the price of her healing power—her kisses can kill. Even worse, she’s attracted to the man who owns the horse she saved.
Lose yourself in the magic of old Hawaii with award-winning author Katherine Kayne . . .
Letty Lang is a suffragist of the most fearless kind, with a bullwhip, big plans, and ancient power she doesn’t understand. Will a fast horse and a stubborn man derail her dreams?
Banished to boarding school to tame her wild temper, Leticia Lili‘uokalani Lang sails home to Hawaii, bringing her devotion to animals with her. She’ll be among the first female veterinarians in history—most remarkable in 1909 when women still cannot vote.
With one mad leap into the ocean to save a horse, Letty…
