Books like Diamond Head — picked by fans

I’m a bit of a fangirl when it comes to Sara Ackerman. I love all of her books about real people in Hawaii during World War II. Her characters are believable and compelling, and the Hawaiian setting is a different aspect of World War II than is usually presented. This book features a close-knit group of women who open a pie stand near a military base. Violet’s husband has disappeared without a word, and she suspects her daughter knows something she isn’t telling. When tension and suspicions rise among neighbors, the women are accused of being spies, and Violet must keep her friends and family safe. 

Laura’s fiancé and father die, and she travels from San Francisco to Hawaii to live with missionary relatives. It’s 1886, and Honolulu is the sophisticated bustling capital of a prosperous modern kingdom. Laura’s missionary relatives actively work to bring down the monarchy while Laura goes to work for the royal family. She builds quite a bond with the last queen, Lili`uokalani, who is trying to save her kingdom. This book tells the compelling story of the Hawaiian kingdom’s last days from a point of view inside the royal family. 

I truly enjoy historical fiction that presents a culture or era from a different point of view. This one is set in early twentieth-century Hawaii. It features a girl, Letty, returning from a boarding school on the mainland. Letty’s devoted to animals, and she is one of the first female veterinarians in history. She jumps into the ocean to save a horse. Her healing powers are strengthened by her connection to the ancient Hawaiian land. The undercurrent of power gives this novel a fantasy feel, but it doesn’t lose its historical aspect. Then Letty learns the price of her healing power—her kisses can kill. Even worse, she’s attracted to the man who owns the horse she saved. 

This is one of three historical novels by Alan Brennert set in Hawaii. I like this one best because it is set in 1914, not long before my own novel opens in Honolulu. It portrays a very different side of the city, however. Brennert’s novel features a Korean picture bride who is married off to a poor laborer who mistreats her. She and her fellow picture brides come together to improve their lives, resulting in a unique portrayal of Waikiki before the highrises, of the tenements in Chinatown, and the plantations before powerful unions.

This collection of short stories offers a contemporary Hawaiʻi full of flawed characters who face challenges both unique to the islands and universal in motivation.

Kahakauwila explores the concept of paradise and the price paid for it. They are stories that capture the spirit and tenacity of Hawaiʻi, the nuanced layers of its social fabric, and brings me home every time I read them. 

The first time I read it, I was alone in a cabin in the woods in the middle of my first writing residency. Suddenly I was no longer pressed up against a wood stove trying to stay warm. Through her gifted storytelling, all the sights and sounds and smells of home came rushing in, both comforting and familiar.

You don’t need to know Hawaiʻi to enjoy this book, but by the end of reading it, you will feel like you do.

When sixteen-year-old Leilani and her father traveled to O’ahu from Hilo to try a promising but experimental treatment for her epilepsy, they never expected to be stranded in the middle of a worldwide geomagnetic storm. With tsunamis striking randomly, all modern technology broken, and facing food shortages under martial law, Leilani and her father have to fight their way home. Along the way, Leilani discovers that the one thing that makes her different may be the one thing that saves us all. It’s an apocalyptic page-turner centered on Hawaii’s ecology and traditional cultural solutions.

Hawaiian Antiquities, published in 1903, was translated into English from the nineteenth-century writings of David Malo (1795–1853). Malo was a major scholar of Old Hawai‘i who spent his life among the courts of the kings and chiefs, where he learned traditional practices and oral traditions. His writings cover a wide range of topics, including cosmogony, origins and genealogy, social classes, geography (land, sea, and sky and clouds, winds, and rains), the calendar (seasons, months, and days), flora and fauna, fishing and farming, houses and canoes, food and clothing, sports and games, religious worship and observances, healing practices and necromancy, and traditions about the ancient kings of Hawai‘i.

In the ’70s through the early ’90s, Hawaiʻi went through massive social change.

There was a growing consciousness of the manipulation and exploitation that had accompanied Hawaiʻi’s colonization. With that came a collective desire to right the wrongs of history.

Trask describes the institutional racism, discrimination, and closed doors she faced as she attempted to forge a path for Native Hawaiian studies at the University of Hawaiʻi while participating in a growing movement against continued occupation. 

While working on my book, some suggested I soften the political thread woven within the story. It was Trask’s essay “Lovely Hula Hands” (a chapter of From a Native Daughter) that encouraged me to stay true to the portrayal of Hawaiʻi that countered the unflawed, pristine playground image sold to tourists.

Written at a time when Hawai’i’s history was still being glossed over, Trask’s interviews and essays provide an unapologetic perspective and… show more.

Bamboo Ridge Press was established in 1978 to publish the multiethnic literature of Hawai’i. In this selection the best of its first eight years, the writers, of various ancestries, celebrate their families, cultures, and traditions, but also the cultures and traditions of others—a Hawaiian poet writes about a Tang fisherman; a poet of Chinese-Japanese ancestry and a writer of Puerto Rican ancestry reflect on Hawaiian activism; a white poet features bodhisattvas and Kuan Yin while another dedicates her song to a Hawaiian musician. Native Hawaiian writers are underrepresented in this collection published during a renaissance of Hawaiian culture, but a year earlier, in 1985, Bamboo Ridge also published Mālama: Hawaiian Land and Sea, an anthology of Native Hawaiian writers.

Having lived in Hawaii for a decade, I find a lot of creative treatments splash around in the tourist waters but rarely scratch the surface of the rich and complicated layers that inform the culture. Hand’s attention to detail made me feel like I was knocking the sand off my slippers (flip-flops for you mainlanders) and about to enjoy some home-baked banana bread. 

That’s not to say it’s not a flat-out, great, spooky mystery, which it is, and its climactic ending might make you opt for a staycation. One of my creepiest real-life moments was walking on a lava field and having to turn around because I was overcome with the feeling that I should not be there. Hand’s novel captures and amplifies that unnerving chill.