100 Books Like Hitler's Soldiers

This is one of the first ‘proper’ history books I read, having borrowed it from my local public library, and gave me a lasting interest in the wars and warriors of Central Europe.

First published in 1964, it recounts the life of an Irish exile who became a field marshal in the Austrian Habsburg army and died leading a bayonet charge against the Prussians. Browne’s career exemplifies how ‘German’ military history is far more diverse than it might first appear.

Christopher Duffy vividly brings the eighteenth century to life, and I warmly recommend his many other books on early modern warfare. 

Addressing his troops prior to their departure for China in 1900, Kaiser Wilhelm urged them to behave like the Huns and give no quarter to the Chinese accused of murdering the German ambassador during the Boxer Rebellion.

Four years later, German troops mercilessly drove the Herero and Nama people of what is now Namibia into the desert to die, while their comrades in what is now Tanzania fought a vicious war to suppress another colonial revolt. These events have recently returned to broader consciousness as the victims’ descendants demand reparations.

Without minimizing the violence, Kuss shows how it was rooted in specific situations and that there was no simple, inevitable line ‘from Windhoek to Auschwitz’. 

After 1918, many German and Austrian Habsburg officers blamed their defeat on being ‘stabbed in the back’ by civilian ‘shirkers’, leftists, and (in the Habsburg case) fractious nationalists.

Both states indeed failed to manage their home fronts but, as Alexander Watson shows in his compelling account of this titanic conflict, there were far more complex reasons for the war’s outcome, not least the willingness of the high command in both states to embark on a conflict they had no realistic chance of winning.

The Thirty Years War remains seared into the popular consciousness across Germany and Austria as a momentous catastrophe against which other conflicts are still measured.

The conflict was indeed terrible, yet its impact was uneven across time, place, social status, and gender.

Sigrun Haude writes sympathetically about how ordinary people coped with calamity whilst skillfully weaving individual stories with the wider dynamic of military and political events. 

I came across the work of Nick Turse while working on the fifth chapter of my new book. I had been struggling to find a critical voice in the assessment of the American war in Vietnam that was sustained by a keen historical eye and the pure, intellectual critique of a scholar. When I found Turse, I found my answers.

Turse’s assessment of the unmitigated brutality of the American war in Vietnam chilled me; his powerful critique brought a new voice and vigor to my own burgeoning criticism of that U.S. slaughter in Southeast Asia.

Anyone looking for a strong voice condemning wholesale the U.S. anti-communist paranoia of the era and/or the indiscriminate killing capacity of the U.S. military machine need look no further than Turse and Kill Anything that Moves. 

General Turyin Mulaghesh is on the brink of retiring to her long dreamt of remote island post where she can lay around on a beach, getting happily drunk with a beautiful young man or two and do as little as possible.

But she’s a legendary hero of the Saypuri Republic, or perhaps a war criminal, depending on which side of the many battles that she’s fought you were on. So instead, she gets pushed into one last mission, one that has her confronting the deeds of her past and, possibly, getting a shot at redemption.

She is cynical and sweary and has done terrible things, as well as good ones and, at least for me, is one of the most relatable older women in fantasy. 

I’m drawn to inconvenient truths and Canadian Erna Paris reveals them in exceptionally readable prose. Paris discusses why it took more than fifty years to establish a permanent International Criminal Court to try war crimes, crimes against humanity, and genocide. She examines the reasons for U.S. opposition to the permanent International Criminal Court established in 2002, identifies U.S. officials who worked to undermine efforts to develop the ICC, exposes the real reasons they did so, and debunks the official position of protecting US soldiers.

I have admired Wideman for many years. As a writer, he is a virtuoso in multiple forms, making room to confront violence and racism without offering readers trite or false resolutions.

I appreciate how he keeps calling back to the themes and subjects of earlier work. His essay, “Looking at Emmett Till” (originally published in Issue 19 of Creative Nonfiction), grappled with his recollections of 1955 as a 14-year-old teenager, the same age as Emmett Till when he was lynched and murdered.

Writing to Save a Life builds upon this work, tracing a parallel history of Till’s father, Louis, and Wideman’s journey to confront official documents of Louis’s prosecution and hanging during his service in World War II. Here as in so much of his writing, Wideman chooses a unique structure for the book, braiding his own reflections on injustice into the documentary material. 

If this book doesn’t compel you to become a feminist, then you probably don’t have a heart. Or if you have, then it is likely as cold as the rapists’ described in it. 

What do you feel when you read yet another account of mass rape, the trafficking, torture, and abuse of girls and women, and the gang rape of innocents? You should feel anger, if not despair. You might also well wonder what is wrong with men to make them behave this way.

Of course, you can choose not to read such accounts. But really, that is the coward’s way out. This is why this book is on my list–to challenge you to read it from start to finish and then, at the conclusion, decide you are not a feminist. 

Every book list needs a good wild card, wouldn’t you agree?

This Dark Horse one-shot published in the run-up to the premiere for Amazon’s Hunters is only a few pages long, but perfectly encapsulates the pulpy spirit of the revenge-driven series created by David Weil. Mr. Weil has stated on numerous occasions that the small screen project was a way for him to pay homage to his Holocaust survivor grandmother and tell an epic, comic book-inspired story of good vs. evil.

The one-shot does just that as the titular squad of Nazi eliminators tracks down a concentration camp doctor notorious for conducting unspeakable human experiments and collecting gruesome trophies.