Here are 100 books that Black Hearts fans have personally recommended if you like
Black Hearts.
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I’m a soldier, an author, and an army wife – the last fifteen years of my life have revolved around dealing with the fallout of the Iraq war, not only for my family but also as a soldier and a veteran. I write books because I wanted to read about people who stayed in the military after the war started. The best writing advice I ever got came from Robyn Carr who said, write the book that only you can tell. Wrestling with the legacy of a war that we as soldiers did not choose as we return home was something I deeply wanted to understand, both as an army officer and a novelist.
Lemmon’s book is about the reality of war for female soldiers (so obviously I’m biased)– when losing means not just going home to lick your wounds, but not having a home to go back to.
The Iraq War was a war of choice – the wars that the Daughters of Kobani are fighting are wars of necessity and survival. It’s not about dogma of saying women are just as good as men – it’s a powerful story about women who carry the same obligations of citizenship as the men around them and the drive and purpose to defend their home, their rights, and their families through violence if necessary.
It sits at the intersection of war and feminism in a way that everyone who cares about women’s rights absolutely must read.
The extraordinary story of the women who took on the Islamic State and won
"The Daughters of Kobani is an unforgettable and nearly mythic tale of women's power and courage. The young women profiled in this book fought a fearsome war against brutal men in impossible circumstances-and proved in the process what girls and women can accomplish when given the chance to lead. Brilliantly researched and respectfully reported, this book is a lesson in heroism, sacrifice, and the real meaning of sisterhood. I am so grateful that this story has been told." -Elizabeth Gilbert, author…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I played rugby union for Durham University and at Rosslyn Park FC in London. Then I became a reporter and editor, for Rugby News magazine and on Fleet Street sports desks. In March 2002, six months after 9/11 and a year before the invasion of Iraq, my Park team played against the cadets of the United States Military Academy. Years later, settled in New York, I decided to find out what happened to those West Point rugby players in the 9/11 wars, and what their experiences might tell us about sports, war, brotherhood, loss, and remembrance.
Junger wrote War, about Afghanistan. But as I found the West Point rugby players’ stories wouldn’t leave me alone, so Junger stayed with those he found in Kunar province.
In Tribe, he considers the ties that bind – notably a focus on the “energy of male conflict and male closeness”. Junger “once asked a combat vet if he’d rather have an enemy or another close friend”. The vet looked at Junger like he was crazy. “‘Oh, an enemy, 100%,’ he said. ‘I’ve already got a lot of friends.’
He thought about it a little longer. ‘Anyway, all my best friends I’ve gotten into fights with – knock-down, drag-out fights. Granted we were always drunk, but think about that.’ He shook his head as if even he couldn’t believe it.”
From the author of THE PERFECT STORM and WAR comes a book about why men miss war, why Londoners missed the Blitz, and what we can all learn from American Indian captives who refused to go home.
Tribe is a look at post-traumatic stress disorder and the challenges veterans face returning to society. Using his background in anthropology, Sebastian Junger argues that the problem lies not with vets or with the trauma they've suffered, but with the society to which they are trying to return.
One of the most puzzling things about veterans who experience PTSD is that…
I’m a soldier, an author, and an army wife – the last fifteen years of my life have revolved around dealing with the fallout of the Iraq war, not only for my family but also as a soldier and a veteran. I write books because I wanted to read about people who stayed in the military after the war started. The best writing advice I ever got came from Robyn Carr who said, write the book that only you can tell. Wrestling with the legacy of a war that we as soldiers did not choose as we return home was something I deeply wanted to understand, both as an army officer and a novelist.
I served in the 1st Cav when Black Sunday happened and then, a few years later, read this book as a newly commissioned second lieutenant, serving in 3HBCT, 1st Cavalry Division several of the men featured in Raddatz’s book.
It provided deeply personal insights into why the boss was driven the way that he was. It was absolutely devastating to read the horror of a lost platoon alongside the struggles of the families back home. Through deeply personal narratives, Raddatz drives home the importance of being prepared for the worst both for the soldiers deployed and the families back home, managing rumors and fear during a mass casualty event, and the will to stay connected to those you served with.
Coming up on the 20-year anniversary of Black Sunday, I give cadets who ask me to commission them a copy of this book – it reminds all of us…
ABC News’ Chief Global Affairs Correspondent Martha Raddatz shares remarkable tales of heroism, hope, and heartbreak in her account of “Black Sunday”—a battle during one of the deadliest periods of the Iraq War.
The First Cavalry Division came under surprise attack in Sadr City on Sunday April 4, 2004. Over 7,000 miles away, their families awaited the news for forty-eight hellish hours—expecting the worst. In this powerful, unflinching account, Martha Raddatz takes readers from the streets of Baghdad to the home front and tells the story of that horrific day through the eyes of the courageous American men and women…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
I’m a soldier, an author, and an army wife – the last fifteen years of my life have revolved around dealing with the fallout of the Iraq war, not only for my family but also as a soldier and a veteran. I write books because I wanted to read about people who stayed in the military after the war started. The best writing advice I ever got came from Robyn Carr who said, write the book that only you can tell. Wrestling with the legacy of a war that we as soldiers did not choose as we return home was something I deeply wanted to understand, both as an army officer and a novelist.
This book technically isn’t about the Iraq war but instead, about violence more broadly and it's super nerdy but super important.
As a soldier and sociologist, I’ve always been fascinated by the ways academia deals with questions of violence. In particular, since the popularity of moral psychology theories like Jonathan Haidt’s moral foundations theory (popularized in his book The Righteous Mind), the running assumption in a lot of academic circles is that harm = bad. But Fisk and Rai show that violence serves social purpose such as bonding people together or teaching them group boundaries.
It’s a difficult read because it challenges people’s assumptions about violence and harm but that makes it all the more important in understanding how people come home from war and the ways in which they wrestle with actions they’ve done.
What motivates violence? How can good and compassionate people hurt and kill others or themselves? Why are people much more likely to kill or assault people they know well, rather than strangers? This provocative and radical book shows that people mostly commit violence because they genuinely feel that it is the morally right thing to do. In perpetrators' minds, violence may be the morally necessary and proper way to regulate social relationships according to cultural precepts, precedents, and prototypes. These moral motivations apply equally to the violence of the heroes of the Iliad, to parents smacking their child, and to…
I’m a crime historian and storyteller. I study old crimes, particularly those of scientific interest, and present my findings in public presentations. Sometimes I write about them-
in the NY Times, Smithsonian, Lancet, Ellery Queen. I’ve researched in autopsy suites, crumbling archives, and crime labs. I was the founder and moderator of the annual Forensic Forum at Stony Brook University. I’ve consulted on criminal matters for PBS, BBC, and commercial stations.
I am fascinated by ancient crime because so much great literature derives from it - the sadly dysfunctional Oedipus family, the fraternal dispute between Cain and Abel- the unhappy Borden family of Fall River. All grist for my mill.
The Blooding recounts a gripping true tale of murders in the picturesque English countryside-but aside from its haunting atmosphere, it is a detailed account of the beginning of DNA as a crime-solving technique. We have come a long way since the mid-1980s, and we can get much more information from newer DNA methods, but the detailed explanation of exactly how this worked as a revolutionary method is invaluable. Reading this book puts the reader at the very beginning of a revolution.
Fifteen-year-old Lynda Mann's savagely raped and strangled body is found along a shady footpath near the English village of Narborough. Though a massive 150-man dragnet is launched, the case remains unsolved. Three years later the killer strikes again, raping and strangling teenager Dawn Ashforth only a stone's throw from where Lynda was so brutally murdered. But it will take four years, a scientific breakthrough, the largest manhunt in British crime annals, and the blooding of more than four thousand men before the real killer is found.
My love of British crime fiction began when, as a young teen, I discovered Agatha Christie on the shelves of my local library. With Scottish grandparents, I was already well indoctrinated in the “everything British is best” theory, but it was as a student at St. Clare’s College, Oxford, that I fell totally under the spell of the British Isles. No surprise, then, that my Kate Hamilton Mystery series is set in the UK and features an American antiques dealer with a gift for solving crimes. I love to read the classic mysteries of the Golden Age as well as authors today who follow that tradition.
Since the publication of Dorothy L. Sayer’sThe Unpleasantness at the Bellona Clubin 1928, London’s gentlemen’s clubs, bastions of upper-class male privilege, have been fertile ground for murder and mayhem. Huang’s debut novel is set in 1924. With the memory of the Great War still fresh in everyone’s minds, the prestigious soldiers-only Britannia Club is rocked by the stabbing of a member within the club vaults. The killer must be a fellow club member, but when Eric Peterkin, descendant of one of the club’s founders, witnesses the Scotland Yard detective tampering with evidence, he is forced to launch an investigation of his own.
The year is 1924. The streets of St. James ring with jazz as Britain races forward into an age of peace and prosperity. London's back alleys, however, are filled with broken soldiers and still shadowed by the lingering horrors of the Great War.
Only a few years removed from the trenches of Flanders himself, Lieutenant Eric Peterkin has just been granted membership in the most prestigious soldiers-only club in London: The Britannia. But when a gentleman's wager ends with a member stabbed to death, the victim's last words echo in the Lieutenant's head: that he would "soon right a great…
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
I’ve been fascinated with the macabre since childhood and have always been drawn to the darker sides of humanity. In nearly every story, the villain is my favorite character, and I’m most intrigued with their motives. From The Magic Tree House to Artemis Fowl to The Hunger Games to The Purge, I’ve consumed as much sci-fi, dystopian, thriller fiction as possible my entire life. I’ve written several thriller novels and dystopian books and have worked with Bradley Fuller, the producer of The Purge and A Quiet Place, on the possible movie adaptation of my debut novel. If you also like dystopian thrillers, feel free to check out my recommendations!
I loved this book because it was equally gripping and thrilling as it was funny. It’s impressive when a book so seamlessly weaves real-world experiences and pop culture references with the sci-fi aspects of a dystopian world.
I loved the main character, Frankie, and how she was relatable yet completely unique. Her humor and love of movies, I also loved how it was thought-provoking without feeling like a soap-box political book.
This book was like a quirky Black Mirror-esque cautionary tale of where our society could easily be heading, with plenty of laugh-out-loud moments. I liked how Bryan Johnston took reality TV and made it extreme.
Frankie Percival is cashing in her chips. To save her brother from financial ruin, Frankie—a single stage performer and mentalist who never made it big—agrees to be assassinated on the most popular television show on the planet: Death Warrant. Once she signs her life away, her memory is wiped clean of the agreement, leaving her with no idea she will soon be killed spectacularly for global entertainment.
After years of working in low-rent theaters, Frankie prepares for the biggest performance of her life as her Death Warrant assassin closes in on her. Every person she encounters…
Storytelling wields the power to transcend time and place, connecting us through shared experiences and emotions. It shapes our understanding of the world and ignites the imagination, making it an essential part of the human journey. As a psychologist, I understand how the stories we tell about ourselves are crucial in defining who we are and that books and good people can help shape our character. The books I've chosen celebrate the human spirit and our ability to face adversity, adapt, and ultimately choose our destiny. As Stephen Covey wisely stated, “Our ultimate freedom is the right and power to decide how anybody or anything outside ourselves will affect us.”
This book resonated deeply with me because it explored the intricate layers of human nature, beautifully encapsulated in the quote, ‘To know what a person has done, and to know who a person is, are very different things.’
The gripping narrative, based on a true story set in 19th-century Iceland, draws me into the life of Agnes Magnúsdóttir, a woman accused of murder, as she awaits her execution. Kent's masterful storytelling skilfully delves into Agnes' complexities, making her a character so vividly real that I fervently hoped for a different outcome despite knowing the inevitable fate that awaited her.
This emotional investment and the stark portrayal of the human condition left a lasting impact. Kent captured both the darkness and light within us all.
Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution.
Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution.
Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only Tv=ti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her.…
I often refer to myself as a haunted body. Death is something that has fascinated and alarmed me since I can remember. I’ve even had a spooky experience or five that I can’t explain. But to write a ghost story is akin to making someone fall in love with you, or lean in close to hear a secret. I love the intrigue and power of that kind of tale. Our oldest stories are ghost stories and the biggest and most enduring mystery for the entirety of humanity is: Is there life after death?
I love a vengeful ghost. And Dead-Eyed Sadie, who haunts the little town of Burden Falls, is like an eyeless grudge’s Kayako Saeki. I almost expected to hear that horrible death rattle while flipping the pages. After a series of nightmares and a vision of Sadie, and the appearance of a dead body, teen sleuth, Ava Thorne is determined to solve the town’s murder problem before she becomes the main suspect. With a cursed waterfall and a vengeful ghost to contend with, it should be simple… right? Not when the murderer seems to have a vendetta against the Thornes and there’s a ghost on the loose.
Riverdale meets The Haunting of Hill House in the unmissable next novel from the author of Harrow Lake.
"Cinematic, clever, and creepy, with a main charactger that leaps off the page, Burden Falls ticks off all my moody thriller boxes." —Goldy Moldavsky, New York Times bestselling author of The Mary Shelley Club and Kill the Boy Band
The town of Burden Falls drips with superstition, from rumors of its cursed waterfall to Dead-Eyed Sadie, the disturbing specter who haunts it. Ava Thorn grew up right beside the falls, and since a horrific accident killed her parents a year ago, she's…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
When I was a practicing journalist, I preferred getting my stories from the back road—“off the beaten path,” as is said. What I’m drawn to is the way a story is told, and since my game is journalism, I like the true ones. My father was a pretty good storyteller. My brother-in-law is wicked good. I hang with my jaw open, waiting on his next word. It’s like being able to tell a good joke. Few can do it. When it comes to True Crime, forget the blood and body count. Anyone can lay out the facts. It takes master storytelling to deliver us to the army of small truths that brought forth the crime—and the humanity that dissolved along the way.
This is the story of a man and his lover who kill the man’s wife in London, then try to escape on a ship to Canada disguised as father and son. Awkward, but doable, unless you have the misfortune of timing your transatlantic cruise with the advent of radio communication.
Thanks to the new "wireless" technology, this couple was unwittingly trapped the moment they stepped aboard. I felt like a bird, hovering above, espying them leaving their quarters to go to dinner, then flapping my wings like mad to get over to the captain and listen in as he reports their movements to authorities on shore. Absolutely captivating.
A true story of love, murder, and the end of the world’s “great hush.”
In Thunderstruck, Erik Larson tells the interwoven stories of two men—Hawley Crippen, a very unlikely murderer, and Guglielmo Marconi, the obsessive creator of a seemingly supernatural means of communication—whose lives intersect during one of the greatest criminal chases of all time.
Set in Edwardian London and on the stormy coasts of Cornwall, Cape Cod, and Nova Scotia, Thunderstruck evokes the dynamism of those years when great shipping companies competed to build the biggest, fastest ocean liners; scientific advances dazzled the public with visions of a world…