Here are 100 books that Black Hearts fans have personally recommended if you like
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I’m a soldier, an author, and an army wife – the last fifteen years of my life have revolved around dealing with the fallout of the Iraq war, not only for my family but also as a soldier and a veteran. I write books because I wanted to read about people who stayed in the military after the war started. The best writing advice I ever got came from Robyn Carr who said, write the book that only you can tell. Wrestling with the legacy of a war that we as soldiers did not choose as we return home was something I deeply wanted to understand, both as an army officer and a novelist.
Lemmon’s book is about the reality of war for female soldiers (so obviously I’m biased)– when losing means not just going home to lick your wounds, but not having a home to go back to.
The Iraq War was a war of choice – the wars that the Daughters of Kobani are fighting are wars of necessity and survival. It’s not about dogma of saying women are just as good as men – it’s a powerful story about women who carry the same obligations of citizenship as the men around them and the drive and purpose to defend their home, their rights, and their families through violence if necessary.
It sits at the intersection of war and feminism in a way that everyone who cares about women’s rights absolutely must read.
The extraordinary story of the women who took on the Islamic State and won
"The Daughters of Kobani is an unforgettable and nearly mythic tale of women's power and courage. The young women profiled in this book fought a fearsome war against brutal men in impossible circumstances-and proved in the process what girls and women can accomplish when given the chance to lead. Brilliantly researched and respectfully reported, this book is a lesson in heroism, sacrifice, and the real meaning of sisterhood. I am so grateful that this story has been told." -Elizabeth Gilbert, author…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I played rugby union for Durham University and at Rosslyn Park FC in London. Then I became a reporter and editor, for Rugby News magazine and on Fleet Street sports desks. In March 2002, six months after 9/11 and a year before the invasion of Iraq, my Park team played against the cadets of the United States Military Academy. Years later, settled in New York, I decided to find out what happened to those West Point rugby players in the 9/11 wars, and what their experiences might tell us about sports, war, brotherhood, loss, and remembrance.
Junger wrote War, about Afghanistan. But as I found the West Point rugby players’ stories wouldn’t leave me alone, so Junger stayed with those he found in Kunar province.
In Tribe, he considers the ties that bind – notably a focus on the “energy of male conflict and male closeness”. Junger “once asked a combat vet if he’d rather have an enemy or another close friend”. The vet looked at Junger like he was crazy. “‘Oh, an enemy, 100%,’ he said. ‘I’ve already got a lot of friends.’
He thought about it a little longer. ‘Anyway, all my best friends I’ve gotten into fights with – knock-down, drag-out fights. Granted we were always drunk, but think about that.’ He shook his head as if even he couldn’t believe it.”
From the author of THE PERFECT STORM and WAR comes a book about why men miss war, why Londoners missed the Blitz, and what we can all learn from American Indian captives who refused to go home.
Tribe is a look at post-traumatic stress disorder and the challenges veterans face returning to society. Using his background in anthropology, Sebastian Junger argues that the problem lies not with vets or with the trauma they've suffered, but with the society to which they are trying to return.
One of the most puzzling things about veterans who experience PTSD is that the majority…
I’m a soldier, an author, and an army wife – the last fifteen years of my life have revolved around dealing with the fallout of the Iraq war, not only for my family but also as a soldier and a veteran. I write books because I wanted to read about people who stayed in the military after the war started. The best writing advice I ever got came from Robyn Carr who said, write the book that only you can tell. Wrestling with the legacy of a war that we as soldiers did not choose as we return home was something I deeply wanted to understand, both as an army officer and a novelist.
I served in the 1st Cav when Black Sunday happened and then, a few years later, read this book as a newly commissioned second lieutenant, serving in 3HBCT, 1st Cavalry Division several of the men featured in Raddatz’s book.
It provided deeply personal insights into why the boss was driven the way that he was. It was absolutely devastating to read the horror of a lost platoon alongside the struggles of the families back home. Through deeply personal narratives, Raddatz drives home the importance of being prepared for the worst both for the soldiers deployed and the families back home, managing rumors and fear during a mass casualty event, and the will to stay connected to those you served with.
Coming up on the 20-year anniversary of Black Sunday, I give cadets who ask me to commission them a copy of this book – it reminds all of us of…
ABC News’ Chief Global Affairs Correspondent Martha Raddatz shares remarkable tales of heroism, hope, and heartbreak in her account of “Black Sunday”—a battle during one of the deadliest periods of the Iraq War.
The First Cavalry Division came under surprise attack in Sadr City on Sunday April 4, 2004. Over 7,000 miles away, their families awaited the news for forty-eight hellish hours—expecting the worst. In this powerful, unflinching account, Martha Raddatz takes readers from the streets of Baghdad to the home front and tells the story of that horrific day through the eyes of the courageous American men and women…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
I’m a soldier, an author, and an army wife – the last fifteen years of my life have revolved around dealing with the fallout of the Iraq war, not only for my family but also as a soldier and a veteran. I write books because I wanted to read about people who stayed in the military after the war started. The best writing advice I ever got came from Robyn Carr who said, write the book that only you can tell. Wrestling with the legacy of a war that we as soldiers did not choose as we return home was something I deeply wanted to understand, both as an army officer and a novelist.
This book technically isn’t about the Iraq war but instead, about violence more broadly and it's super nerdy but super important.
As a soldier and sociologist, I’ve always been fascinated by the ways academia deals with questions of violence. In particular, since the popularity of moral psychology theories like Jonathan Haidt’s moral foundations theory (popularized in his book The Righteous Mind), the running assumption in a lot of academic circles is that harm = bad. But Fisk and Rai show that violence serves social purpose such as bonding people together or teaching them group boundaries.
It’s a difficult read because it challenges people’s assumptions about violence and harm but that makes it all the more important in understanding how people come home from war and the ways in which they wrestle with actions they’ve done.
What motivates violence? How can good and compassionate people hurt and kill others or themselves? Why are people much more likely to kill or assault people they know well, rather than strangers? This provocative and radical book shows that people mostly commit violence because they genuinely feel that it is the morally right thing to do. In perpetrators' minds, violence may be the morally necessary and proper way to regulate social relationships according to cultural precepts, precedents, and prototypes. These moral motivations apply equally to the violence of the heroes of the Iliad, to parents smacking their child, and to…
I’m a crime historian and storyteller. I study old crimes, particularly those of scientific interest, and present my findings in public presentations. Sometimes I write about them-
in the NY Times, Smithsonian, Lancet, Ellery Queen. I’ve researched in autopsy suites, crumbling archives, and crime labs. I was the founder and moderator of the annual Forensic Forum at Stony Brook University. I’ve consulted on criminal matters for PBS, BBC, and commercial stations.
I am fascinated by ancient crime because so much great literature derives from it - the sadly dysfunctional Oedipus family, the fraternal dispute between Cain and Abel- the unhappy Borden family of Fall River. All grist for my mill.
The Blooding recounts a gripping true tale of murders in the picturesque English countryside-but aside from its haunting atmosphere, it is a detailed account of the beginning of DNA as a crime-solving technique. We have come a long way since the mid-1980s, and we can get much more information from newer DNA methods, but the detailed explanation of exactly how this worked as a revolutionary method is invaluable. Reading this book puts the reader at the very beginning of a revolution.
Fifteen-year-old Lynda Mann's savagely raped and strangled body is found along a shady footpath near the English village of Narborough. Though a massive 150-man dragnet is launched, the case remains unsolved. Three years later the killer strikes again, raping and strangling teenager Dawn Ashforth only a stone's throw from where Lynda was so brutally murdered. But it will take four years, a scientific breakthrough, the largest manhunt in British crime annals, and the blooding of more than four thousand men before the real killer is found.
My love of British crime fiction began when, as a young teen, I discovered Agatha Christie on the shelves of my local library. With Scottish grandparents, I was already well indoctrinated in the “everything British is best” theory, but it was as a student at St. Clare’s College, Oxford, that I fell totally under the spell of the British Isles. No surprise, then, that my Kate Hamilton Mystery series is set in the UK and features an American antiques dealer with a gift for solving crimes. I love to read the classic mysteries of the Golden Age as well as authors today who follow that tradition.
Since the publication of Dorothy L. Sayer’sThe Unpleasantness at the Bellona Clubin 1928, London’s gentlemen’s clubs, bastions of upper-class male privilege, have been fertile ground for murder and mayhem. Huang’s debut novel is set in 1924. With the memory of the Great War still fresh in everyone’s minds, the prestigious soldiers-only Britannia Club is rocked by the stabbing of a member within the club vaults. The killer must be a fellow club member, but when Eric Peterkin, descendant of one of the club’s founders, witnesses the Scotland Yard detective tampering with evidence, he is forced to launch an investigation of his own.
The year is 1924. The streets of St. James ring with jazz as Britain races forward into an age of peace and prosperity. London's back alleys, however, are filled with broken soldiers and still shadowed by the lingering horrors of the Great War.
Only a few years removed from the trenches of Flanders himself, Lieutenant Eric Peterkin has just been granted membership in the most prestigious soldiers-only club in London: The Britannia. But when a gentleman's wager ends with a member stabbed to death, the victim's last words echo in the Lieutenant's head: that he would "soon right a great…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
This is a master class in investigative journalism and in nonfiction storytelling. Radden Keefe is one of my journalistic role models, and this book about the troubles in Northern Ireland is gripping from page one as it investigates the 1972 murder and abduction of Jean McConville in a way that probably only a foreigner could do, given the sensitivity of the topic. It is a vital historical document, a gripping thriller, and an empathetic social observation all in one.
NEW YORK TIMES BESTSELLER •From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions
"Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." —New York Times Book Review
Half a century ago (hard to believe!), as a young newspaper reporter, I began every day at a police station, reading the log and talking to the watch commander. Occasionally, I was able to contact the detectives as well. For me, the way crimes and criminal investigations unfolded, and the personalities of the officers involved, were multi-dimensional and touched with surprising, and often unexpected, moments of humor. In my reading as well as my writing, I seek a balance between authenticity and a sense of the absurd, without which the experience of solving murders—real or fictional—could become emotionally crushing.
Although this isn’t the first entry in the Peculiar Crimes Unit series, it’s the first that I read, and it hooked me. What a great idea for an offbeat police series, cleverly handled and featuring two eccentric London detectives, Arthur Bryant and John May. In this mystery, two cases initially appear unrelated, and it takes quite a bit of sleuthing before the links emerge. Bryant and May must unravel encrypted codes and symbols, discover secret rooms and dig through baffling clues as danger mounts. While this series has a darker tone than some of my preferences, it’s engaging and rewarding.
Winner of CrimeFest 2013's 'eDunnit Award' for 'the best crime fiction ebook published in 2012 in both hardcopy and in electronic format'.
Two small children are playing a game called 'Witch-Hunter'. They place a curse on a young woman taking lunch in a church courtyard and wait for her to die. An hour later the woman is indeed found dead inside St Bride's Church - a building that no-one else has entered.
Unfortunately Bryant & May are refused the case. Instead, there are hired by their greatest enemy to find out why his wife has suddenly started behaving strangely. She's…
When I was a practicing journalist, I preferred getting my stories from the back road—“off the beaten path,” as is said. What I’m drawn to is the way a story is told, and since my game is journalism, I like the true ones. My father was a pretty good storyteller. My brother-in-law is wicked good. I hang with my jaw open, waiting on his next word. It’s like being able to tell a good joke. Few can do it. When it comes to True Crime, forget the blood and body count. Anyone can lay out the facts. It takes master storytelling to deliver us to the army of small truths that brought forth the crime—and the humanity that dissolved along the way.
This is the story of a man and his lover who kill the man’s wife in London, then try to escape on a ship to Canada disguised as father and son. Awkward, but doable, unless you have the misfortune of timing your transatlantic cruise with the advent of radio communication.
Thanks to the new "wireless" technology, this couple was unwittingly trapped the moment they stepped aboard. I felt like a bird, hovering above, espying them leaving their quarters to go to dinner, then flapping my wings like mad to get over to the captain and listen in as he reports their movements to authorities on shore. Absolutely captivating.
A true story of love, murder, and the end of the world’s “great hush.”
In Thunderstruck, Erik Larson tells the interwoven stories of two men—Hawley Crippen, a very unlikely murderer, and Guglielmo Marconi, the obsessive creator of a seemingly supernatural means of communication—whose lives intersect during one of the greatest criminal chases of all time.
Set in Edwardian London and on the stormy coasts of Cornwall, Cape Cod, and Nova Scotia, Thunderstruck evokes the dynamism of those years when great shipping companies competed to build the biggest, fastest ocean liners; scientific advances dazzled the public with visions of a world…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Books about switching places and mistaken identity have always interested me. Sometimes, it takes a comedic turn where the hero bumbles through misadventures. Sometimes, there's something sinister at play at the hero must fight to get their own lives back. Whether funny or scary or romantic or thrilling, it’s always a wild ride. The fun of it, and the frightening part, is that the reader must guess what's happening along with the hero. You have to figure out who is who and what is what, so there's always a mystery.
RL Stine's Switched isn't just a switching places story, it's a switching bodies story. And in this Fear Street installment, one of them is a killer. Yeah, it's intense. Nicole is a super normal teenager with pretty regular problems, like a boyfriend who can't get his act together and homework she can't manage, but a trip to the woods changes all of that. Next thing you know, people start to die.
Things really take some strange twists and turns so you're in for a wild ride with this one. This is classic Stine and just a fun read, if your idea of fun is being shocked, confused and frightened with every page. What a great time!
Nicole always thought her friend Lucy’s life was so much better than hers. She had cooler parents and a cuter boyfriend—next to her, Nicole felt like a loser. So when Lucy asked if she wanted to switch bodies, Nicole thought it sounded like a fun idea. Good for a laugh.
She didn’t realize the switch would actually work. Or that Lucy’s life might not be so sweet after all. Turns out, Lucy’s got a few issues. And she’s about to get her revenge—using Nicole’s body!
