Here are 79 books that City of Blades fans have personally recommended if you like
City of Blades.
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I wrote my first romance with >40 characters in my mid-forties. It wasn’t like I never saw people of my age in the genre, but I have to say they were (and are) still rare, especially in traditionally published books. I love to see how people navigate what partnership looks like when people are established and their conflicts and experiences have changed. Elder care, relationships with adult children, fighting age-related stereotypes and discrimination: these are just a few of the nuances that set these types of books apart. But you still get that delicious well of emotion and the satisfaction of a happy ending.
This is less a romance novel and more a high fantasy novel with romantic elements, but the romance subplot is exceedingly strong.
(I can highly recommend a mental fan-casting of either Arhys or Ilvin as Pedro Pascal, because he’d absolutely knock one of those roles out of the park if this was ever made into a miniseries).
Ista is over 40, a queen, a new grandmother, a recovered madwoman, and…wait for it…a living saint. Seeking to get away from the suffocating (yet loving) arms of her family, she goes on a pilgrimage (Road Trip!) with a group of younger people and ends up getting into multiple adventures and a more than near miss with outright war. It’s an absolute romp and one of my all-time favorites.
Lois McMaster Bujold has won the Hugo award four times, and the Nebula award twice. This is her second epic fantasy and the sequel to Curse of Chalion.
The Golden General's curse has been lifted from the royal family and Cazaril can now rest easy and enjoy his new life with his bride Betriz.
However, life for Ista, the Dowager Royina has not improved. With the death of her mother, the Provincara, and with her surviving child Iselle now ruling Chalion from the Capital Cardegross, she is left without purpose. Her brother's family still think she's mad and aim to…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I started writing a series about menopausal werewolves eleven years ago, right before my fiftieth birthday. I wanted to see more women like me in science fiction and fantasy: middle-aged and older women who had led full lives but were still up for more adventure, new worlds, eager to see what came next. I also started a bibliography project on older women protagonists in speculative fiction and began proposing and speaking on convention programming about older women in the genre. We’ve had a lot of great discussions and agree that the needle is slowly moving toward more and better representation. I’m thrilled to be a part of that.
In a genre full of stories of almost infinite variety, this is one that caught my eye.
A middle-aged female professor of mathematics goes on a quest with her cat to track down a former student who is the only one who can save their world from destruction. Sounds cozy, doesn’t it? Except for the world-ending part.
And the fact that Vellitt’s path lies straight through a dreamscape out of the Lovecraftian mythos in this critique/homage to H.P. Lovecraft’s The Dream-Quest of Unknown Kadath. But you don’t have to have read the latter to enjoy the journey.
Vellitt is a marvelous character, the world-building is brilliant and the cat is the perfect addition that helps set the tone for a new and different kind of quest fantasy.
World Fantasy Award winner, Hugo, Nebula, John W. Campbell, and Locus Award finalist for Best Novella, and one of NPR's Best Books of 2016
Professor Vellitt Boe teaches at the prestigious Ulthar Women’s College. When one of her most gifted students elopes with a dreamer from the waking world, Vellitt must retrieve her. d"Kij Johnson's haunting novella The Dream-Quest of Vellitt Boe is both a commentary on a classic H.P. Lovecraft tale and a profound reflection on a woman's life. Vellitt's quest to find a former student who may be the only person who can save her community takes her…
I started writing a series about menopausal werewolves eleven years ago, right before my fiftieth birthday. I wanted to see more women like me in science fiction and fantasy: middle-aged and older women who had led full lives but were still up for more adventure, new worlds, eager to see what came next. I also started a bibliography project on older women protagonists in speculative fiction and began proposing and speaking on convention programming about older women in the genre. We’ve had a lot of great discussions and agree that the needle is slowly moving toward more and better representation. I’m thrilled to be a part of that.
Larque is an unusual and sympathetic protagonist. She’s a wife, mother, and moderately successful businesswoman, but thinks of herself as a failed artist.
She also has the ability to create doppelgangers, temporary doubles of the people in her life. But this time, they’re a lot less temporary. Sky is her ten-year-old self, rebellious and contemptuous of the choices her adult self has made, and Lark is a young gay man dealing with life in the early 1990s.
And Larque is both of them, as well as herself and the menacing Virtuous Woman who lurks in the background, waiting for her chance to take over Larque’s life. It makes for a wild midlife crisis in which Larque has to decide who she wants to be and what she wants for her creations.
Larque creates temporary people from nothing, which does not become a problem until a ten-year-old version of herself leads her on a search for lost dreams and she returns stronger, braver--and male
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I am instantly drawn to stories with voyages, spices, and trade. But as much as these, I love meddlesome and crafty gods. I’m not a religious person, but I love to understand how people behave around religion, how it influences their choices, and how our world’s history can be chronologized as a series of fanatical events and conquests. Fantasy gives me the option to explore characters and worlds where gods are not only inherently intrusive but also cast a long shadow on people’s nature, giving birth to folklore, myths, and, of course, great stories to tell. They drive destinies, but more importantly, they drive the resistance against being puppeteered.
I instantly dug the vibe of this book. Pacific Ocean, pirates, kidnappings, mythical South Asian relics, historical fantasy. Give me it!
This book blew me away like a sea squall, so much so that a year after I finished reading it, I still use nautical metaphors to make my point. Not to mention how much I love older, middle-aged protagonists. Weary mothers and retired cartographers with families to feed and perilous old habits, setting sail on an adventure? Aye, aye, Captain!
"A thrilling, transportative adventure that is everything promised–Chakraborty's storytelling is fantasy at its best." -- R.F. Kuang, #1 New York Times bestselling author of Babel and The Poppy War
"An exhilarating, propulsive adventure, stitched from the threads of real history, Amina’s adventures are the reason to read fantasy." -- Ava Reid, internationally bestselling author of Juniper & Thorn
Shannon Chakraborty, the bestselling author of The City of Brass, spins a new trilogy of magic and mayhem on the high seas in this tale of pirates and sorcerers, forbidden artifacts and ancient mysteries, in one woman’s determined quest to seize a…
I have been a teacher, writer, scholar, and, above all, a critic of social injustice for my entire professional life. My experience living in the Israeli-occupied West Bank informed my critical voice around issues of language, knowledge, history, and policy in and about the Middle East, leading to the publication of my two scholarly monographs: Palestine in the American Mind: The Discourse on Palestine in the Contemporary United States and Palestine-Israel in the Print News Media: Contending Discourses. The titles I introduce here have been vital to my ongoing education on these issues and in my continuing advocacy for peace and justice in Palestine, the Middle East, and around the world.
I came across the work of Nick Turse while working on the fifth chapter of my new book. I had been struggling to find a critical voice in the assessment of the American war in Vietnam that was sustained by a keen historical eye and the pure, intellectual critique of a scholar. When I found Turse, I found my answers.
Turse’s assessment of the unmitigated brutality of the American war in Vietnam chilled me; his powerful critique brought a new voice and vigor to my own burgeoning criticism of that U.S. slaughter in Southeast Asia.
Anyone looking for a strong voice condemning wholesale the U.S. anti-communist paranoia of the era and/or the indiscriminate killing capacity of the U.S. military machine need look no further than Turse and Kill Anything that Moves.
Americans have long been taught that events such as the notorious My Lai massacre were isolated incidents in the Vietnam War, carried out by just a few "bad apples." But as award-winning journalist and historian Nick Turse demonstrates in this groundbreaking investigation, violence against Vietnamese non-combatants was not at all exceptional during the conflict. Rather, it was pervasive and systematic, the predictable consequence of official orders to "kill anything that moves." Drawing on more than a decade of research into secret Pentagon archives and extensive interviews with American veterans and Vietnamese survivors, Turse reveals for the first time the workings…
I have been drawn to the history of the German lands ever since I opened a historical atlas as a child and wondered why the middle of Europe was a colorful patchwork compared to the solid blocks depicting other countries. I then wondered how the people living under this multitude of authorities could manage their affairs, resolve differences, and defend themselves against each other and outsiders. Digging deeper into these questions has unearthed fascinating stories, not all of them pleasant, but which also shed light on the complexities of our shared existence.
More than one in four Germans served during the Second World War, but only one in ten of these volunteered.
In the eight decades since that conflict, the history of this staggering mobilization has been rewritten several times but remains controversial, particularly as more recent research is revealing the scale and complexity of the German military’s involvement in the genocidal policies of the Nazi regime.
Ben Shepherd offers a balanced and finely nuanced account of the German armed forces, their organization, culture, and conduct of total war, noting the importance of context, whilst indicating that the postwar distinction between ‘good German soldiers’ and ‘bad Nazis’ is a myth.
A penetrating study of the German army's military campaigns, relations with the Nazi regime, and complicity in Nazi crimes across occupied Europe
For decades after 1945, it was generally believed that the German army, professional and morally decent, had largely stood apart from the SS, Gestapo, and other corps of the Nazi machine. Ben Shepherd draws on a wealth of primary sources and recent scholarship to convey a much darker, more complex picture. For the first time, the German army is examined throughout the Second World War, across all combat theaters and occupied regions, and from multiple perspectives: its battle…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
Raised in a proud Jewish home, I was instilled with an appreciation for my cultural heritage from a very young age. Today, I am utterly fascinated with the convergence of Judaism and popular culture in film, television, comics, literature, and other media. After college, I became a freelance entertainment journalist, writing stories for SYFY WIRE,The Hollywood Reporter,Forbes, and Marvel Entertainment. I currently reside in Philadelphia with my wife, Leora, and adorable Cavapoo, Archie.
Every book list needs a good wild card, wouldn’t you agree?
This Dark Horse one-shot published in the run-up to the premiere for Amazon’s Hunters is only a few pages long, but perfectly encapsulates the pulpy spirit of the revenge-driven series created by David Weil. Mr. Weil has stated on numerous occasions that the small screen project was a way for him to pay homage to his Holocaust survivor grandmother and tell an epic, comic book-inspired story of good vs. evil.
The one-shot does just that as the titular squad of Nazi eliminators tracks down a concentration camp doctor notorious for conducting unspeakable human experiments and collecting gruesome trophies.
Ruth Heidelbaum has secret to kill for—hundreds of Nazis are hiding in the United States, and she's on a bloody quest to take them out, one by one. She and her rag-tag teammates call themselves THE HUNTERS, and it's kill, rinse, repeat, until justice has finally been served to every last one of them. This is not murder...it's mitzvah!
As a book lover and as a nonfiction writer and researcher, I’ve always been fascinated by the idea that a book is truly a portal that can connect people across time and space. I’m a Catholic (stray) by education and tradition, and for me this interconnectivity resonates with the familiar theology of the communion of saints. Whether you are religious or not, if you love words, there is something rather miraculous about how language, past and present, from authors living and dead, can connect and surprise us and spark new conversations even with those yet to be born. You never know who may need to hear what you are putting on the page.
I have admired Wideman for many years. As a writer, he is a virtuoso in multiple forms, making room to confront violence and racism without offering readers trite or false resolutions.
I appreciate how he keeps calling back to the themes and subjects of earlier work. His essay, “Looking at Emmett Till” (originally published in Issue 19 of Creative Nonfiction), grappled with his recollections of 1955 as a 14-year-old teenager, the same age as Emmett Till when he was lynched and murdered.
Writing to Save a Life builds upon this work, tracing a parallel history of Till’s father, Louis, and Wideman’s journey to confront official documents of Louis’s prosecution and hanging during his service in World War II. Here as in so much of his writing, Wideman chooses a unique structure for the book, braiding his own reflections on injustice into the documentary material.
I’m a soldier, an author, and an army wife – the last fifteen years of my life have revolved around dealing with the fallout of the Iraq war, not only for my family but also as a soldier and a veteran. I write books because I wanted to read about people who stayed in the military after the war started. The best writing advice I ever got came from Robyn Carr who said, write the book that only you can tell. Wrestling with the legacy of a war that we as soldiers did not choose as we return home was something I deeply wanted to understand, both as an army officer and a novelist.
This is a book about failure – leadership failure from every echelon.
I hesitated to ever read this book about horrific war crimes committed by American soldiers because I absolutely did not want to see “them” as “us”. What I found instead was a systematic failure of the Army from every echelon that enabled these men to slip free of the bonds of civilization and become the embodiment of humanity’s worst impulses.
The soldier who reported them was nearly murdered as a traitor. This book speaks to the burden that those who come forward carry – and how men become monsters.
I don’t know if the men who committed that horrible atrocity were ever good men who the war made evil nor do I care – but what Frederick has shown in this book is the systematic unraveling of a platoon’s ties back to what made them human and the…
This is the story of a small group of soldiers from the 101st Airborne Division’s fabled 502nd Infantry Regiment—a unit known as “the Black Heart Brigade.” Deployed in late 2005 to Iraq’s so-called Triangle of Death, a veritable meat grinder just south of Baghdad, the Black Hearts found themselves in arguably the country’s most dangerous location at its most dangerous time.
Hit by near-daily mortars, gunfire, and roadside bomb attacks, suffering from a particularly heavy death toll, and enduring a chronic breakdown in leadership, members of one Black Heart platoon—1st Platoon, Bravo Company, 1st Battalion—descended, over their year-long tour of…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I am a tired activist and recovering attorney. My professional focus on violence and humanity’s response to it began when, as a seven-year-old, the nuns at my Catholic school showed us newsreels of the liberation of Nazi concentration camps. This led me to adopt as my life’s guiding principle Julian Beck’s admonition “to redeem our share of the universal cruelty.” After 20 years in the U.S. Violence Against Women Movement, I absconded to the former Yugoslavia and found myself in the middle of a war during which I ran a war crimes documentation project (memoir in progress). I later reported on the international war crimes trial of Slobodan Milosevic.
I’m drawn to inconvenient truths and Canadian Erna Paris reveals them in exceptionally readable prose. Paris discusses why it took more than fifty years to establish a permanent International Criminal Court to try war crimes, crimes against humanity, and genocide. She examines the reasons for U.S. opposition to the permanent International Criminal Court established in 2002, identifies U.S. officials who worked to undermine efforts to develop the ICC, exposes the real reasons they did so, and debunks the official position of protecting US soldiers.
A powerful investigation of the story and individuals behind America’s refusal to acknowledge international law and an inquiry into the urgent role of international criminal justice from the award-winning, bestselling author of Long Shadows.
In this groundbreaking investigation, Erna Paris explores the history of global justice, the politics behind America’s opposition to the creation of a permanent international criminal court, and the implications for the world at large.
At the end of the twentieth century, two extraordinary events took place. The first was the end of the Cold War, which left the world with a single empire that dominated global…