Here are 100 books that Dino Compagni's Chronicle of Florence fans have personally recommended if you like
Dino Compagni's Chronicle of Florence.
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I write historical fiction set in medieval Italy, in that lesser-known territory somewhere between ancient Rome and the Renaissance. I’m fascinated by the period before the Medici, before Michelangelo, sometimes even before Dante. The seeds of the Renaissance are hidden in that turbulent time, and I love to hunt for them. I also like to write about marginalized people—the obscure, unfamous, forgotten folk plucked from the footnotes. I’m happy to introduce some of the excellent history books that help me do that. These five books are specific to Florence, the city of my heart.
It’s impossible to understand the turbulence that frequently swept over Florence in those years without some sense of what the magnate class was all about: its pride and its violence, its lawlessness, its emphasis on knighthood, and its private military forces. Lansing shows how the magnate class evolved as a distinctive culture, becoming powerful and disruptive to the city’s peace well beyond even what its considerable economic clout would suggest. She places a lot of emphasis on the role of women among the magnates, even though women could never be full members of the lineage, since they married into other lineages. Lively and readable, with lots of stories of interesting individuals.
In the 1290s a new guild-based Florentine government placed a group of noble families under severe legal restraints, on the grounds that they were both the most powerful and the most violent and disruptive element in the city. In this colorful portrayal of civic life in medieval Florence, Carol Lansing explores the patrilineal structure and function of these urban families, known as "magnates." She shows how they emerged as a class defined not by specific economic interests but by a distinctive culture. During the earlier period of weaker civic institutions, these families built their power by sharing among themselves crucial…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I write historical fiction set in medieval Italy, in that lesser-known territory somewhere between ancient Rome and the Renaissance. I’m fascinated by the period before the Medici, before Michelangelo, sometimes even before Dante. The seeds of the Renaissance are hidden in that turbulent time, and I love to hunt for them. I also like to write about marginalized people—the obscure, unfamous, forgotten folk plucked from the footnotes. I’m happy to introduce some of the excellent history books that help me do that. These five books are specific to Florence, the city of my heart.
This concise history of Florence is a great starting point. It traces the evolution of the city from a medieval commune to a republic, covering intellectual, political, cultural, religious, and economic trends and developments over the centuries. Its scope is broad, and one of its strengths is its continuity, as it follows various threads through time. Najemy is a well-known historian of Florence, and this popular history is an excellent resource.
In this history of Florence, distinguished historian John Najemy discusses all the major developments in Florentine history from 1200 to 1575. * Captures Florence's transformation from a medieval commune into an aristocratic republic, territorial state, and monarchy * Weaves together intellectual, cultural, social, economic, religious, and political developments * Academically rigorous yet accessible and appealing to the general reader * Likely to become the standard work on Renaissance Florence for years to come
I write historical fiction set in medieval Italy, in that lesser-known territory somewhere between ancient Rome and the Renaissance. I’m fascinated by the period before the Medici, before Michelangelo, sometimes even before Dante. The seeds of the Renaissance are hidden in that turbulent time, and I love to hunt for them. I also like to write about marginalized people—the obscure, unfamous, forgotten folk plucked from the footnotes. I’m happy to introduce some of the excellent history books that help me do that. These five books are specific to Florence, the city of my heart.
To know medieval Florence, you have to have a sense of the enormous role the Church played in people’s lives. Here, Dameron concentrates on the 50-year period 1265-1321 (Dante’s lifetime), during which Florence went from something of a backwater to one of the wealthiest and most influential cities in all of Europe. Separation of church and state was simply not a thing back then; the concept would have bewildered medieval Florentines. All aspects of the city, from the legal system to charity efforts, were affected by religious institutions. This knowledgeable account will give you a rich, full picture of that aspect of medieval Florentine society.
By the early fourteenth century, the city of Florence had emerged as an economic power in Tuscany, surpassing even Siena, which had previously been the banking center of the region. In the space of fifty years, during the lifetime of Dante Alighieri, 1265-1321, Florence had transformed itself from a political and economic backwater-scarcely keeping pace with its Tuscan neighbors-to one of the richest and most influential places on the continent. While many historians have focused on the role of the city's bankers and merchants in achieving these rapid transformations, in Florence and Its Church in the Age of Dante, George…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I write historical fiction set in medieval Italy, in that lesser-known territory somewhere between ancient Rome and the Renaissance. I’m fascinated by the period before the Medici, before Michelangelo, sometimes even before Dante. The seeds of the Renaissance are hidden in that turbulent time, and I love to hunt for them. I also like to write about marginalized people—the obscure, unfamous, forgotten folk plucked from the footnotes. I’m happy to introduce some of the excellent history books that help me do that. These five books are specific to Florence, the city of my heart.
In The Florentine Magnates we looked at Florence’s magnates, the powerful ruling class. Now we get a look at the people they lorded it over—the “popolo minuto” or the little people. We see them struggling, never able to get far enough ahead to get through a bad harvest, a year of terrible weather, or an epidemic with any security. Both church and commune recognized the need to come to the assistance of the masses of poor; this book tells us how they went about it and how successful they were (or weren’t). It deftly traces the role of religious confraternities in Florence’s charitable institutions. It’s been described as “one of the most detailed analyses of charity in late medieval Italy.”
John Henderson examines the relationship between religion and society in late medieval Florence through the vehicle of the religious confraternity, one of the most ubiquitous and popular forms of lay association throughout Europe. This book provides a fascinating account of the development of confraternities in relation to other communal and ecclesiastical institutions in Florence. It is one of the most detailed analyses of charity in late medieval Europe. "[A] long-awaited book...[It is] the most complete survey of confraternities and charity, not only for Florence, but for any Italian city state to date...This book recovers more vividly than other recent works…
I am an art historian from Rome and a professor at the University of Virginia, where I also served as associate dean for the arts and humanities and chair of the art department. Ever since as an undergraduate I heard a lecture from a professor on how important science was for Renaissance artists, I have been fascinated with this topic. I look at scientific images, such as maps and diagrams, as works of art, and interpret famous paintings, such as Leonardo da Vinci’s Mona Lisa, as scientific experiments. Among my books are The Marvel of Maps: Art, Cartography and Politics in the Renaissance, The Shadow Drawing. How Science Taught Leonardo How to Paint, and the digital publication Leonardo da Vinci and His Treatise on Painting.
There are millions of great guidebooks on Florence, but none is more entertaining, informative, and lively than Eve Borsook’s. An American art historian who lived in the city for most of her life, she unravels Florence's history, art, and politics with verve, knowledge, and insight. As one would expect in a guide, she describes systematically the city, a chapter for each neighborhood, each chapter starting with detailed descriptions of its most interesting streets, squares, buildings, and works of art. But what makes this guide invaluable are Borsook’s commentaries that follow her informative descriptions. I suggest you read this book before you go to Florence, plan your visit according to her chapters, and then, once in Florence, after you have seen the works she describes, read again the chapter on the neighborhood you visited that day. Renaissance Florence and the people who lived in it will come to life for you…
This is a book to read before you go, to carry with you and to re-read on your return. SPECTATOR
A sure and illuminating guide. SUNDAY TIMES
The city state of Florence led the rest of the western world in art, science and political idealism in the middle ages. This early richness, the importance of the achievements of its famous sons, including Dante, Giotto, Leonardo and Michelangelo, the great quantity of visible remains, make Florence as a city to visit both alluring and challenging.
In true Companion Guide manner, this book describes, with the knowledge and insight distilled from long…
I was born and raised in Oxford, UK, where, just like the characters in the books listed here, my early childhood taught me to be quiet and submissive. Education liberated me from these restraints, and for that I am extremely grateful. Yet, there is still a long way to go. Even now there are societies that do not educate girls and this is just not right. Sadly, despite the resistance of those who challenge the norm, standing up to the patriarchy doesn’t always succeed. But whether it be triumph or tragedy, it certainly makes a great story, and this is obvious in the books I recommend here.
This book is about political intrigue and control. I was lured into austere Florentine rooms where, behind wooden panels, ears were listening to every conversation. In darkened medieval streets, I heard footsteps following footsteps, and in great palaces, men with power did as they pleased.
Katherine Mezzacappa has captured the oppressive mood beautifully, setting the scene for the lovely Guilia to emerge and change everything. Her innocence evolves into wisdom, keeping me, the reader, totally engaged and hoping for her salvation.
Florence, 1584. Rumours are spreading about the virility of a prince marrying into the powerful Medici family. Orphan Giulia is chosen to put an end to the gossip. In return she will keep her life - and start a new one with a dowry and her own husband. Cloistered since childhood and an innocent in a world ruled by men, Giulia reluctantly agrees, only to be drawn under the control of the Medicis' lecherous minister.
Years later, married and with a growing family, Giulia hopes she has finally escaped the legacy of her past. But when a threat arrives from…
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
I grew up in Bordeaux, a city that became prominent during the eighteenth century. My hometown inspired my love of eighteenth-century French studies, which led me to the Sorbonne, then to Yale University where I earned a PhD. Today, I am an Associate Professor at The Ohio State University. I am the author of eight novels and monographs published in France and the US, including American Pandemonium, Posthumous America, and Sentinel Island. My work explores numerous genres to question a number of recurring themes: exile and the representation of otherness; nostalgia and the experience of bereavement; the social impact of new technologies; America’s history and its troubled present.
WhileThe Swerveis not exactly a book about posterity, it nonetheless provides a wonderful case study of a text that remained on the verge of destruction for centuries, before going on to play a tremendously influential role in shaping our modern world. This book is none other than On The Nature of Thingsby Lucretius –one of the foundational texts of Western culture, whose impact was postponed to the fifteenth century, as it would not have seen the light of day without its serendipitous rediscovery in a German monastery by Poggio Bracciolini (1380-1459). This gripping work offers a fascinating example of the delayed reception of a prominent cultural object, a proof of its extraordinary resilience, and, at the same time, an illustration of the role played by chance and accidents on the transmission of texts to posterity.
In the winter of 1417, a short, genial, cannily alert man in his late thirties plucked a very old manuscript off a dusty shelf in a remote monastery, saw with excitement what he had discovered, and ordered that it be copied. He was Poggio Bracciolini, the greatest book hunter of the Renaissance. His discovery, Lucretius' ancient poem On the Nature of Things, had been almost entirely lost to history for more than a thousand years.
It was a beautiful poem of the most dangerous ideas: that the universe functions without the aid of gods, that religious fear is damaging to…
I’m a backpacker at heart, a high school English teacher, and a bestselling author with an eye on what’s really happening under the surface and what people are really thinking. My mum taught me early to "watch the quiet ones," and I’ve always been fascinated by the way people can promote a very public self while maintaining something totally different on the inside. Perhaps that’s why I love a good twist! I also think that in the current climate of extremely savvy thriller readers, it’s impressive to wrongfoot readers and stay true to the clues hidden in the pages.
This literary thriller is a delicious blend of sneakiness, travel, and treachery. The story begins in New York but soon moves to the humid backdrop of Morocco, where the mysteriously pen-named “Maud” is working on her new novel.
Told in the voice of Maud’s assistant, this book drew me into the main character’s desperate need to be somebody. But who is tricking who? The twists in this book are epic.
'Clever, cunning, and diabolical in the best possible way. Anyone longing for a good old-fashioned thrill need look no further' Ann Patchett
Celebrated, bestselling, elusive...who is Maud Dixon?
Florence Darrow wants to be a writer. Correction: Florence Darrow IS going to be a writer. Fired from her first job in publishing, she jumps at the chance to be assistant to the celebrated Maud Dixon, the anonymous bestselling novelist. The arrangement comes with conditions - high secrecy, living in an isolated house in the countryside . Before long, the two of them are on a research trip to Morocco, to inspire…
Sister Bernard, the main character in my novel Obedience, is ninety. I’ve always been fascinated – and afraid – of what it means to grow old, particularly as a woman, and I like exploring the perspectives that age can bring. I enjoy seeing older women given a voice, especially when they don’t turn out to be the easy, likeable characters we might expect. There aren’t that many books with really old women as the main characters, because age is not glamorous or comfortable, but that’s why it’s interesting. I hope the novels on this list go some way towards redressing the balance.
Seventy-five-year-old Florence is clever, outspoken and belligerent, sharp-witted, and sharp-tongued. Reliving memories of the American Feminist Movement at its height, she’s a great character forced to confront her own aging and the difficult dynamics of her family life. Crackling dialogue makes this book a slick and entertaining read.
In this award-winning novel that Maureen Corrigan of NPR’s "Fresh Air" deems “exquisitely crafted...witty, nuanced, and ultimately moving,” a wise, septuagenarian woman who has lived life on her own terms finds herself thrust into the center of her family’s various catastrophes. ¶ A Best Book of the Year by NPR, the San Francisco Chronicle, Salon, The Millions, the Christian Science Monitor · Finalist for the Kirkus Prize · A Chicago Tribune Editor’s Choice · An Indie Next Pick ¶ Meet Florence Gordon, a blunt, brilliant feminist. At seventy-five, Florence wants to be left alone to write her memoir and shape…
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
I am an art historian from Rome and a professor at the University of Virginia, where I also served as associate dean for the arts and humanities and chair of the art department. Ever since as an undergraduate I heard a lecture from a professor on how important science was for Renaissance artists, I have been fascinated with this topic. I look at scientific images, such as maps and diagrams, as works of art, and interpret famous paintings, such as Leonardo da Vinci’s Mona Lisa, as scientific experiments. Among my books are The Marvel of Maps: Art, Cartography and Politics in the Renaissance, The Shadow Drawing. How Science Taught Leonardo How to Paint, and the digital publication Leonardo da Vinci and His Treatise on Painting.
Most art in the Renaissance was commissioned by specific patrons and this book superbly illustrates the complex interaction among patron, artist, and society by focusing on the greatest patron of art and architecture in fifteenth-century Florence. Cosimo de’ Medici was the most powerful figure in the city’s political and economic life, a fabulously wealthy banker, a devout Christian, but he had also an impeccable nose for great art. With the help of about 200 images, the book examines the religious, personal, and dynastic motivations behind Cosimo’s artistic patronage, both his direct commissions for the Medici palaces, villas, and chapels as well as his active involvement in the works officially commissioned by the republic. What you’ll get out of this book is a profound understanding of how art was commissioned, created, and viewed in Renaissance Florence.
Cosimo de' Medici (1389-1464), the fabulously wealthy banker who became the leading citizen of Florence in the fifteenth century, spent lavishly as the city's most important patron of art and literature. This remarkable book is the first comprehensive examination of the whole body of works of art and architecture commissioned by Cosimo and his sons. By looking closely at this spectacular group of commissions, we gain an entirely new picture of their patron and of the patron's point of view. Recurrent themes in the commissions-from Fra Angelico's San Marco altarpiece to the Medici Palace-indicate the main interests to which Cosimo's…
