Here are 100 books that High Society fans have personally recommended if you like
High Society.
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My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Frank McCourt's classic book, the memoir of his childhood, is proof in the pudding that the origin of humor is the suffering of the low-status character. And that’s only one reason why I love it.
He had me at “Above all -- we were wet.” His descriptions of the impossible and undignified conditions of his childhood, where children had absolutely no control over anything and adults were at the mercy of life itself, brought me so close to him that I think I started believing we were actually related and scribbled him into the family tree as a long-lost uncle.
McCourt captures the hapless quality of gullible, unsupervised children let loose on an unforgiving world with a buoyancy that comes through every sentence and rises above the brutal conditions of his childhood.
And the truth he finds in the details, from the brutality of religious authority figures to the abject…
The author recounts his childhood in Depression-era Brooklyn as the child of Irish immigrants who decide to return to worse poverty in Ireland when his infant sister dies.
These are eight among the friends of Jackie Kennedy Onassis. She went to grade school with one, another was a member of her extended family, and others were people she worked with when she was an editor at Doubleday.
I interviewed all of them for a previous book, Reading Jackie…
I first became aware of the 1920s through movies such as Some Like it Hot and Thoroughly Modern Millie. I was immediately attracted to what I call the “Booze, beads, and boas.” I felt a kinship with the flappers who were experiencing freedom from the restrictions of the Victorian Era and living their best lives. They were making their own rules and doing it with style! As professor of library science, I researched the history of the American public library and of women in the 1850s-1920s. Today, I write historical cozy mysteries to live out my own glamorous flapper dreams.
I love the absolutely authentic atmosphere of this book – the clothes, the music, the booze -- and the exploration of the dark side of the 1920s.
I find some of the characters sympathetic, some repellent, and some impossible to understand, just as in real life. Regardless, I feel that I really get to know them by the end of the book, even if I still don’t understand them. I can’t help but make comparisons with that time period and now, a century later. So much has changed, yet so much remains the same.
I’ll be honest that it can be a depressing read, so I have to be in the right mood for it, but when I am, nothing else will satisfy.
As the summer unfolds, Nick is drawn into Gatsby's world of luxury cars, speedboats and extravagant parties. But the more he hears about Gatsby - even from what Gatsby himself tells him - the less he seems to believe. Did he really go to Oxford University? Was Gatsby a hero in the war? Did he once kill a man? Nick recalls how he comes to know Gatsby and how he also enters the world of his cousin Daisy and her wealthy husband Tom. Does their money make them any happier? Do the stories all connect? Shall we come to know…
I'm a scholar of Irish and Irish-American culture and identities who teaches at the University of Connecticut. After I left Ireland to take up that position, I initially taught only Irish material. However, soon after my arrival, Obama, a Black president of white Protestant Irish maternal ancestry, was elected. This alerted me to the complexity of Irish identities and histories in the Americas. I also began to perceive traces of Irish memory and history in American writers and public figures whose diverse Irish roots are underexamined. The long and varied Irish presence in America and the overlooked concerns with Irish identity and history of many creatives and public figures inspired my new cultural history.
I first encountered Noel Ignatiev’s ground-breaking and hugely influential book, How the Irish Became White, after I moved from Ireland to America to work at UConn.
I was electrified by its thesis and found it very helpful in thinking critically about Irish-American identity and history. After all, that had become my heritage too once I crossed the Atlantic.
Ignatiev opens by outlining how the Irish fled to America from a motherland under British occupation and a colonial caste system that dehumanized them.
He argues that in America the new immigrants embraced a hierarchy based on race, as a result of which the oppressed became the oppressors: for Ignatiev, the Irish assimilated by becoming more brutal in their oppression of African Americans than the nativists, gaining “whiteness” by refusing to make common cause with Black fellow workers.
How the Irish Became White challenges the dominant story of how the Irish…
'...from time to time a study comes along that truly can be called 'path breaking,' 'seminal,' 'essential,' a 'must read.' How the Irish Became White is such a study.' John Bracey, W.E.B. Du Bois Department of Afro-American Studies, University of Massachussetts, Amherst
The Irish came to America in the eighteenth century, fleeing a homeland under foreign occupation and a caste system that regarded them as the lowest form of humanity. In the new country - a land of opportunity - they found a very different form of social hierarchy, one that was based on the color of a person's skin.…
These are eight among the friends of Jackie Kennedy Onassis. She went to grade school with one, another was a member of her extended family, and others were people she worked with when she was an editor at Doubleday.
I interviewed all of them for a previous book, Reading Jackie…
I'm a scholar of Irish and Irish-American culture and identities who teaches at the University of Connecticut. After I left Ireland to take up that position, I initially taught only Irish material. However, soon after my arrival, Obama, a Black president of white Protestant Irish maternal ancestry, was elected. This alerted me to the complexity of Irish identities and histories in the Americas. I also began to perceive traces of Irish memory and history in American writers and public figures whose diverse Irish roots are underexamined. The long and varied Irish presence in America and the overlooked concerns with Irish identity and history of many creatives and public figures inspired my new cultural history.
If, like me, you want to read an account of Irish America that is incisive but that also makes you laugh out loud, then I can highly recommend Irish America: Coming into Clover.
Written by former Boston Globe staff writer Maureen Dezell, this sharp portrait of contemporary Catholic Irish America from an insider to the culture explodes every cliché. Irish America: Coming into Clover is accessible history at its best, but it doesn’t just examine the past.
Dezell also considers the status of post-1845 famine Irishness in contemporary America, which she sees as being in deep contrast (both socially and racially) to its former status: in the nineteenth century, the Irish were only conditionally “white” and were initially subject to hostility from American nativists.
Dezell stresses that today, by contrast, the Irish are among the most educated and affluent Americans. This polish is on display in Dezell’s own creative…
A dazzling and bracingly honest look at a great people in a great land.
For many people in this country, Irish American culture conjures up thoughts of raucous pubs, St. Patrick's Day parades, memoirs peopled with an array of saints and sinners, and such quasi-Celtic extravaganzas as Riverdance. But there is much more to this rich and influential culture, as Maureen Dezell proves in this insightful, unsentimental reexamination of Irish American identity.
Skillfully weaving history and reporting, observation and opinion, Dezell traces the changing makeup of the Irish population in this country, from the early immigrants to today's affluent, educated…
My name is Susan Blumberg-Kason and I write books about strong women who have a strong sense of place. I think we are all partly defined by where we live and I enjoy examining how our environment informs our choices. My first book centers around someone I know very well—me! My memoir, Good Chinese Wife, takes place in my favorite city—Hong Kong—the place where I came of age and married for the first time, as well as China and a few cities in the US. I’m also a sucker for a good cover and I absolutely love my Good Chinese Wife cover!
Isabel Rosario Cooper was not just a movie starlet during the golden age of Hollywood; she was also preyed on by General MacArthur. The book shows just how difficult it was for Asian American actors to make it in Hollywood and leads one to wonder if things have really changed that much today.
In Empire's Mistress Vernadette Vicuna Gonzalez follows the life of Filipina vaudeville and film actress Isabel Rosario Cooper, who was the mistress of General Douglas MacArthur. If mentioned at all, their relationship exists only as a salacious footnote in MacArthur's biography-a failed love affair between a venerated war hero and a young woman of Filipino and American heritage. Following Cooper from the Philippines to Washington, D.C. to Hollywood, where she died penniless, Gonzalez frames her not as a tragic heroine, but as someone caught within the violent histories of U.S. imperialism. In this way, Gonzalez uses Cooper's life as a…
I am the child of screenwriters who lived through the Hollywood Blacklist. They were never, so far as they knew, blacklisted. There were times when they just didn’t get work. It might have been the usual inconvenience of a freelance career. It might have been something else. Maybe someone had mentioned them, maybe their names were similar to someone’s, maybe anything. Then they got work again, and didn’t ask, because you couldn’t ask.
Are You Now or Have You Ever Been? is set in that world, although its characters are fictional. The four nonfiction books listed here are my favorites of those I read during my research.
Oral histories and first-hand accounts bring a past era alive for me in a way that even the best historical narrative can’t.
This book contains the voices of thirty-six victims of the Hollywood Blacklist, including two of the famous/notorious Hollywood Ten, who went to jail for refusing to discuss their personal politics or name their friends before the House Un-American Activities Committee.
We hear from directors, stars, less famous actors, and screenwriters like those jailed by HUAC. We watch their lives unravel, their careers dissolve. Some go to Europe to work, some stick it out in the US, writing anonymously, denied screen credit and decent pay, and some migrate to academia. All provide a chilling account of government persecution for political belief.
This text offers an account of the McCarthy era in Hollywood. Using oral history techniques, the authors involve 30 of those who were suppressed and unable to talk at the time, owing to the prevailing anti-Communist witch-hunt.
I grew up fascinated by and terrified of Hollywood in equal measure, fascinated because my mother was once married to a movie star and terrified because she refused to talk about that time in her life, saying she preferred to “pretend it never happened.” Accordingly, I’ve always been drawn to stories that involve characters who live in the orbit of stage and screen stars, people whose lives are touched, and in many cases forever changed by fame even if their face is not the one people recognize. These novels all offer glimpses into the heady rush of fame and its many foibles.
This book includes so many of my favorite things: an inn on the coast of Italy, a young innkeeper with outsized dreams, movie stars, an almost-romance, and a chance for rekindled love.
I clung to every page as the story moved back and forth from the 1960s to the present day, from the set of Cleopatra in Rome to Hollywood backlots. This book is like a vacation full of interesting people you want to know better, the kind of vacation you never want to end.
I read this novel just as I was starting to write in earnest, and before I fully understood how hard it is to pull off a feat of complex storytelling as elegantly as Walter does in this novel. It’s a marvel.
The #1 New York Times bestseller—Jess Walter’s “absolute masterpiece” (Richard Russo, Pulitzer Prize-winning author): the story of an almost-love affair that begins on the Italian coast in 1962 and resurfaces fifty years later in contemporary Hollywood.
The acclaimed, award-winning author of the national bestseller The Financial Lives of the Poets returns with his funniest, most romantic, and most purely enjoyable novel yet. Hailed by critics and loved by readers of literary and historical fiction, Beautiful Ruins is the story of an almost-love affair that begins on the Italian coast in 1962...and is rekindled in Hollywood fifty years later.
I had a difficult past; from living in war, poverty, and doing various jobs to help with the family economy, to losing my life, imprisonment, and exile. I was one of millions of Iranians who were trapped in a prison called “oppression” by a dictatorial and totalitarian regime. They called us “the burnt generation.” Despite all the hardships, I immigrated to America, became a successful scientist, and achieved all my goals. Then I told myself to write my biography to inspire and motivate people all around the world and convey this universal message to them: protect your freedom, cherish your democracy, and never forget the ones left behind.
I read this book many years ago, and it was inspiring for me.
This book is reminiscent of my life adventures; from the experience of living in poverty and doing various jobs to help with the family economy, to my first romantic experiences and losing my life, and finally immigrating to America as a health science scholar.
This book is a touching and fascinating biography that helped me to recognize my ability from childhood and the blossoming of my talent in adolescence, my professional career at the prestigious University of Tehran, and finally discovering myself as a successful scientist in America.
A silent comedy star whose legendary slapstick routines are recognisable to this day, Charles 'Charlie' Chaplin's My Autobiography is an incomparably vivid account of the life of one of the greatest filmmakers and comedians, with an introduction by David Robinson
As a child, Charlie Chaplin was awed and inspired by the sight of glamorous vaudeville stars passing his home, and from then on he never lost his ambition to become an actor. Chaplin's film career as the Little Tramp adored by the whole world is the stuff of legend, but this frank autobiography shows another side. Born into a theatrical…
I fell in love with Hollywood’s Golden Age when I first watched Psycho. From there, every new film and book from or about the era has been a journey into Hollywood’s history. I got into higher education and writing because I enjoy sharing what I’ve learned with others as much as I enjoy the learning process itself. What interests me most about Hollywood history is how the industry has interacted with American and global history. Hollywood has always had either a front-row seat or a seat at the table of history in the making. Not always on the right side of history, but always fascinating.
Wasson and Basinger are two other authors where you simply want to read everything they’ve written.
The reason I picked Hollywood: The Oral History for this list is that you have several hundred pages of Hollywood players telling their own stories. What could be better?? We get the scoop from stars, grips, screenwriters, carpenters, producers, directors, publicists, and everything in between.
What was it like to work in Hollywood in 1949? This book has your answer. What was the transition from Old Hollywood to New Hollywood like, this book has the goods.
'Absorbing . . . rippling with fun and atmosphere.' Sight & Sound
'Hollywood's ultimate oral history.' New Yorker
The greatest conversation in the history of Hollywood.
From the archives of the American Film Institute comes a unique picture of what it was like to work in Hollywood from its beginnings to its present day. Hollywood: The Oral History, lets a reader 'listen in' on candid remarks from the biggest names in front of the camera - Bette Davis, Meryl Streep, Tom Hanks, Jane Fonda, Harold Lloyd - the biggest…
I am a nerdy economist who studies women and work. I am passionate about using data to understand the real lived experiences of women in today’s economy. Taylor Swift is my muse because she is not only authentic but persistent, a true “reinventionista” in her heart-of-hearts as she moves from era-to-era masterminding her path to long-term happiness and success. I want to live in a world where women’s lives are appreciated, understood, and supported. It’s why I do what I do and, in many respects, I also believe it is why Taylor Swift does what she does.
Just as Clara Bow, Idina Sackville, and Rebekah Harkness lived wildly glamour lives in the public eye continually shamed for any behavior not fitting for a young woman’s reputation, this book gave me a unique perspective into the bold, brave strength of Elizabeth Taylor – whose parents were from Kansas of all places (although from a time before the Kansas City Chiefs reign). I could not put this book down because the continual shifts in Liz Taylor’s personal and professional life were jarring, inspiring, and mesmerizing.
I started this book to understand better what Taylor Swift saw in Elizabeth Taylor, using her for inspiration in a song titled “Elizabeth Taylor” on The Life of a Showgirl album. I stayed because I needed to know how it ended.
The first authorised biography of eternal legend Elizabeth Taylor.
Known for her glamorous beauty, soap-opera personal life and magnetic screen presence, Elizabeth Taylor was the twentieth century's most famous film star. Including unseen photographs and unread private reflections, this authorised biography is a fascinating and complete portrait worthy of the legend and her legacy.
Elizabeth Taylor captures this intelligent, empathetic, tenacious, volatile and complex woman as never before, from her rise to massive fame at the age of twelve in National Velvet to becoming the first actor to negotiate a million-dollar salary for a film, from her eight…