100 Books Like Harpo Speaks!

I am obsessed with personal development, having attended seminars to walk across hot coals and jump from crazy heights to test my limits, and I have read hundreds of books and watched hundreds of videos on self-improvement. But sometimes the best lessons come in fiction, and kid’s books do this so wonderfully. And they are a lot quicker to read and absorb! They also teach with humour, rhythm, and joy, and can change a child’s life simply by letting them escape into a world of laughter and joy, expanding their imaginations, and letting them absorb the lessons, sometimes without even realising it.

I am obsessed with personal development, having attended seminars to walk across hot coals and jump from crazy heights to test my limits, and I have read hundreds of books and watched hundreds of videos on self-improvement. But sometimes the best lessons come in fiction, and kid’s books do this so wonderfully. And they are a lot quicker to read and absorb! They also teach with humour, rhythm, and joy, and can change a child’s life simply by letting them escape into a world of laughter and joy, expanding their imaginations, and letting them absorb the lessons, sometimes without even realising it.

I am obsessed with personal development, having attended seminars to walk across hot coals and jump from crazy heights to test my limits, and I have read hundreds of books and watched hundreds of videos on self-improvement. But sometimes the best lessons come in fiction, and kid’s books do this so wonderfully. And they are a lot quicker to read and absorb! They also teach with humour, rhythm, and joy, and can change a child’s life simply by letting them escape into a world of laughter and joy, expanding their imaginations, and letting them absorb the lessons, sometimes without even realising it.

Having written in the genre of psychological/crime thriller fiction for some years, I am always drawn to original voices, particularly those who are prepared to go that extra mile to produce something fresh or a concept that hasn’t been touched on before. With this kind of writing, it is quite easy to get pigeonholed, and the author has to be as meticulously authentic as they possibly can. Thinking and then using the absurd in writing is probably the best endorsement for any book; the stranger, the better. In this modern, media-fueled world, you always have to go to different places and ignite new ideas and narratives. 

I had a difficult past; from living in war, poverty, and doing various jobs to help with the family economy, to losing my life, imprisonment, and exile. I was one of millions of Iranians who were trapped in a prison called “oppression” by a dictatorial and totalitarian regime. They called us “the burnt generation.” Despite all the hardships, I immigrated to America, became a successful scientist, and achieved all my goals. Then I told myself to write my biography to inspire and motivate people all around the world and convey this universal message to them: protect your freedom, cherish your democracy, and never forget the ones left behind.

The central themes in my own writing have always encompassed those of identity, the nature of reality, and variations on immortality. The lives of ‘celebrities’ touch upon all those themes, albeit through a distorted kaleidoscope where their own lives and the public’s perceptions of their lives intersect and are amplified and a third ‘character’ – that of the composite person, is then brought into existence. I find it fascinating how we can all be myriad people dependent upon who we interact with, and this is heightened when layered over the notion of ‘celebrity’ and fame by association. The books I've chosen act as mirrors to celebrity, but also work as great storytelling.

Tom Santopietro is the author of eight books, including the New York Times Editor’s Choice Considering Doris Day, The Importance of Being Barbra, Sinatra in Hollywood, Why To Kill a Mockingbird Matters, and The Godfather Effect. A frequent media commentator and interviewer, he lectures on classic films and over the past thirty years has managed more than two dozen Broadway shows.

I am a nerdy economist who studies women and work. I am passionate about using data to understand the real lived experiences of women in today’s economy. Taylor Swift is my muse because she is not only authentic but persistent, a true “reinventionista” in her heart-of-hearts as she moves from era-to-era masterminding her path to long-term happiness and success. I want to live in a world where women’s lives are appreciated, understood, and supported. It’s why I do what I do and, in many respects, I also believe it is why Taylor Swift does what she does.

As an editor, I worked with many authors before deciding to become one myself. Most of my twenty-five published books cover theatre and film, but I was especially excited to work on biographies of actors and try to get to the truth behind the public figures.

I wrote three books about my father, who became a star of the silent films during the 1920s and eventually appeared in 172 films over nearly six decades. In researching his life and work, I was astonished to find a very different man from the one I had lived with and known during my childhood and youth. 

I am the child of screenwriters who lived through the Hollywood Blacklist. They were never, so far as they knew, blacklisted. There were times when they just didn’t get work. It might have been the usual inconvenience of a freelance career. It might have been something else. Maybe someone had mentioned them, maybe their names were similar to someone’s, maybe anything. Then they got work again, and didn’t ask, because you couldn’t ask.

Are You Now or Have You Ever Been? is set in that world, although its characters are fictional. The four nonfiction books listed here are my favorites of those I read during my research.