Here are 100 books that How the Irish Became White fans have personally recommended if you like
How the Irish Became White.
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My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Frank McCourt's classic book, the memoir of his childhood, is proof in the pudding that the origin of humor is the suffering of the low-status character. And that’s only one reason why I love it.
He had me at “Above all -- we were wet.” His descriptions of the impossible and undignified conditions of his childhood, where children had absolutely no control over anything and adults were at the mercy of life itself, brought me so close to him that I think I started believing we were actually related and scribbled him into the family tree as a long-lost uncle.
McCourt captures the hapless quality of gullible, unsupervised children let loose on an unforgiving world with a buoyancy that comes through every sentence and rises above the brutal conditions of his childhood.
And the truth he finds in the details, from the brutality of religious authority figures to the abject…
The author recounts his childhood in Depression-era Brooklyn as the child of Irish immigrants who decide to return to worse poverty in Ireland when his infant sister dies.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I first became aware of the 1920s through movies such as Some Like it Hot and Thoroughly Modern Millie. I was immediately attracted to what I call the “Booze, beads, and boas.” I felt a kinship with the flappers who were experiencing freedom from the restrictions of the Victorian Era and living their best lives. They were making their own rules and doing it with style! As professor of library science, I researched the history of the American public library and of women in the 1850s-1920s. Today, I write historical cozy mysteries to live out my own glamorous flapper dreams.
I love the absolutely authentic atmosphere of this book – the clothes, the music, the booze -- and the exploration of the dark side of the 1920s.
I find some of the characters sympathetic, some repellent, and some impossible to understand, just as in real life. Regardless, I feel that I really get to know them by the end of the book, even if I still don’t understand them. I can’t help but make comparisons with that time period and now, a century later. So much has changed, yet so much remains the same.
I’ll be honest that it can be a depressing read, so I have to be in the right mood for it, but when I am, nothing else will satisfy.
As the summer unfolds, Nick is drawn into Gatsby's world of luxury cars, speedboats and extravagant parties. But the more he hears about Gatsby - even from what Gatsby himself tells him - the less he seems to believe. Did he really go to Oxford University? Was Gatsby a hero in the war? Did he once kill a man? Nick recalls how he comes to know Gatsby and how he also enters the world of his cousin Daisy and her wealthy husband Tom. Does their money make them any happier? Do the stories all connect? Shall we come to know…
I'm a scholar of Irish and Irish-American culture and identities who teaches at the University of Connecticut. After I left Ireland to take up that position, I initially taught only Irish material. However, soon after my arrival, Obama, a Black president of white Protestant Irish maternal ancestry, was elected. This alerted me to the complexity of Irish identities and histories in the Americas. I also began to perceive traces of Irish memory and history in American writers and public figures whose diverse Irish roots are underexamined. The long and varied Irish presence in America and the overlooked concerns with Irish identity and history of many creatives and public figures inspired my new cultural history.
Like many Irish women, my mother and grandmother were obsessed with movie star Grace Kelly (who became Princess Grace of Monaco in 1956) and passed on that fascination to me.
I have long thought that important public women of Irish America such as Jackie Kennedy and Grace have not been given due consideration in surveys of Irish America, which tend to emphasize public men. Therefore, I love the biography, High Society: The Life of Grace Kelly, because it takes its glamorous subject seriously.
Spoto’s book goes beyond biographers’ usual emphasis on the glitter of Grace’s rise to princess to provide an intimate, respectful, and sympathetic portrait of the woman, the actor, the mother, the wife, and the very able representative of a small principality on the world stage.
Many assume that the Philadelphia-born Kelly was elite, but Spoto lays out that she was the granddaughter of a poor Mayo man…
Drawing on his unprecedented access to Grace Kelly, bestselling biographer Donald Spoto at last offers an intimate, honest, and authoritative portrait of one of Hollywood’s legendary actresses.
In just seven years–from 1950 through 1956–Grace Kelly embarked on a whirlwind career that included roles in eleven movies. From the principled Amy Fowler Kane in High Noon to the thrill-seeking Frances Stevens of To Catch a Thief, Grace established herself as one of Hollywood’s most talented actresses and iconic beauties. Her astonishing career lasted until her retirement at age twenty-six, when she withdrew from stage and screen to marry a European monarch…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I'm a scholar of Irish and Irish-American culture and identities who teaches at the University of Connecticut. After I left Ireland to take up that position, I initially taught only Irish material. However, soon after my arrival, Obama, a Black president of white Protestant Irish maternal ancestry, was elected. This alerted me to the complexity of Irish identities and histories in the Americas. I also began to perceive traces of Irish memory and history in American writers and public figures whose diverse Irish roots are underexamined. The long and varied Irish presence in America and the overlooked concerns with Irish identity and history of many creatives and public figures inspired my new cultural history.
If, like me, you want to read an account of Irish America that is incisive but that also makes you laugh out loud, then I can highly recommend Irish America: Coming into Clover.
Written by former Boston Globe staff writer Maureen Dezell, this sharp portrait of contemporary Catholic Irish America from an insider to the culture explodes every cliché. Irish America: Coming into Clover is accessible history at its best, but it doesn’t just examine the past.
Dezell also considers the status of post-1845 famine Irishness in contemporary America, which she sees as being in deep contrast (both socially and racially) to its former status: in the nineteenth century, the Irish were only conditionally “white” and were initially subject to hostility from American nativists.
Dezell stresses that today, by contrast, the Irish are among the most educated and affluent Americans. This polish is on display in Dezell’s own creative…
A dazzling and bracingly honest look at a great people in a great land.
For many people in this country, Irish American culture conjures up thoughts of raucous pubs, St. Patrick's Day parades, memoirs peopled with an array of saints and sinners, and such quasi-Celtic extravaganzas as Riverdance. But there is much more to this rich and influential culture, as Maureen Dezell proves in this insightful, unsentimental reexamination of Irish American identity.
Skillfully weaving history and reporting, observation and opinion, Dezell traces the changing makeup of the Irish population in this country, from the early immigrants to today's affluent, educated…
I was a political consultant for much of the first half of my nearly 30-year career in communications. Having run statewide and local political campaigns, I experienced many of the personalities I write about today. What is behind the political decisions elected leaders make? Can you truly be a dedicated public servant in politics today? If you only play to win, how do you keep from becoming your own worst enemy? My writing and the works I gravitate towards explore these challenging issues, which are as prevalent today as they were analyzed by the Greeks, Shakespeare, and 20th-century writers.
O’Connor’s expose on old-time politics was an inspiration for my first novel.
Set in the mid-1950s, O’Connor describes the transition from machine politics to the modern political system that dominates American politics today. For a true glimpse and understanding of the political world, I recommend starting with The Last Hurrah.
"We're living in a sensitive age, Cuke, and I'm not altogether sure you're fully attuned to it." So says Irish-American politician Frank Skeffington-a cynical, corrupt 1950s mayor, and also an old-school gentleman who looks after the constituents of his New England city and enjoys their unwavering loyalty in return. But in our age of dynasties, mercurial social sensitivities, and politicians making love to the camera, Skeffington might as well be talking to us.
Not quite a roman a clef of notorious Boston mayor James Michael Curley, The Last Hurrah tells the story of Skeffington's final campaign as witnessed through the…
I have always been interested in the Civil War. As I grew older and came to know Wisconsin's part in it, I learned about the famed "Iron Brigade," which was composed mostly of Wisconsin regiments. I took this as a point of pride and avidly learned everything I could about the unit and have read most of what has been published about it. I noticed there was no list for Wisconsin and the Civil War or the Iron Brigade on this website. So, I decided to offer a list on the subject closest to my heart, the Iron Brigade.
Published in 1993, the book is part of Fordham University Press’ “The Irish in the Civil War” series. The book is a collection of James P. Sullivan’s newspaper reminiscences published in the 1880s in the Milwaukee Sunday Telegraph.
James Patrick Sullivan, born in Ireland, was a 17-year-old farm hand in Juneau County, Wisconsin when he first enlisted. Sullivan fought in most of the regiment’s battles and was wounded at least three times; enlisting on three separate occasions (the only soldier in the regiment to do so). The “Rebs” just couldn’t keep Mickey down (He was called “Mickey,” in his company).
In his memoir, Dawes wrote that Sullivan was not only “a heroic soldier” but “For genuine sallies of humor at unexpected times, I have never seen his equal.” He had an “unconquerable good humor and genuine wit. Such men,” Dawes wrote, “are of priceless value in an army.”
No soldier went off to the Civil War with quicker step than 17-year-old James Patrick Sullivan. A hired man on a farm in Juneau County, Wisconsin, he was among the first to anwer Lincoln's call for volunteers in 1861. Sullivan fought in a score of major battles, was wounded five times, and was the only soldier of his regiment to enlist on three separate occasions. An Irishman in the Iron Brigade is a collection of Sullivan's writings about his hard days in President Lincoln's Army. Using war diaries and letters, the Irish immigrant composed nearly a dozen revealing accounts about…
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
I taught teenagers and young adults for 40 years. During these years, I always thought about what I could use to make my classroom an exciting place for learning. I would hear a new song about loneliness that I wanted to share with my students. Or I would think of a prompt they would laugh about in notebook writing. Too often, we take the dedication teachers give to their students for granted. I hope you enjoy the books on this list as much as I have and make you remember again a special teacher in your life who gave his/her all, and if you’re a teacher, here’s to you!
I adored this book. I think every teacher should be given this book just to feel that although you might shut the door to the outside and be alone in the classroom with your students, you are not alone in what you face. This book convinced me that I needed to write my own teaching memoir.
McCourt (author of Angela’s Ashes) and his sense of humor and creativity at times get him into trouble but eventually endear him not only to the students but also to the school administration. I might not have agreed with everything he described, but I was overwhelmingly delighted with his approach and his great rapport with his students.
Nearly a decade ago Frank McCourt became an unlikely star when, at the age of sixty-six, he burst onto the literary scene with Angela's Ashes, the Pulitzer Prize -- winning memoir of his childhood in Limerick, Ireland. Then came 'Tis, his glorious account of his early years in New York.
Now, here at last, is McCourt's long-awaited book about how his thirty-year teaching career shaped his second act as a writer. Teacher Man is also an urgent tribute to teachers everywhere. In bold and spirited prose featuring his irreverent wit and heartbreaking honesty, McCourt records the trials, triumphs and surprises…
I’m of the opinion that good writers draw from life experience. Here are the broad strokes: a Boy Scout reporter at the 1964 national Jamboree, a drummer in country, rock, and jazz bands, a SCUBA instructor, a commercial real estate developer, a drug addict, and an inmate in the penal system. I’ve been reading and writing almost from day one. Most of my early work is crap. I’ve learned the hard way what makes a story worth telling and how best to tell it. Read my recommendations and decide for yourself. After all, it’s your opinion that counts.
I love things that go punch in the dark. This book is another fine example of breaking the mold. Some would label it a “crime novel,” some “noir,” others “thriller,” and others still “hardboiled.” Bottomline, this is one kickass novel.
I had to put down one of King's long-winded tales and a Koontz self-absorbed Oddity because I didn't want to stop reading this book. I'll get back to those guys later. This pick is a fast dirt bike in a sandstorm—way more fun.
Mr. Swierczynski (try to type that 3 times fast) crafts one hell of a novel. His bizarre twists are the stuff of nose bleeds, all done with gritty characters in a fast-paced style that grabs you by the eyeballs and won't let go. He initially reminded me of one of my all-time dark writing faves, Charlie Huston. Unique beyond comparison, The Wheelman checks all the boxes for…
Meet Lennon, a mute Irish getaway driver who has fallen in with the wrong heist team on the wrong day at the wrong bank. Betrayed, his money stolen and his battered carcass left for dead, Lennon is on a one-way mission to find out who is responsible--and to get back his loot. But the robbery has sent a violent ripple effect through the streets of Philadelphia. And now a dirty cop, the Russian and Italian mobs, the mayor's hired gun, and a keyboard player in a college rock band maneuver for position as this adrenaline-fueled novel twists and turns its…
Aged twelve, I stood just a few feet from President John F. Kennedy as he passed slowly by in June 1963. Waving and smiling from an open-top car, he was going to meet Ireland’s president in Dublin. His visit was a triumph for Irish-America. I have long enjoyed the variety of Irish-America. As an Irish student, I was one of the first foreigners to benefit from the J-1 visa program. I went to New Hampshire for the summers of 1970 and ’72 to work in an old resort hotel. On a visit to Boston then, I met a distant relative who, for decades, had worked as a domestic servant there.
I get very frustrated by narrow stereotypes of Irish Americans, which are based perhaps on images of festivities by firemen at some St Patrick’s Day parade in New York.
On my travels across America down the years, especially when I get beyond New York, Boston, and Chicago, I have been delighted to find a whole spectrum of Irish Americans, and I am glad to find such diversity reflected here. This book is a BIG read, but the sheer scale of what Meagher delivers makes it clear that old stereotypes of Irish America were never adequate.
The origins and evolution of Irish American identity, from colonial times through the twentieth century
"Subtly provocative. . . . [Meagher] traces the making and remaking of Irish America through several iterations and shows the impact of religion on each."-Terry Golway, Wall Street Journal
As millions of Irish immigrants and their descendants created community in the United States over the centuries, they neither remained Irish nor simply became American. Instead, they created a culture and defined an identity that was unique to their circumstances, a new people that they would continually reinvent: Irish Americans.
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
I'm a mystery writer and teacher now. Back then, I spent 10 years homeless and addicted on the streets of San Francisco. I could always return to Mom in CT and get put in a cushy rehab. Until I couldn't. And then she was dying, and my younger brother was addicted and soon he'd be dead too. It got scary at the end because I wasn't just some white suburban kid playing a scumbag junkie. I was a scumbag junkie. But why do I have a passion for the topic? I guess it's because it isn't all bad. I know that sounds weird, but being homeless and addicted has moments of beauty and joy too.
Orangutan is a working-class opus. Broderick excels in his display of the grind and how some men can weather and accept, as the Boss sings, dying little by little, piece by piece, and how others need more help to make it through the day. The most compelling part of Broderick's writing is the way he is able to delineate between the haves and have-nots. And, no, I don't mean money. Some men can drink a six-pack on the weekend, even do some blow. They'll be fine. Others? Like Colin? A shot is too much of an allure. Not just to get drunk, wasted, blotto. It goes way deeper. It's a form of wakeful suicide. You get through the day. You get your paycheck. You survive. But the price is not living.
Few people who have been slave to an addiction as vicious, as destructive, and as unrelenting as Colin Broderick's have lived to tell their tale. Fewer still have emerged from the darkest depths of alcoholism—from the perpetual fistfights and muggings, car crashes and blackouts—to tell the harrowing truth about the modern Irish immigrant experience.
Orangutan is the story of a generation of young men and women in search of identity in a foreign land, both in love with and at odds with the country they've made their home. So much more than just another memoir about battling addiction, Orangutan is…