Books like Grendel

The way these stories are phrased here makes this my favourite set of retellings. Crossley-Holland’s choice of words evokes the original Norse. He uses alliteration, mainly when describing land and sea, and he is very careful to use words that come from Old English, a sister language to Old Norse, in preference to words from Latin, Greek, and post-Latin languages. There are plenty of other retellings that cover similar ground, but none with quite this joy in the energy of the original.

For millennia, we’ve heard the stories in Greek mythology about gods who come down to earth to rape women (Zeus got around), women as seductive sirens who lure sailors to their doom, or goddesses and mortal women alike being exiled.

Because of that, I was intrigued to read this book, a retelling of the familiar narrative, but from the perspective of a woman. I found this book to be very empowering.

I identified with the main character, a woman named Circe (in actuality a goddess) who is exiled because of her powers of witchcraft. However, in her exile, she finds that leaning into her power without the judgment of others makes her stronger.

I loved reading classic Greek mythology, complete with all the familiar characters, told from a woman’s perspective.

The title is taken from the John Milton poem, Paradise Lost: “Better to reign in Hell, then serve in Heav'n,” and tells the story of the War in Heaven before the Creation from the point of view of the bad guys. So basically, we get the Devils’ (not a typo, by the way) point of view, and, like in Milton (arguably), they are the heroes of the story. Instead of the classic two-dimensional villains who exist solely to oppose the hero, Brust flushes them out so well that you can’t help but root for them. Nor can you understand why anybody would like this God dude or his weird ‘son’, Jesus. The devils in question are Satan and Lucifer, curiously split into two characters for this story, which provides further opportunities for plot and character development.

A World Fantasy Award winner and the first novel by this genre-crossing author who is probably most famous for his sci-fi epic, Hyperion, Song of Kali is a dark fantasy/horror novel about a cult that worships the Hindu goddess/demon, Kali, who is known as a goddess of death, among other things. Kali doesn’t really make much of an entrance, but Simmons weaves an intriguing tale tinged with the supernatural, centered around a mystical poet who may or may not be dead. Simmons loves integrating poetry and poets into his stories, and the suspense around this particular poet and his connection to the cult of Kali is palpable. It’s not mythology per se, but boy is it dark. It’s also pretty short, and easily could be consumed in a single reading.

I confess I'm more attracted to Morrow's themes than his actual writing, but still. Towing Jehovah is premised on God having died and his corpse needs to be towed to the Arctic for preservation. It's part of a trilogy (the second and third books are titled Blameless in Abaddon and The Eternal Footman); to be honest, I don't remember reading the other two, but I must have... Also worth mentioning is Morrow's Bible Stories for Adults. All irreverent. All funny in a dark way.

This is one of my favourite books!

At 782 pages, including numerous footnotes, it might seem a daunting task for a reader, but I would have easily enjoyed a novel twice its length. The style of writing is beautifully detailed and has a wry British humour that is a pleasure to read.

The magic is seamlessly woven into the land and culture of England. We learn about the history of the Napoleonic Wars with a bit of a fantastical spin, showing how magic was used in the war and the consequences of its presence in history.

An alternative history that truly captures one’s imagination and sense of “what if?” Jonathan Strange and Mr. Norrell is one that I’ll definitely read again and again.

It’s been said by smarter people than me how writing horror for kids isn’t about scaring them, it’s about showing them how brave they are.

A Monster Calls is the perfect illustration of that. The scariness and the spookiness are a stand-in for the real-life horrors that this kid is facing. Kids deal with a lot, and this book is the perfect example of how to survive when the worst happens.

The artwork too—wow! I wish I could get some of this artwork to hang on my walls. Absolutely gorgeous book.

What does it mean to be human, and what happens to us when we don’t receive unconditional love?

The two main characters in this Gothic novel, a human and a "monster," are presented in such a way that I questioned which main character was more human. There’s a warning of what can happen when we deny the basic human need for unconditional love.

Shelly’s use of a frame story pulled me in from the first page.

The development of both of these characters was amazing. Sometimes, you read a book where you relate to one character and not as much to the other. Not with this book!

Both voices and stories were gripping by themselves. Then, when they met, the explosions happened and you saw two “people” with the same background (but under vastly different circumstances), merge. 

Romance isn't the only genre I read, of course. Lavinia is written by one of my favorite authors, Ursula K LeGuin. This historical fiction novel takes a character from the ancient Aeneid and brings her to life.

In the Aeneid, Lavinia is the prize for Aeneas. But, she never speaks. Not even one word. LeGuin decided to fix that. She gives Lavinia her own story and journey. In doing so, she creates a rich protagonist who takes destiny into her own hands. 

LeGuin traditionally writes science fiction. I love how this female writer in a male-dominated genre broke out of sci-fi to bring a historical female character to proper life. This is female empowerment, and I am so here for it! Lavinia is enthralling, exciting, and impassioned. Definitely a favorite!