Here are 100 books that Song of Kali fans have personally recommended if you like
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Alice has had a passion for myths ever since reading Greek myths as a small child. Alice's most recent book is a retelling of myths and legends worldwide. As well as editing several anthologies for children, she has published a book on mythology and another on the fantasy writer Mervyn Peake, and she has many scholarly publications on fantasy and children's literature.
The way these stories are phrased here makes this my favourite set of retellings. Crossley-Holland’s choice of words evokes the original Norse. He uses alliteration, mainly when describing land and sea, and he is very careful to use words that come from Old English, a sister language to Old Norse, in preference to words from Latin, Greek, and post-Latin languages. There are plenty of other retellings that cover similar ground, but none with quite this joy in the energy of the original.
Set in the exotic and romantic realm of international rare bookselling, this is a story about protecting the written word against a digital world threatening to destroy it.
Michael Ashe, a young Los Angeles bookseller, must confront the fact that his once-thriving business is collapsing. Reading is in decline. Refusing…
Mike Vasich has a lifelong obsession with stories about gods, superheroes, and giant monsters, and he has been inflicting them on 7th and 8th graders for the better part of 20 years. He wrote his first book, Loki, so he could cram them all into one book and make them beat up on each other. He enjoys (fictional) mayhem, sowing disrespect for revered institutions, and taking naps.
The title is taken from the John Milton poem, Paradise Lost: “Better to reign in Hell, then serve in Heav'n,” and tells the story of the War in Heaven before the Creation from the point of view of the bad guys. So basically, we get the Devils’ (not a typo, by the way) point of view, and, like in Milton (arguably), they are the heroes of the story. Instead of the classic two-dimensional villains who exist solely to oppose the hero, Brust flushes them out so well that you can’t help but root for them. Nor can you understand why anybody would like this God dude or his weird ‘son’, Jesus. The devils in question are Satan and Lucifer, curiously split into two characters for this story, which provides further opportunities for plot and character development.
Steven Brust's Vlad Taltos novels (Dragon) and his swashbuckling tales of Khaavren (THE PHOENIX GUARDS and FIVE HUNDRED YEARS AFTER) have earned him an enthusiastic audience worldwide. But TO REIGN IN HELL, his famous novel that does for the epic of Satan's rebellion what Roger Zelazny's Lord of Light did for Hindu myth, has been out of print for years - causing used copies to trade for improbable sums. Now, at last, TO REIGN IN HELL returns to print in a paperback edition, with an introduction by Roger Zelazny.
I never outgrew the curiosity of wanting to know more about the things we fear. Plenty of monsters are just neat! But the more you learn about them, whether they’re animals like bears and sharks or figures of myth like werewolves and dragons, the more interesting they become. I wanted to take audiences deep inside a skin unlike their own so they could understand how it feels to be cast out and how much a monster might look down on us. Because the more you look at monsters, the more you recognize us in them.
One of the classic novels about monsters having internal lives. Grendel doesn’t even survive the first half of the Beowulf poem.
But what was his life like? This creature who went into rages over music and merriment? This outsider who clearly had no one to commune with? Where there could just be pathos, Gardner injects surprising dorkiness and humor that further round out Grendel’s existence. And there’s a huge bonus in the poem’s dragon also showing up as an utter weirdo neighbor.
This classic and much lauded retelling of Beowulf follows the monster Grendel as he learns about humans and fights the war at the center of the Anglo Saxon classic epic.
"An extraordinary achievement."—New York Times
The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his own side of the story in this frequently banned book. This is the novel William Gass called "one of the finest of our contemporary fictions."
“A non-stop action thrill ride of fantasy meets sci-fi meets cyberpunk.”
Camber Maypole was human once, an avid climber and chief medical officer aboard the Vera Rubin, a colony ship headed for a distant planet. But the day before launch, she was scrubbed for "insubordination." Against her will, her consciousness…
I was raised to be a Roman Catholic. I was not raised to think very deeply, but I did anyway. Eventually. When I was around fifteen, I started asking questions that irritated my parents. They referred me to our priest. Who basically patted me on the head and showed me the door. When the Pope said 'no contraception,' the shit really hit the fan. I haven't looked back. And I'm quite vocal about it because, damn it, religious beliefs and religions do damage, not the least of which involves hurting and killing people. (As for being funny, that's just icing on the cake.)
I confess I'm more attracted to Morrow's themes than his actual writing, but still. Towing Jehovahis premised on God having died and his corpse needs to be towed to the Arctic for preservation. It's part of a trilogy (the second and third books are titled Blameless in Abaddonand The Eternal Footman); to be honest, I don't remember reading the other two, but I must have... Also worth mentioning is Morrow's Bible Stories for Adults. All irreverent. All funny in a dark way.
On his 50th birthday, Anthony Van Horne meets the despondent angel Raphael, who tells him that God is dead, his body in the sea; and that Van Horne must captain the supertanker that will now tow the two-mile-long divine corpse northwards through the Atlantic. By the author of "City of Truth".
In the Viking age, one could not escape destiny, and so it is with William and Reynir, men from two vastly different fields who met by chance and shared a passion for discovery. Their research on Viking combat has led to many groundbreaking discoveries and never before done testing. Their work has been accepted by leading museums, universities, and professional societies, and they regularly share their research findings in lectures, classes, and presentations at these venues. The National Museum of Iceland recently opened a special exhibit that features their research. In many ways, their work has changed our understanding of Vikings and shown a new approach to Viking research.
Ármann breaks the mold to show us how to understand and research Vikings in general. The essence of the supernatural being that Vikings called tröll shows us clearly that what we think is the norm today is unlikely to be that of the Viking age.
His book is a warning that we modern people need a ground penetrating radar to reveal all the landmines that our modern mindset places in our path to learning about Vikings.
What do medieval Icelanders mean when they say “troll”? What did they see when they saw a troll? What did the troll signify to them? And why did they see them?
The principal subject of this book is the Norse idea of the troll, which the author uses to engage with the larger topic of paranormal experiences in the medieval North. The texts under study are from 13th-, 14th-, and 15th-century Iceland. The focus of the book is on the ways in which paranormal experiences are related and defined in these texts and how those definitions have framed and continue…
In the Viking age, one could not escape destiny, and so it is with William and Reynir, men from two vastly different fields who met by chance and shared a passion for discovery. Their research on Viking combat has led to many groundbreaking discoveries and never before done testing. Their work has been accepted by leading museums, universities, and professional societies, and they regularly share their research findings in lectures, classes, and presentations at these venues. The National Museum of Iceland recently opened a special exhibit that features their research. In many ways, their work has changed our understanding of Vikings and shown a new approach to Viking research.
In order to understand the combat of the Vikings, we must be familiar with the physical tools used for delivering violence, as revealed in the archaeological sources. Swords of the Viking Age is one of the better books in that category. It explores the material aspects of swords, one of the key tools of violence during the Viking age.
This beautifully illustrated work fills a gap in the literature in English on the swords made and used in northern Europe during the Viking age, between the mid eighth and the mid eleventh centuries. Ewart Oakeshott outlines the significance and diversity of these ancient heirlooms; co-author Ian Peirce, who handled hundreds of swords in his research for this book in museums across northern Europe, selects and describes sixty of the finest representative weapons. Where possible, full-length photographs are included, in addition to illustrations of detail; an illustrated overview of blade types and construction, pattern-welding, inscription and handle forms and their…
Perturbations Of The Reality Field
by
A. R. Davis,
Thou shalt not go supraluminal.
When the spiritual and the physical universes collide, a cosmic mystery places humanity into a stellar prison where the inmates are dangerously nearby. Will mankind succumb to the same distractions as their alien predecessors; the struggle for survival, the quest for power, the fanaticism of…
I’m a retired professor of medieval literature, and taught at six universities, including Oxford and Harvard. I have published widely on Old English, Old Norse, and on my predecessor at Birmingham, Leeds, and Oxford, JRR Tolkien. I think it’s vital for academics to break out of their enclosed communities and engage with the interests of the general public – especially in areas where the public has shown keen interest, like the literature, history, and archaeology of the Vikings, all of which deserve to be taken together.
Dr Barraclough not only traces Viking voyages north, south, east and west, she has followed in their footsteps. She was knighted with the penis-bone of a walrus by the Polar Bear Society of Hammarfest, saw the runestones commemorating those who “died in the east with Ingvar,” and mapped saga accounts of Newfoundland. Grisly information about Icelandic “necropants” and the Greenland hero “Corpse-Lodin.” This book has particularly beautiful color plates.
In the dying days of the eighth century, the Vikings erupted onto the international stage with brutal raids and slaughter. The medieval Norsemen may be best remembered as monk murderers and village pillagers, but this is far from the whole story. Throughout the Middle Ages, long-ships transported hairy northern voyagers far and wide, where they not only raided but also traded, explored and settled new lands, encountered unfamiliar races, and embarked on pilgrimages and crusades.
The Norsemen travelled to all corners of the medieval world and beyond; north to the wastelands of arctic Scandinavia, south to the politically turbulent heartlands…
I am a Professor of Early Medieval English History at the University of Cambridge. I also work on relations with the rest of Britain, and between Britain and its European neighbours, especially from an economic and social point of view. My interest in early medieval history arose from the jigsaw puzzle approach that it requires: even more so than for other periods, sources are few and often challenging, so need to be seen together and interpreted imaginatively.
‘Viking’ really refers more to an activity than an ethnicity, and has developed an unhelpful amount of baggage in modern times. This book, however, is about vikings red in tooth and claw who fought, raided, and conquered across Britain, but did so as conscious and coherent historical figures rather than an aggressive force of nature. Through delicate source-work that traverses several linguistic and cultural divides, Downham traces the activities of a powerful Scandinavian dynasty that played a formative role in the history of Britain and Ireland across the ninth and tenth centuries.
Vikings plagued the coasts of Ireland and Britain in the 790s. By the mid-ninth century vikings had established a number of settlements in Ireland and Britain and had become heavily involved with local politics. A particularly successful viking leader named Ivarr campaigned on both sides of the Irish Sea in the 860s. His descendants dominated the major seaports of Ireland and challenged the power of kings in Britain during the later ninth and tenth centuries. This book provides a political analysis of the deeds of Ivarr's family from their first appearance in Insular records down to the year 1014. Such…
I've been writing poetry since second grade, although oddly it took me until after college (where I was Class Poet) to start writing poetry that *gasp* didn't rhyme. (Did I mention I grew up on Ogden Nash and Shel Silverstein?) I started attending local poetry slams and then poetry festivals like WordXWord, and listening and performing there showed me what poetry could be. Poems can crystalize in a few lines a universal truth you've felt for years but been unable to express. I think that's amazing. (I also think it's better with a dash of humor mixed in, because I'm a humor columnist and I'm biased.)
There's a good chance you're familiar with his poem “What Teachers Make”, from his other book. But this is the book that has his most poignant and human poems, including “Tony Steinberg: Brave Seventh Grade Viking Warrior”, which has long been one of my partner's favorite poems, and accomplishes in a few minutes of words what many Hollywood movies try and fail to accomplish with a full cast, two hours, and hundreds of millions of dollars: It alternately makes you laugh and cry. Which I say as someone who has seen it performed many times, and it still makes me laugh every time, and still makes me cry every time.
You don't need a classroom to be a teacher, and you don't need to be a teacher to help someone learn a lesson. Taylor Mali's poetry explores this truth in entertaining and plainspoken ways because "the last thing this world needs is another poem" ("The Call to What We Know"). Whether discussing the language of love or the love of language, the poems contained in The Last Time As We Are prove that "He who dares to teach must never cease to learn." Not since Taylor Mali has there been a poet the likes of Taylor Mali-he is a man…
I’ve always loved history, especially European history, and fell in love with the Vikings and their mythology after reading the first book of the Last Kingdom Series by Bernard Cornwell. One of the reasons I wanted to write Viking fiction is because I was keen to learn more about these amazing people who had such a large influence on European history, but had been stigmatized by the Christian religion. I really wanted to learn about who they were as a people and how they saw their world through their religion and their interactions with Christian nations around them.
This was one of the first books I read when I decided to write about Vikings and I found it a treasure trove filled with information about the daily lives of the Scandinavians, away from raids and the shield walls.
It told me everything I needed to know about what Vikings wore, what they ate and how they cooked their meals. I learnt about the hierarchy of the ruling classes and how they traded with the nations of the Middle East. It is filled with information about their religion, how they felt about life and death, and much more.
The Vikings maintain their grip on our imagination, but their image is too often distorted by myth. It is true that they pillaged, looted, and enslaved. But they also settled peacefully and traveled far from their homelands in swift and sturdy ships to explore. The Age of the Vikings tells the full story of this exciting period in history. Drawing on a wealth of written, visual, and archaeological evidence, Anders Winroth captures the innovation and pure daring of the Vikings without glossing over their destructive heritage. He not only explains the Viking attacks, but also looks at Viking endeavors in…
