100 Books Like Global Markets and Local Crafts

I love this book because this book is a remarkable and compelling study of the politics of death in turn-of-the-twentieth-century Siam. The death of a worker in September 1890 marks the first time an unnatural death is entered into the archives of the state.

Trais Pearson explores how the dead were investigated back then, bringing to life an engaging narrative of the ensuing tensions between the Siamese elite and the foreign powers. I was so immersed in Trais’ captivating storytelling and narrative of the conflicts and negotiations that played out in the legal arena of civil law and forensic medicine that I felt as if I was there back in time. A seminal piece of work, this book is a must for anyone interested in Thailand and Thai history!

I love this book because it is a bold and incredibly insightful ethnography of Thai migrant workers in Israel and their integration into the Israeli farming sector. This migrant population from the Isaan region in northeastern Thailand skillfully navigated relations with the settlers and adapted to their exclusion from Israeli society while maintaining ties to their families back home.

Matan Kaminer provides a brilliant, eloquent, and piercing analysis of labor and capitalist relations in this insightful ethnography.   

I love this book because it is a moving, powerful, and remarkable account of the life stories of sixteen women who fought and lived in the dense tropical jungles bordering Malaysia and Thailand during the forty-year guerilla war against the British and Japanese occupation of Malaya.

Through these accounts, we learn who these women are, why they joined the CPM army, and why they stayed so loyal to the movement and its ideals even to this day. Agnes Khoo’s retelling of their stories is accompanied by illuminating excerpts and photographs of women in both civilian dress and combat gear.

We get to learn about the harsh conditions of living in the humid, mosquito-infested jungle, sleeping with giant caterpillars and leeches crawling on their bodies, the constant pangs of hunger, the strange illnesses and diseases that killed many of their comrades, and how the women learned to cope with these… show more.

I love this book because it features ten original ethnographies by ten graduate students at UC Berkeley that examine a diverse array of groups, schools, and communities in America. The book is an excellent source for ethnographic researchers who uncover a surprising, unexpected twist or turn in their research and want to know what to do next.

I love how each author shares their experiences in the field as a participant and as an observer and the intellectual journey of thinking about how to make sense of their findings by offering a refreshing explanation. 

In the late 1990s, a new type of economy was being born, one dominated by massive corporations, whose logos were increasingly ubiquitous, and who were driving a culture of consumerism among young people.

Klein traced this corporate dominance to a new form of capitalism in which corporations were becoming ever less interested in the stuff they actually made, be it trainers, takeaway coffee, or jeans. Rather, they were selling a brand, and replacing our very notion of ourselves as citizens living in a democracy with one of consumers shopping in a marketplace.

Klein’s book looks at how companies like Nike and Starbucks transformed society – and what people were doing to challenge their dominance.    

Too many books on how to succeed in the arts talk about how you are a "product." These people are idiots who know nothing about business. If you are an actor, singer, or painter, you are not a product. That implies you are able to be sold to multiple people at the same time. And re-used. And replaced when you break. Sorry, you’re not a product.

You are an entrepreneur, and you are selling…a service. And that service is…invisible. That’s what this book taught me. I am not a product. I am a salesman, and I am selling the invisible.

The techniques required to sell a service are far different from selling a product, and heck, I just didn’t like thinking of myself as a product anyway! I am a unique human being with incredibly unique talents. Aren’t you?

I first read Shibumi in the 1970s when it was originally published, and it changed my entire philosophy about life. The cast of characters, led by assassin Nicholai Hel, his concubine Hana, and other characters are exquisitely well drawn, and each has their own distinct character traits, some endearing and others truly despicable. The book is at once exciting, sexy, funny, satirical, philosophical, and educational. Readers learn about Japanese, Chinese, and Basque cultures, World War II history, and even spelunking, all the while Nicolai deals with the evil forces of the CIA, NSA, MI5, and MI6. A brilliant writer, Trevanian was also a philosopher of sorts, giving us his take on society and how we relate to one another. One of those books that hold up well over time and you just never forget.

Published in 2001, The Constant Gardener is my favorite le Carre Novel. A British diplomat in Nairobi, Justin Quayle, is informed his activist wife, Tess has been killed in a remote part of Kenya along with a doctor friend. As Quayle investigates her life (in a similar way to Eric Ambler unfolds Dimitrios’s life), he uncovers her work exposing large pharmaceutical companies’ unethical experiments in the poorest regions of Africa. This leads to her brutal death and cover-up at a diplomatic and political level. It is an exceptional book that makes you rethink how medicine and the industry behind it operates. After the collapse of the USSR, le Carre seemed to struggle with his work, The Constant Gardener though, kick-started another two decades of great writing from him.

A brilliant sweep through the millennia of commerce around the world. If you think globalization happened over the last quarter-century, you are wrong by about 5000 years. Find out how and why.

Banks is a freak of nature: he wrote sci-fi of the pinkest blood as well as prize-winning literary fare; all it took to indulge this duality was the use of a spare initial. The Business is one of the subtler interlopers: a minimalist, monochrome cover and a tale of corporate greed. Banks dials what could have been a staid techno-thriller up to 11 with killer prose, a razor-sharp protagonist, and outrageous flirting with the edges of possibility: magnates who get their jollies beaching cruise liners, hollowed-out mountain lairs, revving supercars to the destruction around the Swiss mountains. This is a novel that pops with the wit and flair of a writer at the height of his powers and determined to have a blast.