Books like Ghosts of My Life

I am a movie, book, and culture fanatic, but the ultimate medium for me is music.

Hauntology and folk horror are both greatly informed by music and have subsequently resulted in music that is informed by the concepts of hauntology and folk horror. I focus a lot on this reciprocal relationship in my book, but no one has explored the connections between the music of the past and the music of the future in greater detail than Rob Young in Electric Eden.

Starting with the revival of folk music in England, this book ranges through psychedelic and acid folk, touching on rock, prog, classical, experimental, and electronic music in a dizzying but exhilarating tour of the weirdos, outcasts, and visionaries that ushered in a new age of music with one foot in rural heritage and the other in futuristic utopian dreams.

From The Incredible String Band to Current 93… show more.

The Scarred for Life series (Volumes 1-3) is the most in-depth and expansive overviews of hauntological culture yet to be printed.

Covering Britain's popular (and unpopular) culture from 1970-1989, Scarred for Life leaves no stone unturned in its quest to discuss all the strangest TV, film, music, fiction, and other cultural ephemera that made these years the central influences on the “haunted generation.”

My favorite is Volume One, which covers the 1970s, when it seemed that the mission of the British media was to scare children into total passive submission. Although not exactly my childhood experience, I still loved every terrifying description and the authors’ “traumatic” memories.

Hopefully, some brave soul will write the American equivalent.

While there is a great biography of writer Nigel Kneale (Andy Murray’s Into The Unknown: The Fantastic Life of Nigel Kneale), I chose Andrew Screen’s comprehensive The Book of Beasts to represent Kneale’s essential contributions to hauntology and folk horror.

Beasts was a folk horror anthology television series broadcast in 1976, and Screen’s book covers all six episodes from idea to finished product in the most minute detail. I certainly enjoyed the production minutia, but what I feel puts this book in rarefied air is Screen’s unprecedented access to Kneale’s archives, uncovering unseen drafts of scripts as well as rejected ideas for other episodes. Screen also traces the folkloric/paranormal inspirations behind the show.

I wish all books on television would be as thorough and eye opening as The Book of Beasts.

People often ask me why folk horror has returned with such a vengeance in the 21st century.

I tried to address this resurgence in my book, but one of the strongest foundations for making such conjectures appears in Howard David Ingham’s extensive, wide ranging survey of the folk horror film genre We Don’t Go Back: A Watcher's Guide to Folk Horror and Pagan Film. 

Both informative and critically engaging, this book is my favorite book on the subject in a field that has vastly expanded over the last five years. Ingham’s vision encompasses not only the canonical British folk horror entries but casts a wide net, pulling in fascinating examples from across the world.

I love books that educate me, but I especially appreciate books that give me new works to hunt down. We Don’t Go Back had me writing lists and jumping on the internet searching for new… show more.

This is the most obvious book on this list. If you do read one book about climate change, make it this one.

It’s mainly not about climate change at all, but about the difficult balance between protecting people and freedom of expression. If we want a society that makes life better for all, and I do want that, we need to get this balance right.

It’s hard, as Nelson shows, but also incredibly exciting to identify freedom, in art, in sex, in drugs and in climate. This list isn’t an accident. 

Patrick Galbraith is arguably one of the leading experts on all things otaku. He has written dozens of article and essays and a few books on the subject, and choosing one to showcase here was not easy. The Moe Manifesto is not an entry-level work; it’s for hardcore fans who want to dive headfirst into the otaku rabbit hole. Even I often consult it for inspiration when I write about Japanese subcultures. 

The book’s main selling point – especially if you can’t read Japanese – is that Galbraith has assembled a unique lineup of experts (university professors, social and cultural critics, writers, illustrators and other assorted creatives) that he has extensively interviewed about different aspects of otaku culture. There’s a lot of serious food for thought here.

This book is packed with the history of Chinese warrior heroines and spies. From Hua Mulan to Soong Ching-ling, the book resonates with connections across the centuries, as well as modern differences.

All too often the fate of these brave and outstanding women was to die for their cause, a theme that I think is so important for many heroines in history. Edwards is adept at identifying how her heroines challenge and defy their position in society. She also reveals the gendered position that heroines occupy as fighters, and in particular, the challenge that it poses to women’s transnational traditional place as gendered feminine carers and life-givers. 

This is an accessible account of history through the lens of how “mistakes were made,” and how most of us aren’t told about them.

It is plain old-fashioned great fun to read about blunders in the worlds of business, sports, pop culture, even some of America’s epic military failures (so long as they happened long ago!). A great corrective to claims that the US is uniquely blessed with perfection.

A wonderful evocation of many aspects of everyday life in Europe’s 2nd biggest city. Who were “the people” and where were they in the social hierarchy? This book looks at the beginnings of a consumer culture: what did ordinary families earn and what did this enable them to buy. Where and how did they live? How did working Parisians dress, what did they read, how did they spend their holidays? It’s all there!

It’s hard for me to overstate the importance this book played in my understanding of college-aged American adolescents. I loved the clarity, organization, and simplicity of the writing here. Bringing in time-tested wisdom from philosophers, ancient faith systems, and cross-cultural perspectives gave me the sense that I was reading about principles and values that will endure far beyond our fleeting cultural moments.

I loved the contrast of wise maxims against trendy and misleading slogans that create a more brittle and distressed generation of young adults. I loved the mix of psychological research, historical anecdotes, and individual college students’ stories, all profiled seamlessly in the book. The sections that look back at historical forces that led to the helicopter and then bulldozer parenting were particularly fascinating.

I love that this book takes a compassionate look at the difficulty of Gen Z without being too harsh or alienating the young adults who… show more.