100 Books Like Scarred For Life

I am a movie, book, and culture fanatic, but the ultimate medium for me is music.

Hauntology and folk horror are both greatly informed by music and have subsequently resulted in music that is informed by the concepts of hauntology and folk horror. I focus a lot on this reciprocal relationship in my book, but no one has explored the connections between the music of the past and the music of the future in greater detail than Rob Young in Electric Eden.

Starting with the revival of folk music in England, this book ranges through psychedelic and acid folk, touching on rock, prog, classical, experimental, and electronic music in a dizzying but exhilarating tour of the weirdos, outcasts, and visionaries that ushered in a new age of music with one foot in rural heritage and the other in futuristic utopian dreams.

From The Incredible String Band to Current 93… show more.

Although the title of this list mentions the “wyrd and eerie,” I didn’t choose Mark Fisher’s brilliant The Weird and the Eerie, but rather his wonderfully insightful Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures.

Fisher didn’t “create” hauntology (that would be Jacques Derrida), but he was its most innovative and deepest thinker. Able to take complex theoretical concepts and explain them using creative analysis of cultural media, Fisher combined philosophical, political, social, and artistic analyses into the corpus of what we now recognize as the core tenets of hauntology.

Ghosts of My Life displays Fisher’s personal investment in his ideas and critiques: this was not just an intellectual exercise for him; he felt these assessments of life in late 20th century/early 21st century to the core of his being.

His examinations of Joy Division, Ghost Box Records, Stanley Kubrick, The Fall, and genre TV… show more.

While there is a great biography of writer Nigel Kneale (Andy Murray’s Into The Unknown: The Fantastic Life of Nigel Kneale), I chose Andrew Screen’s comprehensive The Book of Beasts to represent Kneale’s essential contributions to hauntology and folk horror.

Beasts was a folk horror anthology television series broadcast in 1976, and Screen’s book covers all six episodes from idea to finished product in the most minute detail. I certainly enjoyed the production minutia, but what I feel puts this book in rarefied air is Screen’s unprecedented access to Kneale’s archives, uncovering unseen drafts of scripts as well as rejected ideas for other episodes. Screen also traces the folkloric/paranormal inspirations behind the show.

I wish all books on television would be as thorough and eye opening as The Book of Beasts.

People often ask me why folk horror has returned with such a vengeance in the 21st century.

I tried to address this resurgence in my book, but one of the strongest foundations for making such conjectures appears in Howard David Ingham’s extensive, wide ranging survey of the folk horror film genre We Don’t Go Back: A Watcher's Guide to Folk Horror and Pagan Film. 

Both informative and critically engaging, this book is my favorite book on the subject in a field that has vastly expanded over the last five years. Ingham’s vision encompasses not only the canonical British folk horror entries but casts a wide net, pulling in fascinating examples from across the world.

I love books that educate me, but I especially appreciate books that give me new works to hunt down. We Don’t Go Back had me writing lists and jumping on the internet searching for new treasures… show more.

These days, “folk horror” is a popular term for movies like Midsommer and The Witch.

In the early twentieth century, M. R. James is said to have invented this genre and revitalized the ghost story as a form. His memorably unsettling work often involves academics, scholars, and researchers confronting an uncanny, bucolic world.

The most renowned stories in this collection include “Casting the Runes” (a reviewer of an occult book learns an earlier critic died mysteriously), “The Mezzotint” (an upsetting engraving changes each time a curator looks at it), and “Oh Whistle, and I’ll Come to You, My Lad” (a professor dubious of the existence of ghosts fatefully finds an ancient whistle on vacation).

Sometimes Fantasy can be dark or even cross into the realm of Horror. The concept of this book certainly would appeal to most Fantasy readers. An old, out-of-use post box in a small English village is reputed to be a conduit for local residents to ask for favours from dead relatives. Cris Lopez from California, mourning the loss of his estranged wife whom he still loves, sees a tabloid story about the box and decides a change of scene would do him good. His desire to have some hope of contact with his deceased wife is something he's not ready to admit to himself.

Rather than terrifying, this one moves into the weird, or I should say wyrd. It has all the earmarks of magical English villages and folklore brought to life.

The OG witches of modern fantasy literature. I’ve put down Wyrd Sisters because it’s the first of Pratchett’s Witches books to feature the trio of Granny Weatherwax, Nanny Ogg, and Magrat Garlick, but I’d list the whole series if I could. If you haven’t read them, I envy you, because you get to experience this trio and their world for the first time. Granny Weatherwax is a good witch because she has to be, but if she were to go the other way there’s no doubt she would be the greatest evil witch the Discworld has ever known. She plays cards with Death, knows the power of stories, and, most importantly, understands that being Good and Right is not the same as being Nice. Pratchett’s Witches were formative reading for me, and paved the way for many beloved reads on our shelves today.

This intriguing novel tells the story of a young Christian monk, Brand, who is sent to find and learn from a Saxon shaman/sorcerer, Wulf. The shaman turns Brand’s life upside down, introducing him to a strange, mysterious, and magical world that Brand never imagined existed. Written like a modern spiritual quest, but set in Anglo-Saxon England, the novel is an ingenious combination of old and new, inspired by charms and healings in a thousand-year-old manuscript in the British Library.

This story follows the blossoming romance of a half-blood siren Adelle and a nine-hundred-year-old dragon, who is commissioned with the task of protecting her while he helps her to tease out and control her siren song. This enemy-to-lover romance has fantastic world building that continues throughout the series with Adelle’s sister’s stories.

Richard Nisbett is one of the most influential social psychologists in the world, and we collaborated on the 1987 book Induction. His book on intelligence gives a good introduction to the psychology of intelligence and an incisive critique of attempts to use dubious research on a genetic basis for intelligence to explain racial inequality.