Here are 100 books that Evening In Byzantium fans have personally recommended if you like
Evening In Byzantium.
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When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
This roman à clef about billionaire Howard Hughes has everything you covet in a great beach read: money, power, sex, betrayal.
The rugged tycoon Jonas Cord and the screen siren Rita Marlowe tussle, tangle, couple, uncouple, and everything in between over decades and continents, and Robbins’s talent for saucy dialogue and spicier plotlines furiously bubbles to the surface in perhaps the last great book he wrote before his own life—as dramatic as anything he penned—and his work both began to crumble.
It’s hardly short (the original hardback clocks in at a hefty 650-plus pages), but I could not get enough of its blazing, take-no-prisoners leads as they barreled through the worlds of show business, aviation, and business to conquer the world.
Attacked, damned, praised and read around the world, THE CARPETBAGGERS was first published in 1961 and shelved high enough that the kids couldn't get their hands on it.
Set in the aviation industry and Hollywood in the 1930s, it is said the lead protaganist Jonas Cord is based on Bill Lear and Howard Hughes. It is the original sex and money blockbuster: a cracking story driven relentlessly forward by the sheer power and boldness of Robbins' writing.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
The first great American trashy novel, Peyton Place today seems rather tame, but in its day, it was scandalous. Plucking it from my mother’s bookcase when I was 14, I was engrossed by its roaring passion and sensational secrets.
Set in a small New England town, the book set the stage for the modern soap opera, and I wolfed it down like a big box of candy. It reminds me of those great, heady melodramas of the 1950s (and was itself made into a fabulously sudsy film in 1957), an intoxicating mix of all things forbidden.
I adored the fact that it was literary, which it doesn’t get enough credit for. I think its opening line—“Indian summer is like a woman…”—is one of the best in mid-20th Century literature.
When Grace Metalious's debut novel about the dark underside of a small, respectable New England town was published in 1956, it quickly soared to the top of the bestseller lists. A landmark in twentieth-century American popular culture, Peyton Place spawned a successful feature film and a long-running television series—the first prime-time soap opera.
Contemporary readers of Peyton Place will be captivated by its vivid characters, earthy prose, and shocking incidents. Through her riveting, uninhibited narrative, Metalious skillfully exposes the intricate social anatomy of a small community, examining the lives of its people—their passions and vices, their ambitions and defeats, their…
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
I once asked Agnes Nixon, the creator of All My Children and other legendary daytime serials, how she became so good at plotting them. She replied, “I am a very good eavesdropper.”
I suspect O’Hara was, too. His 1959 epic (900 pages!) about a social-climbing, status-mad banker and the fashionable coterie of vipers he navigates to attain success at any cost is dipped in old-money style and privilege masking an ever-rotting core.
It’s packed with the one thing any great beach read needs: people keeping secrets who will do anything to protect them.
Trapped in our world, the fae are dying from drugs, contaminants, and hopelessness. Kicked out of the dark fae court for tainting his body and magic, Riasg only wants one thing: to die a bit faster. It’s already the end of his world, after all.
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
Ok, so this is not technically midcentury (it was published in 1977), but I had to include one of those amazing 1970s yarns. I chose this one because I remember reading this as an adolescent and feeling it was sort of like a more adult, sophisticated Nancy Drew book, replete with cliffhangers at the end of each chapter.
This global potboiler, about a beautiful pharmaceutical heiress marked for murder, has enough twists and turns to keep anyone reading way past bedtime. I think it also planted the seed for me to write my own novels of courageous, Grace Kelly-style heroines caught up in the throes of romantic mystery and adventure.
One of Sidney Sheldon's most popular and bestselling titles, repackaged and reissued for a new generation of fans.
The daughter of a rich and powerful father, Elizabeth Roffe is young, beautiful - and sole heir to a billion dollar fortune.
Then tragedy strikes. Her father is killed in a freak accident and Elizabeth must take command of his mighty global empire, the pharmaceutical company Roffe and Sons. It makes Elizabeth the richest girl in the world. But someone, somewhere, is determined that she must die.
From the backstreets of Istanbul to the upmarket offices of New York, Bloodline is a…
I am a voracious reader of romantic fiction, and I’m always drawn in by books where time plays an important role. I love it when the characters have limited time and are on a countdown, or time is stretched out between their interactions, or when one single moment changes the course of their lives so completely. It always adds so much conflict and drama to a plot, as if time is a character in itself: it’s such a big thing in all our lives, but it’s also, in some respects, completely arbitrary. I love all these books because time and timing have such a big impact on the characters.
I fell in love with Lizzy and Ciaran as they tried to find their way back to each other after over a decade of not speaking. I loved the glamour of the Cannes film festival, which was a backdrop to the very real, human, unglamorous resentments they were harbouring, and I was gripped by the sense of time running out as the festival progressed.
The flashbacks to their time in France when they first met were gripping, and I was swept away by these two completely believable characters but was also caught up in the sizzle between them, and it’s such a funny, heartfelt book too.
As an author I emerged from a divergent path in life. Having navigated a hard childhood, new adulthood, and careers I didn’t love, I found my passion. I want to evoke deep emotions, drawing from the depths of my and others past experiences. Finding myself came with the realization that PTSD was something I didn't have to only suffer from. I wanted to advocate for PTSD. My dream is to continue The Hearts Redress series by taking others' pasts and weaving them into fiction. Giving them a voice they didn't have. Everyone deserves love, belonging, and redemption!
If intense and enthralling are what you are looking for, What I Would Do For You by Willow Winters is my recommendation.
This gripping romance has an unforgettable anti-hero that left me with a lasting impression. The story tells of betrayal and all-consuming love, something that is all too close to my heart. What had me turning the pages was the depth of emotion. The emotion guides us into a journey of love, sacrifice, and redemption. All things that truly hit home.
USA Today best-selling author, Willow Winters, brings you an all-consuming, sizzling romance featuring an epic, anti-hero you won't soon forget.
He enters the car accompanied by a chill from the evening wind and the car rocks gently, until he’s seated behind me and the door is shut. His scent fills my lungs first and as it does, I remember that I’ve been told that smell is the sense that holds the most memory. Maybe I read it somewhere, but I’ve never known something to be truer than that fact is now.
Everyday Medical Miracles
by
Joseph S. Sanfilippo (editor),
Frontiers of Women from the healthcare perspective. A compilation of 60 true short stories written by an extensive array of healthcare providers, physicians, and advanced practice providers.
All designed to give you, the reader, a glimpse into the day-to-day activities of all of us who provide your health care. Come…
I’ll admit I’m a terribly picky reader. My specific taste doesn’t seem to fit in one genre and is sometimes hard to nail down—literary prose with genre tropes, softly-integrated worldbuilding, adventure that leaves room for reflection, and a love story subplot that’s more mental than physical. I love anti-heroes and angst and stories that get a bit dark—but not too dark. When I find it, I’m hooked and obsessed, and I feel like I’m twelve years old again, reading late into the night with a flashlight under the covers. That exprience is what I’m always hunting for, and what I attempt to recreate in my own writing.
Unrelenting action and snappy dialogue made this book an instant fav. It contains some of the best things: betrayal, revenge, a mouthy and haunted anti-hero andheroine, spaceships, and sexual tension from page one. The way this book blends all those things—and yes, this is sci-fi, not fantasy—makes a wildly entertaining start to a perfect series. I’ve never loved characters and their banter more. This perfect team both hates and loves each other and won't stop getting up no matter how many times they're knocked down. Impossibly high stakes and a plot that pits hero against heroine until their alliance becomes the key to a universe-sized revolution. What an amazing book. I devoured the whole series and can’t wait for the finale.
WARNING. Rated: R. Restricted. Contains space battles, killer AI, intergalactic ass-kicking. Read at your own risk.
She is programmed to kill. He’ll do anything to survive.
Ex-con Captain Caleb Shepperd believes being good is overrated. All he wants is to smuggle illegal cargo through the nine systems and live a prosperous (likely short) life on the wrong side of the law.
But there's a problem with that plan. The priceless synthetic stowaway on his ship is a distraction he doesn't need.
Torn between selling her and tossing her out the airlock, Shepperd fails to realize the synth is a killer,…
I’ve adored reading a good snarky first-person story since I first read Bloodlist, so long as the snark doesn’t go too far and become total unlikeable jerk… It can be a fine line!I hope I stay on the right side of it, but having read it enough and written in it for years with my Blood Rights Series, I feel qualified to say I’m a…snark connoisseur. (If you ask my family, this is how my own internal/life narrator speaks! My mother says that my character Dakota is me if I “said everything aloud that I think in my head.” She’s probably right, and I’m okay with that.)
Gotta love a hero/antihero with a great wit and a fast mouth. Most Wanted is the first book in a sci-fi series that may remind you a bit of Firefly, and I don’t use that comparison lightly. The narrator’s wit definitely puts this book on this list, but “that’s us, out here on the raggedy edge” is the soul of the book that makes the series for me. Not the best, not the brightest, not the richest or strongest, but a group doing what they can to get by and be there for each other. Maybe accidentally right some wrongs along the way.
They’ve plundered their way across the galaxy and just found the score of a lifetime.
All they have to do is steal from the most ruthless crime lord in the galaxy. What could possibly go wrong?
Yan and his band of rogues are intent on plundering their way to fame and fortune. When they stumble across the score of a lifetime, they quickly go all in for one last job. With everything on the line, there’s no way they can fail. At least that’s what they’re hoping. In the end, they just might have gotten into something bigger than they…
I’ve always been drawn to portal stories where a character is magically transported to another world. As a child, I loved Where the Wild Things Are. Now, as a parent, I can see how cleverly Maurice Sendak builds a fantasy around a core emotional truth. This fascination stayed with me through books like The Phantom Tollbooth and Alice in Wonderland. I believe there’s something very powerful about using fantasy worlds to explore the inner lives of characters.
This is a dark portal fantasy I discovered in high school.
The setup is utterly unique, featuring a protagonist who is a leper in the real world and a reluctant anti-hero in the fantasy realm. Stephen R. Donaldson builds an intricately detailed world, both beautiful and treacherous, populated by original and complex characters.
It is a morally ambiguous series with psychological depth, which creates a stark contrast between the Covenant’s identity across the two worlds.
Karl's War is a coming-of-age-meets-thriller set in Germany on the eve of Hitler coming to power. Karl – a reluctant poster boy for the Nazis – meets Jewish Ben and his world is up-turned.
Ben and his family flee to France. Karl joins the German army but deserts and finds…
I’m a writer of all genres that’s found a lot of love, particularly in fantasy and thrillers. My love for epic fantasies first began when I was young, and like all young readers, was introduced to Harry Potter and the Magic Tree House series. The idea of being whisked away to a magical world captivated me, and so, I started to create my own stories to keep that magic alive.
In Grey, Gabrian doesn’t believe in magic. She’s a psychologist, and proud to be one. She bases her life on logic, but when things start to happen that she can’t explain, she finds herself in a whirlwind of magic. The way that Gabrian slowly comes to the truth is probably my favorite part of this book. As a Borrower, she’s considered not just a magical being, but a dangerous one. At first, she doesn’t handle this well and takes on the role of an anti-hero, nearly villain which was an interesting way to not only build Gabrian’s character but to introduce the truth of the magical world as well.
And skeletons—all dressed in their finest secrets—will come out to dance.
Raised in urban downtown New York, Gabrian holds no grand illusions of how life really works. And legends of magic and vampires, nothing more than a bunch of hocus pocus stuffed within book pages or painted on the big screen.
But when a woman, no one else can see, enters her office and delivers a riddle filled warning about her intended fate, Gabrian's grip on sanity takes a big hit—terrified she is falling into madness.