Here are 100 books that Fishing in Africa fans have personally recommended if you like
Fishing in Africa.
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I am the author of six espionage books, 5 featuring allied spy, Eva Molenaar operating at the highest levels of Hitler’s Reich. The 6thThe Road of a Thousand Tigers, is my homage to le Carre and Ian Fleming. I have loved the spy genre since I first read The Riddle of the Sands by Erskine Childers and grew up seeing every Bond movie since The Man with the Golden Gun at the cinema.
Published in 2001, The Constant Gardener is my favorite le Carre Novel. A British diplomat in Nairobi, Justin Quayle, is informed his activist wife, Tess has been killed in a remote part of Kenya along with a doctor friend. As Quayle investigates her life (in a similar way to Eric Ambler unfolds Dimitrios’s life), he uncovers her work exposing large pharmaceutical companies’ unethical experiments in the poorest regions of Africa. This leads to her brutal death and cover-up at a diplomatic and political level. It is an exceptional book that makes you rethink how medicine and the industry behind it operates. After the collapse of the USSR, le Carre seemed to struggle with his work, The Constant Gardener though, kick-started another two decades of great writing from him.
'The book breathes life, anger and excitement' Observer
Tessa Quayle, a brilliant and beautiful young social activist, has been found brutally murdered by Lake Turkana in Nairobi. The rumours are that she was faithless, careless, but her husband Justin, a reserved, garden-loving British diplomat, refuses to believe them. As he sets out to discover what really happened to Tessa, he unearths a conspiracy more disturbing, and more deadly, than he could ever have imagined.
A blistering expose of global corruption, The Constant Gardener is also the moving portrayal of a man searching for justice for the woman he has barely…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Looking for an adventure in the mid-90s I found myself in East Africa helping wind up a failed African bank, locked out of a t-shirt manufacturing plant, chasing down missing bulldozers (which turned up creating Rwandan refugee camps), taking over a toilet paper manufacturer which couldn’t manage to perforate the paper, and running a match factory on the slopes of Kilimanjaro before selling it to a Nigerian chief who turned up in his private jet. Meanwhile feeling like an alien who really didn’t understand what was really going on around me, and uncomfortable with much of the hard-drinking and arrogant expat culture, drove me to start to write as a way of making sense of what I was seeing and feeling.
As an exposé of the upper-class Happy Valley set in the late 30s/early 40s white Kenya this sets the tone for subsequent settler behaviour. An investigation into a real-life unsolved mystery, the murder of Josslyn Hay, 22nd Earl of Erroll, it features an outlandish cast of characters and lifestyles of astonishing decadence and privilege and reads like a thriller.
Just before 3am on January 24th, 1941, when Britain was preoccupied with surviving the Blitz, the body of Josslyn Hay, Earl of Erroll, was discovered lying on the floor of his Buick, at a road intersection some miles outside Nairobi, with a bullet in his head.
A leading figure in Kenya's colonial community, the Earl had recently been appointed Military Secretary, but he was primarily a seducer of other men's wives. Sir Henry Delves Broughton, whose wife was Erroll's current conquest, had an obvious motive for the murder, but no one was ever convicted and the question of who killed…
Science is still assumed to be a ‘male’ subject in which women are a minority. I should know—I was one of those women when I worked as an astrophysicist. But there have always been women in science and their stories are fascinating, whether told in nonfiction or in fiction. Fiction is ideally placed to convey the emotions behind the scientific processes and the way in which human interactions and relationships influence what happens in the lab.
I adored this fascinating tale of scientists studying chimpanzees in Africa, intertwined with the story of a failing marriage between one of those scientists, Hope Clearwater, and her mathematician husband back in England.
Reading this book, I was engrossed in the interplay between the people and the chimps, the evocations of African and English landscapes, and the subtle way in which the struggle for power within the chimps’ territory is echoed by human conflict in the same country.
If this all sounds rather complicated, William Boyd is one of the best storytellers around, so I was effortlessly carried along by the gorgeous sentences.
Utterly engaging. A novel of ideas, of big themes.William Boyd is a champion storyteller. - New York Times Book Review William Boyd's classic Brazzaville Beach has been called as a bold seamless blend of philosophy and suspense [that] nevertheless remains accessible to general readers on a level of pure entertainment.(Boston Globe). Released to coincide with Boyd's latest novel, Ordinary Thunderstorms, Brazzaville Beach tells the story of a British primate-researcher who relocates to war-torn Africa in the wake of her husband's tragic descent into mental illness. Intense, exhilarating, and engrossing, Brazzaville Beach is rich in action and thought, and William Boyd,…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
Looking for an adventure in the mid-90s I found myself in East Africa helping wind up a failed African bank, locked out of a t-shirt manufacturing plant, chasing down missing bulldozers (which turned up creating Rwandan refugee camps), taking over a toilet paper manufacturer which couldn’t manage to perforate the paper, and running a match factory on the slopes of Kilimanjaro before selling it to a Nigerian chief who turned up in his private jet. Meanwhile feeling like an alien who really didn’t understand what was really going on around me, and uncomfortable with much of the hard-drinking and arrogant expat culture, drove me to start to write as a way of making sense of what I was seeing and feeling.
A true South African classic. Told from an Afrikaner point of view which is an unusual experience for me as someone with modern liberal sensibilities, this is a grown-up psychological and political thriller about loyalties, conflict, and betrayals set against the shadow of the Angola conflict and the beginning of the end of apartheid.
Winter in South Africa - a time of searing drought, angry stirrings in Soweto, and the shadow of the Angolan conflict cast across the scorched bush.
Martin Mynhardt, a wealthy Afrikaner, plans a weekend at his old family farm. But his visit coincides with a time of crisis in his personal life. In a few days, the security of a lifetime is destroyed and, with only the uncertain values of his past to guide him, Mynhardt is left to face the wreckage of his future.
I studied reporters' memoirs of Africa for my PhD in journalism at the University of East Anglia, under Giles Foden, author of The Last King of Scotland. I was fascinated by how foreign correspondents are aided by local reporters, who unfortunately often don’t receive much credit or commensurate pay for their contributions to international news. This inequality is changing, but not quickly enough, and it affects the kinds of news that we all receive, and how western lives, for example, are often respected more than others.
One of the first European accounts of Congo, I read this book for my PhD, studying under the British author and journalist Giles Foden.
Pigafetta's account helped me understand the lenses—often colonial, of exoticism, fear, and wonder—through which Congo and Central Africans have long been perceived by Europeans and the world.
Pigafetta writes of Africa as the unknown, the dark, the frightening and mysterious, ideas still present in the news we consume today. I had often wondered why certain stories I pitch never get published, while others are easy sells.
The answers are rooted in events centuries ago, and it's easy to see that when we decide to take a look.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
My dad was an adventure traveler, so I floated down the Amazon, rode chicken busses in rural Guatemala, and stepped on the Russian Steppes before I ever saw Big Ben. All that adventure as a kid engendered an insatiable curiosity about the amazing diversity of people and cultures in this world. Sadly, when I was growing up, most children’s books didn’t reflect this diversity. Not only should all children be able to see themselves on the pages of the books they read, it’s equally important that kids see children who aren’t just like they are. Consequently, adding cultural and ethnic diversity into kids' lit has become a passion for me.
I know, the title sounds like a downer, especially for kids, but the book is full of new learning, acceptance, and even dealing with revenge. I loved it. And since the title already gives away the scary moment, your young reader doesn’t have to feel nervous.
The story, which takes place in Africa, is simple and powerful and even though the moment of loss is alarming and sad, the story doesn’t slide into sentimentality. In the end, Pedru, the main character, is able to put away his need for revenge and ultimately embrace lion conservation. The book transported me to Africa and lion country. It made me think, too, about hard forgiveness. The best kids’ books are ones that intrigue us as adults. Nailed.
A child, a wild animal - and a life-changing encounter. An exciting new range of books in which children find solutions to problems through conservation rather than killing.
On his way home from a fishing trip Pedru is attacked by a lion who takes his arm. As Pedru gradually adapts to his altered circumstances, at home and at school, he vows to get his revenge. So when his father, the finest hunter in the village, agrees to hunt the lion with him, Pedru is thrilled. But father and son track and kill the wrong lion - and find it's wearing…
Big Ideas... For Small Businesses
by
John Lamerton,
Big Ideas… for Small Businesses is a straight-talking, no-nonsense guide to growing a small business without sacrificing your lifestyle. Written by a former civil servant turned entrepreneur, the book challenges hustle culture and instead champions the idea of an "ambitious lifestyle business" - one that provides freedom and financial stability,…
I am a journalist, travel writer, and author based in Australia, writing about all sorts of people and on topics that I find personally inspiring and thrilling, and which are guaranteed to raise the spirits of readers. I was born in England but travelled the world for 10 years before ending up in Australia in 1989. I also lecture in travel writing at Boston University’s Sydney campus.
I was entranced by this book when I first read it, and still am. I loved the way Kenyan writer and activist Ngugi wa Thiong'o told a story in such a simple, unadorned way that just manages to get under your skin. It’s an important lesson for any writer about unaffected writing! This was the first major novel in English by an East African writer and is just so redolent of its time and place. It charts the life of a young boy growing up through a major change in his home country, and the rise of the Mau Mau freedom fighters.
This is a powerful, moving story that details the effects of the infamous Mau Mau war, the African nationalist revolt against colonial oppression in Kenya, on the lives of ordinary men and women, and on one family in particular. Two brothers, Njoroge and Kamau, stand on a rubbish heap and look into their futures. Njoroge is excited; his family has decided that he will attend school, while Kamau will train to be a carpenter. Together they will serve their country - the teacher and the craftsman. But this is Kenya and the times are against them. In the forests, the…
I am an academic and development practitioner with decades of experience in the classroom and research and development practice. My research niche is in issues of development in the global South, ranging from social conflict/natural resources conflict, political sociology of African development, decolonization of knowledge, to political economy, and globalization studies. In the above capacity, I have, over the years, taught, researched, and ruminated on the development challenges of the global South, especially Africa. I have consulted for many multi-lateral development agencies working in Africa and focused on different dimensions of development. I have a passion for development and a good knowledge of the high volume of literature on the subject.
I actually borrowed this book from a friend while looking for new additions to the reading list I usually recommend to my class on advanced development dynamics in Africa. Its focus on debunking the tendency towards a one-picture Africa is very apt!
I found this book quite interesting as it addresses the often-forgotten diversity of Africa as a continent (not a country or holistic geopolitical entity) in international discourse. But while calling attention to this impressive diversity, it discusses Africa’s challenges both internally and the external roots of some of these challenges as well as the potentials of the continent in diverse sectors/areas which can be harnessed for development.
So often, Africa has been depicted simplistically as a uniform land of famines and safaris, poverty and strife, stripped of all nuance. In this bold and insightful book, Dipo Faloyin offers a much-needed corrective, weaving a vibrant tapestry of stories that bring to life Africa's rich diversity, communities, and histories.
Starting with an immersive description of the lively and complex urban life of Lagos, Faloyin unearths surprising truths about many African countries' colonial heritage and tells the story of the continent's struggles with democracy through seven dictatorships. With biting wit, he takes on the phenomenon of the white savior…
When I first traveled to Africa in my early 20s as a volunteer teacher, I naively thought I would have much to teach Africans. It became clear quickly that I had far more to learn than I did to teach. Since then, I have been immersed in African cultures and their histories and believe deeply that their long-standing social, political, and economic formations are necessary for a sustainable global future. I have written three books from my African history training and experience, including the one promoted below. I regularly teach introductory and upper-level African History courses at Xavier University in Cincinnati, Ohio.
I love Ferguson’s book because it seeks to be useful rather than academic. He uses the category of “Africa” to understand large-scale dynamics that have perpetually underestimated or misunderstood the agency of Africans.
For example, globalization is not passing over Africa; it is deeply implicated there but in isolated ways that perpetuate inequalities rather than erase them, as globalization proponents promote. Or that global capital can thrive in a failed state without peace, property law, or many other attributes of the modern state.
Again, like in all my book picks, Ferguson is eager to show how Africa’s role in global society is not in the shadows but in full sun, illuminating aspects of our world order that many would rather not look at straight on.
Both on the continent and off, "Africa" is spoken of in terms of crisis: as a place of failure and seemingly insurmountable problems, as a moral challenge to the international community. What, though, is really at stake in discussions about Africa, its problems, and its place in the world? And what should be the response of those scholars who have sought to understand not the "Africa" portrayed in broad strokes in journalistic accounts and policy papers but rather specific places and social realities within Africa?
In Global Shadows the renowned anthropologist James Ferguson moves beyond the traditional anthropological focus on…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
Since I first visited Africa in 2004 I’ve found it difficult to tear myself away. I’ve lived in South Africa, Ghana, Tanzania, and Sudan and travelled in all corners of the continent. I’ve participated in a revolution, hung out with the illegal fishermen of Lake Victoria, been cursed—and protected—by witch doctors, and learned Swahili. I’ve also read extensively about the place, written three books about it, and broadcast from it for the BBC World Service. In my other life I research and write about international development for universities and global organisations. This too has a focus on Africa.
This short book is without doubt the best introduction to African travel (and in my opinion one of the greatest travel books ever written).
Ranging across the whole continent, Kapuscinski’s evocative writing, although not always sticking religiously to factual details, captures the essence—and the magic—of the place like nobody else can. The book, along with his other great works on Africa Another Day of Life and The Emperor, was a major influence on both why I wanted to get to know Africa and how I write about it.
'Only with the greatest of simplifications, for the sake of convenience, can we say Africa. In reality, except as a geographical term, Africa doesn't exist'. Ryszard Kapuscinski has been writing about the people of Africa throughout his career. In astudy that avoids the official routes, palaces and big politics, he sets out to create an account of post-colonial Africa seen at once as a whole and as a location that wholly defies generalised explanations. It is both a sustained meditation on themosaic of peoples and practises we call 'Africa', and an impassioned attempt to come to terms with humanity itself…
