100 Books Like Weep Not, Child

I am an academic and development practitioner with decades of experience in the classroom and research and development practice. My research niche is in issues of development in the global South, ranging from social conflict/natural resources conflict, political sociology of African development, decolonization of knowledge, to political economy, and globalization studies. In the above capacity, I have, over the years, taught, researched, and ruminated on the development challenges of the global South, especially Africa. I have consulted for many multi-lateral development agencies working in Africa and focused on different dimensions of development. I have a passion for development and a good knowledge of the high volume of literature on the subject. 

I was a child of empire myself, which can have uncomfortable associations. In my case, this came with a sense of guilt as I grew up in apartheid South Africa, and while still a young man, I felt compelled to leave. Thus disconnected, I became a wanderer in Asia and the Far East, developing an enduring love of India. Africa drew me back as a foreign correspondent when the independence of Zimbabwe appeared to herald a new age of hope. I returned to report too from my homeland after Nelson Mandela’s release. At bottom, my interests – and I’m never sure where they will go next – have always been unpredictable.

I was born in Ghana and migrated to the US, where I have spent most of my adult life. The antipathy in certain circles towards immigrants still surprises me. I have tried to address this in my own way through fiction in the hope that readers can come to see migrants as multi-dimensional people with similar hopes, dreams, and aspirations. As such, I am similarly drawn to books that address the humanity of migrants. It has always been my belief that a better understanding of those we think are different from us will help bridge our various divides. I hope my recommendations help get readers there. One book at a time.

I was a marathon runner, and then I became a cyclist and started racing bicycles, especially ultra events: 24-hour and 12-hour races. I love activities that require guts and perseverance. Characters who dig deep to accomplish what they want are the ones with whom I want to spend my reading and writing time. 

Writing a book, doing good research, and being a good friend require the same characteristics. I know the healing power of activity and of pushing ourselves to excellence. I also know the huge benefit of finding friends who share our passions. When we’ve got those things, we can heal, we can strive, and we can thrive.  

As a creative nonfiction writer, I’m interested in exploring how the environments of our early years shape us. I read many different childhood memoirs while writing my own. Many of us have stories worth telling if we dig into our memories and let our creative juices flow. But it helps to have had an antagonist. The chemical stinks and pressure to conform in my hometown provided that, allowing me to use the humorous theme of escape. Everyone has had challenges to overcome, rivals, opponents, supporters, and friends, and that is the stuff of good stories. The feedback I have received indicates that, as I hoped, my memoir strikes a chord with many.

I’m a historian of empire, with a particular interest in the British Empire, colonial violence, and the ways in which imperialism is shown and talked about in popular culture. I studied at Oxford University, and having lived in and travelled around much of the Middle East, South Asia and Africa, I am always trying to understand a bit more if I can… but reading is best for that… My first book was The Khyber Pass.

When I first met Michael Majok Kuch and he asked me if I was interested in writing his life story, I knew nothing about South Sudan. Over the next several years, we met weekly. I’d interview him, write a chapter, research it, and then show it to him for his approval. I read everything I could find on South Sudan and the adjacent countries. In fact, I became so obsessed with Michael's culture that once I read Francis Mading Deng's Dinka Folktales, Mike’s sister arranged a meeting between Francis Mading Deng and me. These books prepared me for writing How Fast Can You Run, helping other “Lost Boys” of Sudan reunite with their mothers.

For more than two decades, I have been travelling to the wild places of this planet looking for stories. Africa in all its diversity has always been my first love. Whether I’m off the grid in the Kalahari, or scanning the far horizon of the Serengeti looking for lions, Africa feels like home to me, and I’m passionate about finding, and then telling the stories of the people I meet, and the wildlife I encounter, along the way. And driving me every step of the way is my great belief in the power of the written word and that of a good story to transform the way we think about, and interact with, the natural world. 

I am a South African historian of Russian origin, who has studied and taught African history since the late 1960s. For us, the Russians, Africa was then an alluring terra incognita of wild nature, adventure, human suffering, struggles, and tenacity. I have studied how Africa became what it is for 50 years and lived in it for 30. I have learnt a lot about it, but for me it is still a land of human suffering, struggles and tenacity, wild nature, and adventure, and it is still alluring. 

I am a social scientist who has been doing fieldwork and research in Africa since 1999. For me, there’s no more fascinating part of the planet – Africa is the cradle of civilization, more diverse than anywhere else and culturally and institutionally vibrant and creative. I have worked in Botswana, the Democratic Republic of Congo, Nigeria, Sierra Leone, South Africa and Zimbabwe investigating the determinants of political institutions and economic prosperity. I have taught courses on Africa at Harvard University, the University of Chicago, the University of Ghana at Legon and this summer the University of Nigeria in Nsukka.