Books like Finn Family Moomintroll — picked by fans

I am an American citizen who taught Classical Studies at the University of Toronto, Canada. I have taught Homer (in translation and in Greek), ancient myth, and “reception” of ancient myth. All the books that I discuss below I have taught many times in a first-year seminar about creative “reception” of the Odyssey. Other topics include comparable stories (like The Tempest by Shakespeare) and other great works of reception (like Derek Walcott’s stage version of the Odyssey and his epic poem "Omeros"). Every time I’ve taught the class, I’ve learned the most from free-wheeling discussions with students.

I’m an anthropologist and writer who has published more than fifty books, ranging from novels and essays to academic monographs and textbooks. I am passionate about trying to make the world a slightly better place, and I am convinced that we need to think differently about the good life and the economy in order to get out of the corner we’ve painted ourselves into. Economic anthropology offers alternative perspectives on the world and the human condition. It's far less obscure than it sounds.

I have gone through the refugee experience, and it has shaped me. I grew up queer in Syria, became a man in Egypt, a refugee in Lebanon, then an author in Canada. At the expense of romanticizing something so deeply painful, I do believe that the experience has made me a better man. It matured me, offered me a deep connection with others within my community, and built an unmatched appreciation of my culture of home back in Syria and my culture of diaspora here in Canada. As a fiction writer, I am obsessed with writing queer stories about immigration. 

I’m a writer originally from the UK, but now usually found elsewhere in the world. Currently, I’m based in Sofia, Bulgaria. I have always been fascinated by the subtle art of connecting with strangers, and by the complex ways that human beings forge bonds with those they don’t know. I have an MA in anthropology and a PhD in philosophy. Hello, Stranger is my thirteenth book, and in August 2021 was selected by BBC Radio 4 to be the book of the week.

I have always been drawn to a world of fantasy adventure; be it books or movies made from classics or current adventures. Start with an interesting title and intertwine with romance or several, even better, and my heart is a flutter. I am known for my quirky titles, and I think I love to write these fantasy adventures intertwined with romance and talk about them on podcasts because life is too real. How wonderful when I and we need to escape reality these wonderful worlds are within our fingertips’ reach. I hope you enjoy the books on this list as much as I have!

I’m a Canadian kids’ author, and I’ve written a few books about kids longing for absent parents. There’s nothing more compelling and powerful for me than a book about a young person searching for a significant adult. It wasn’t part of my growing-up experience, but I know it is the truth for so many kids who would identify with the kids in these novels. There are so many excellent MG novels on this topic that it was hard for me to narrow it down to these five books. I love cheering on kids who struggle, and Opal, Chirp, David, Lucky, and Parvana are among my favorite book kids. 

I’ve always loved dark, thought-provoking tear-jerkers, the way they challenge my mind and elicit powerful emotions. Maybe it’s because I grew up in an age when men couldn’t cry or show emotions. Maybe it’s because I lived such a happy-go-lucky childhood, hiking through woods and catching lizards and turtles, that I grew curious about the darker aspects of life. It could be how I cope with having fought for two years on the front lines of combat and why I found myself in a philosopher’s classroom, studying ethics. All I know is that my heart craves powerful, dark stories that make my eyes leak.

My name is Annemarie and I’ve been reading stories almost as soon as I was taught how to read. I’ve also been writing them. My fascination with the supernatural came about, I guess because an active imagination for a small child comes almost naturally from a fear of the dark. The dark held many terrors for me, and in a perverse contrariness, this prompted an interest in supernatural beings. As far as I’m concerned, it’s all real, and the more we know about them, the better. Or at least, that’s what I deduce from my never flagging interest, and I guess that’s why there’s always an element of the supernatural/paranormal in all my stories. 

While history tells a very pragmatic story about our human tendency to gather near water, literature tells more haunting stories of water. The literature of my youth was no different. In these books, water and watery habitats are both settings and characters. Sometimes protagonist, sometimes antagonist, always present. Perhaps my years of immersion in these books imprinted so deeply that I had no choice but to arrange my first poetry collection as a journey of water. After all, water is one of Earth’s clocks, and I prefer its version of time.

I despise long-winded books with an electoral roll of characters or characters with unnecessarily complex names. Reading should be a pleasure, not a chore. High school does its best to suck the joy out of reading with its “what did the author mean here?” nonsense. If the reader has to guess what the author means, the author failed to tell their story. Symbolism and hidden meanings are a joke. I won’t read pretentious books that people only read so they can say they’ve read them. One of the reasons I started writing was to reach people who ended up as non-readers because high school ruined reading for them.