Here are 100 books that Foundryside fans have personally recommended if you like
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I read almost any genre, but fantasy is what I love most, both reading and writing. Stories are magic, but when they have actual magic in them, I’m hooked. Having studied both Film and Creative Writing at university, I love to go in-depth on storytelling and have reviews aplenty on my website if you want further recommendations. The books I’ve chosen for this list have incredibly unique worlds full of bizarre magic. When I enter a new world, I want it to be exactly that: new and exciting with a touch of the surreal. To me, these books showcase magic at its most vivid and creative.
I very nearly stopped reading this book–even though it’s so short as it starts off unbelievably abstract. I didn’t know what was going on, and the descriptions only added to the confusion. But I’m so glad I kept going.
The main character does amnesia in the most charming way, and discovering his past and the strange world he seems both lost in and totally at home in was absolutely enchanting. This has stuck with me ever since, like the most vivid fever dream.
Winner of the 2021 Women's Prize for Fiction A SUNDAY TIMES & NEW YORK TIMES BESTSELLER
The spectacular new novel from the bestselling author of JONATHAN STRANGE & MR NORRELL, 'one of our greatest living authors' NEW YORK MAGAZINE __________________________________ Piranesi lives in the House. Perhaps he always has.
In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend,…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have been dreaming of dragons since I was a little girl, but I can never be certain what exactly drew me in–maybe it was Dragon Tales, a show from my childhood that haunts me to this day. They fascinate me more than anything in the world, and to be able to craft my own version of them has been my greatest joy. I have never wanted anything more than the ability to ride a dragon. To be connected to something so magical and powerful that there are legends about them throughout the world, to have even a glimpse of them. They’re everything to me.
If we’re talking dragons and just dragons–technically, they’re wyverns, and technically, they didn’t show up until the third book, but I was absolutely captivated by the whole series. It drew me out of a years-long reading slump and left a hole in my chest since finishing. I felt each book becoming part of my being.
#1 New York Times bestselling author Sarah J. Maas started a worldwide phenomenon when she published her debut novel, Throne of Glass. To date, Sarah's books have spent more than 92 weeks on the New York Times bestseller list and she has hit #1 on charts around the world. Her books have sold more than seven million copies and have been translated into 36 languages. Throne of Glass alone has sold over one million copies. Now you can own this epic fantasy classic in a deluxe hardcover collector's edition.
Throne of Glass begins the sweeping saga of assassin Celaena Sardothien,…
I’ve always loved the idea of time travel. I was born in a Northern mill town where King Cotton ruled. By the time I was a teenager, all the mills had shut, leaving behind empty hulks. I desperately wanted to experience the town in its heyday. I devoured the Blackburn-set memoir The Road to Nab End, by William Woodruff: I could hear the clogs strike the cobbles, picture the waves of workers, smell the belching chimneys. While I couldn’t travel back in time for real, I could in my imagination. My debut children’s novel, out in Spring 2026, is about a time-travelling seventh son.
This book shares a similar theme to How to Stop Time in that the main character lives through time without aging, from 18th-century France to present-day Manhattan. Addie has made a pact with the devil–immortality, but the price is she’ll be forgotten by everyone she meets. That concept really struck me–what does it mean to be remembered? What does it mean to be forgotten?
I always wanted to be a writer, and part of the reason was that I’d be remembered at some level. There’s a lot of sadness in the book but also hope. In the end, Addie comes across a book with a name she recognizes. Inside is the following inscription: “I remember you.” My heart melted.
"For someone damned to be forgettable, Addie LaRue is a most delightfully unforgettable character, and her story is the most joyous evocation of unlikely immortality." -Neil Gaiman
A Sunday Times-bestselling, award-nominated genre-defying tour-de-force of Faustian bargains, for fans of The Time Traveler's Wife and Life After Life, and The Sudden Appearance of Hope.
When Addie La Rue makes a pact with the devil, she is convinced she's found a loophole-immortality in exchange for her soul. But the devil takes away her place in the world, cursing her to be forgotten by everyone.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I love imperfect characters. They are more interesting, memorable, and three-dimensional than characters who have everything figured out. Imperfect characters are the most believable and readable because they are mirrors of ourselves. We live their stories more easily, and imperfect characters live the most awesome stories. Finding an imperfect female main character inhabiting a world full of conflict and then watching her strength emerge through a well-told story is one of my favorite reading experiences.
Karou is caught in a war between angels and demons (the ultimate simplified description). And Karou is a main character I love to cheer for. She's just so witty and full of angst on a totally relatable level. She's having the mother of all identity crises and feeling the ultimate tug of war between the human world and a dimension inhabited by the strange creatures that raised her.
Pair that awesome premise with Laini Taylor's incredibly lush writing, and the story is just fantastic. I kept turning page after page not only to immerse myself in Taylor's beautiful prose but also because this story is just compelling. I've reread this entire series, and I loved it even more the second time through.
The 10th anniversary edition of the first in Laini Taylor's breathtaking fantasy trilogy
'Remarkable and beautifully written . . . The opening volume of a truly original trilogy.' GUARDIAN
Errand requiring immediate attention. Come.
The note was on vellum, pierced by the talons of the almost-crow that delivered it. Karou read the message. 'He never says please', she sighed, but she gathered up her things.
When Brimstone called, she always came.
In general, Karou has managed to keep her two lives in balance. On the one hand, she's a seventeen-year-old art student in Prague; on the other, errand-girl to a…
I’m a Canadian writer who has always had a love for fantasy books. Particularly fantasy books with badass female characters who aren’t afraid to get their hands dirty, which is why my first published novel, It Ends With Her, is just that. I hate reading books, fantasy or otherwise, where the female lead simply waits around for someone else to fix her problems. Or even worse, lets someone else run her life entirely. No thank you, I’d much rather read about someone taking matters into her own hands and doing what’s right, no matter the cost.
Cat, or Catalia Fisa, is a badass character from page one. She’s a fighter, and with good reason. Coming from a traumatic family life, Cat draws her strength from the fears she felt throughout her youth. Not only that, but she’s painfully aware of her many physical and emotional flaws. I think it says a lot about a character who knows they have faults that need to be dealt with, faults that prevent them from developing healthy relationships or putting their safety first at times. Throughout The Kingmaker Chronicles, Cat sacrifices herself repeatedly for the people she loves, a trait that every lead should have (to some extent anyway).
Cat Fisa isn't who she pretends to be. She's perfectly content living disguised as a soothsayer in a traveling circus, avoiding the destiny the Gods—and her dangerous family—have saddled her with. As far as she's concerned, the magic humming within her blood can live and die with her. She won't be a pawn in anyone's game.
But then she locks eyes with an ambitious warlord from the magic-deprived south and her illusion of safety is shattered forever.
Griffin knows Cat is the Kingmaker—the woman who divines truth through lies—and he wants her to…
I’m a Canadian writer who has always had a love for fantasy books. Particularly fantasy books with badass female characters who aren’t afraid to get their hands dirty, which is why my first published novel, It Ends With Her, is just that. I hate reading books, fantasy or otherwise, where the female lead simply waits around for someone else to fix her problems. Or even worse, lets someone else run her life entirely. No thank you, I’d much rather read about someone taking matters into her own hands and doing what’s right, no matter the cost.
For one thing, this Greek mythology fantasy begins with our main character, Lore, beating up someone during an underground boxing match. How much more badass can you get? Throughout the standalone YA novel, Lore tries to navigate a deadly game of the Gods and the constant deceit of those closest to her. But she keeps going, no matter the sacrifices she must make. This is a great story about strength and putting others before yourself for the greater good.
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From the #1 New York Times best-selling author of The Darkest Minds comes a sweepingly ambitious, high-octane tale of power, destiny, love, and redemption.
Every seven years, the Agon begins. As punishment for a past rebellion, nine Greek gods are forced to walk the earth as mortals. They are hunted by the descendants of ancient bloodlines, all eager to kill a god and seize their divine power and immortality.
Long ago, Lore Perseous fled that brutal world, turning her back on the hunt’s promises of eternal glory after her family was murdered by a rival line. For years she's pushed…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
As a queer speculative fiction writer, I often find myself drawn to themes of identity. Reckoning with identity and defining your own (and redefining, and redefining, and redefining) is a critical part of the queer experience in the cis-hetero norms of the real world. Fantasy and science fiction have always given readers a lens to see themselves through, and many queer readers have found their own definitions between the lines of a book. The protagonists and stories in these books couldn’t be more different, but each offers a unique and compelling vision of discovering—or making—a place for themself in their magical world.
This is a story that challenges our understanding of identity–Zhu is a girl, and she is a male novice in a monastery. Zhu wears her dead brother’s name like armor and schemes to make his fate hers as well. Zhu is as unapologetically callous as the world that discarded her. Zhu lives as a man and never wishes to live as a woman, but her pronouns never change.
Her story forces the reader to confront the heavy hand of circumstance in our lives and our definition of self. Zhu performs gender without regret or longing, it is a tool of her survival; instead, she defines herself in her ambition. And even though the person that Zhu ultimately chooses to become isn’t one we might admire, her relationship to gender speaks to those of us who sit between the boundaries of gender, who move between, or who fill more than one…
I read almost any genre, but fantasy is what I love most, both reading and writing. Stories are magic, but when they have actual magic in them, I’m hooked. Having studied both Film and Creative Writing at university, I love to go in-depth on storytelling and have reviews aplenty on my website if you want further recommendations. The books I’ve chosen for this list have incredibly unique worlds full of bizarre magic. When I enter a new world, I want it to be exactly that: new and exciting with a touch of the surreal. To me, these books showcase magic at its most vivid and creative.
I loved the atmosphere of this book; it’s so quiet and understated, and I really felt like I was growing up with the main character. I loved how her perception of the magic changed over time. She’s at first wonderstruck by the beauty of flight, then hungry to earn her wings, and then we see her crushed by the weight of responsibility as she becomes a mentor to the next generation.
There’s such a thoughtful balance between excitement at the magic and critique of how that magic is ‘gifted.’ Plus, it’s a standalone, so there's no waiting around for that next brick in the series (I’m looking at you, Winds of Winter).
“Told with a true storyteller’s voice: clear, singing, persuasive, and wonderfully moving . . . a truly wonderful book.”—Jane Yolen
From #1 New York Times bestselling author George R. R. Martin and acclaimed author Lisa Tuttle comes a timeless tale that brilliantly renders the struggle between the ironbound world of tradition and a rebellious soul seeking to prove the power of a dream.
Among the scattered islands that make up the water world of Windhaven, no one holds more prestige than the silver-winged flyers, romantic figures who cross treacherous oceans, braving shifting winds and sudden storms, to bring news, gossip,…
My dad raised me on science fiction and fantasy. At first, it was enough for me to be entertained by stories of spaceflight, of rescuing maidens in distress, and of fighting bug-eyed monsters. But over the years, as I read more, I realized that I wanted stories with a moral or ethical center, stories where murder, mayhem, and war were to be avoided if possible, and where, if they couldn’t be avoided, the protagonists struggled deeply with the moral dimensions of the actions forced upon them. I wanted to see characters growing into their ethical consciousness.
I love this series of three short novels enough to have read it more times than I can count. The language of the novel is simple and evocative. I love the main character, a young wizard who starts out as proud, angry and arrogant, but becomes deeply compassionate when his hubris leads him to make a tragic and evil use of magic.
I could feel myself grabbed by the world of the novel, a world of men and dragons, of islands dotted in an endless sea, of powerful mages who interfere at their peril with the precarious balance of the world between good and evil.
The first book of Earthsea in a beautiful hardback edition. Complete the collection with The Tombs of Atuan, The Furthest Shore and Tehanu
With illustrations from Charles Vess
'[This] trilogy made me look at the world in a new way, imbued everything with a magic that was so much deeper than the magic I'd encountered before then. This was a magic of words, a magic of true speaking' Neil Gaiman
'Drink this magic up. Drown in it. Dream it' David Mitchell
Ged, the greatest sorcerer in all Earthsea, was called Sparrowhawk in his reckless youth.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
While history tells a very pragmatic story about our human tendency to gather near water, literature tells more haunting stories of water. The literature of my youth was no different. In these books, water and watery habitats are both settings and characters. Sometimes protagonist, sometimes antagonist, always present. Perhaps my years of immersion in these books imprinted so deeply that I had no choice but to arrange my first poetry collection as a journey of water. After all, water is one of Earth’s clocks, and I prefer its version of time.
This quiet and strange fairy tale is one of my favorite escape reads. I first read it while I was in high school, and it so accurately captured my own youthful confusion, my own reluctance to separate dreams from reality, that I felt a deep relief.
Another masterclass in storytelling, with lush worldbuilding and wonderfully awkward characters, the prose here is lyrical and sensory. Sand and tangled hair and the cold slap of waves. When I encountered them again, after moving to coastal Virginia, they felt familiar because I had already encountered them in this book.
