21 Books Like Final Cut

Peter Biskind chronicles the rise of New Hollywood in the 1970s, featuring such "movie brat" directors as Martin Scorsese, Francis Ford Coppola, and Steven Spielberg. But he also refers to such older directors as Stanley Kubrick.

It’s written in a chatty and easy-to-read style and is full of useful tidbits of information about Kubrick and especially his new backers at Warner Brothers.

We believe you can learn more from failure than success. Misfires don’t come much bigger than the 1990 adaptation of Tom Wolfe’s blockbuster novel The Bonfire of the Vanities. The movie busted nary a block, which only makes director Brian De Palma’s willingness to open up the process to reporter/critic Salamon more remarkable.

This visits every department—including our favorite, costume design—and underscores that no one knows if a movie will be a smash or a flop while they’re making it, so cast and crew work just as hard on both. We love the story of second-unit director Eric Schwab seizing the opportunity to prove himself.

The ultimate insider business story at the ultimate Hollywood company. Stewart takes readers unbelievably deep inside Disney at a critical moment when Michael Eisner’s 20-year run as CEO was coming to a dramatic end amidst, as the title implies, a corporate civil war.

While most people know Disney as the happiest place on Earth, the last few years of Eisner’s reign saw big-name moguls like Jeffrey Katzenberg, Michael Ovitz, Eisner, and Walt Disney’s nephew Roy Disney at each other’s throats.

Disneywar is a gripping and illuminating tale that shows how the sausage really gets made in Hollywood and how easily power in this town can disappear.

It’s easy to get fleeced in Hollywood, where the intricacies of filmmaking are tough to understand, and the allure of red carpets is so powerful.

No investors have been fleeced more dramatically than Sony, which bought Columbia Pictures in 1989 and hired producers Jon Peters and Peter Guber to run it. Peters and Guber ran the studio like a middle school with money and drugs, enriching themselves and losing Sony billions in the process.

Griffin and Masters tell a story that’s as juicy as a soap opera and as serious as any business disaster in American history.

Layton escaped, at great risk, to try to prevent the tragedy of Jonestown. Her book is the best book yet to read to see Jonestown and Jim Jones through the eyes of a survivor. Layton entered Jonestown (as did most of Ron’s and my students) later than early settlers, when the situation was getting more and more dire as Jones was deteriorating. 

Twenty-four at the time, Layton accompanied her mother, who believed Jones could cure her cancer. As Charles Krause says in the foreword, “Debbie quickly realized that she and the others had been deliberately deceived: Jonestown was essentially a concentration camp in the jungle.” Layton had been in the church since she was a teen. Jones had immediately recognized her intelligence and energy, and eventually made her one of his inner circle. When she left, he declared her a traitor. The book is fascinating and well written.

After ten years in a political cult, Janja Lalich dove deep into research on Heaven's Gate. Then she set out to explain, in this book, how smart, driven people function under coercive control. 

The gist? While they keep their intelligence and capacity for achievement, they shrink the range within which they act and think.

Lalich's perspective helped me understand why my fellow ex-Zendiks and I had acquiesced to so much dumb shit. We weren't stupid or brainwashed—just trapped by bounded choice.

Also, I was delighted by her account of her own cult's implosion, crystallized in the moment when the leader pulls out a cigarette and no one offers a light. 

In my many years of teaching the Holocaust, I discovered that many students learn about the Holocaust from films. The problem is that many films are not accurate and in our age of Holocaust denial it is imperative that films be as accurate as possible in their depiction of the SHOAH. Browning’s book is by far the best available guide to films—the good, the bad, and the inaccurate, that depict the Holocaust.

Tim Powers is my #1 role model. His secret history novels take a figure or incident from history that happens to be surrounded by unexplained weirdness, then explain all these strange, loose threads through the supernatural. His work scratches the itch for both history buffs and the (harmlessly) conspiracy-minded.

To call Three Days to Never a supernatural thriller would be reductionist. Powers casts a wide net when gathering story elements; Einstein’s fictional, time-traveling family is the centerpiece, but Mossad agents, a collective of magicians, and Charlie Chaplin’s legacy are all thrown into the mix. All are seeking the secret to time travel.

Powers writes free from the limitations of the genre. Breaking the boundaries imposed by marketing and showing the reader what’s possible when the imagination is unbound.

We had to go back to the 1952 book that essentially invented this format. Lillian Ross was a writer on staff at The New Yorker when she received the opportunity to be a fly on the wall during the production of The Red Badge of Courage (1951), writer/director John Huston’s adaptation of Stephen Crane’s novel of the American Civil War.

She tracked the film from start to finish, explaining how the two-hour version that Huston regarded as his best work became a sixty-nine-minute afterthought. Ross’s depiction of MGM mogul Louis B. Mayer clearly influenced the studio kingpin in one of our favorite movies about movies, the Coen Brothers’ brilliant Barton Fink (1991).

I’ll never forget finding this biography at a secondhand bookstore just off the Kurfurstendamm in Berlin a few years ago. I took it to a small café near the zoo and read it–cover to cover–that very same day!

There is little doubt Samuel Goldwyn was Hollywood’s last tycoon. In this outstanding book, Berg beautifully tells the rags-to-riches tale of a poor Jewish glovemaker who became the most important producer in American cinema. Many great stars make appearances, including Charlie Chaplin and Mary Pickford. A meticulously researched and compelling tome.