Here are 100 books that Holocaust Cinema Complete fans have personally recommended if you like
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These books have defined my life, giving me focus, direction, and purpose through a career that embraced 25 years at the United States Senate at senior staff levels and then served as the inspiration to co-found four national charities, including the Heart of America Foundation (HOA). The resulting activities have touched the lives of millions of adults and children and blessed my life beyond belief. I am a voracious reader with an extensive backlist of favorite books I have read and, in some cases, re-read. They are interesting, informative, and entertaining, but these books are a step beyond. This is where I go when I need hope and inspiration.
Frankl, de Tocqueville, Love, and Tocquigny focus on affirmative action, success, meaning, and purpose, and Arendt provides a sobering reflection on the alternative. After observing the greatest horror the world has produced, she concludes much of the wickedness in the world is created by people in the neutral zone, people with no allegiance to good or evil, people who “just let it happen.”
What happens when we don’t choose but are content to let others choose for us when we deny our “response-ability.” Who is responsible when no one is responsible?
'A profound and documented analysis ... Bound to stir our minds and trouble our consciences' Chicago Tribune
Hannah Arendt's authoritative and stunning report on the trial of German Nazi SS leader Adolf Eichmann first appeared as a series of articles in The New Yorker in 1963. This revised edition includes material that came to light after the trial, as well as Arendt's postscript commenting on the controversy that arose over her book. A major journalistic triumph by an intellectual of singular influence, Eichmann in Jerusalem is as shocking as it is informative - a meticulous and unflinching look at one…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
In 2010, I landed in Vienna on the last flight from Australia to a European airspace shut down by the eruption of the Icelandic volcano, Eyjafjallajökull. Before I left, I had booked a tour of Auschwitz-Birkenhau, and when I arrived, I discovered I was the only English-speaking tourist. For five hours, my passionate and knowledgeable guide and I wandered the camps. In such intimate circumstances, I was able to ask and receive forthright responses to even the most difficult and challenging questions about life and survival. Because of this and subsequent opportunities to talk with survivors, I could undertake detailed and targeted online research into life in the camps and in Amsterdam during the Nazi occupation.
When I visited Auschwitz-Birkenhau I was struck by the Australia plaque at the rear of the camp whose first three lines read, "Forever Let This Place Be; A Cry of Despair: And a Warning to Humanity."
Similarly, I was drawn to Wiese’s work when, in his preface to Night, he tells us he feels “he has a moral obligation to try to prevent the enemy from enjoying one last victory by allowing his crimes to be erased from human history.”
His is a brutal, first-hand account of the horrors and atrocities in Auschwitz. He appears to leave no stone unturned as he recounts the events from his admission to the camp, his life of survival juxtaposed with the protection of his father amidst the dehumanization of his fellow prisoners, to the eventual liberation, including the Death March, during which his father perished.
Born into a Jewish ghetto in Hungary, as a child, Elie Wiesel was sent to the Nazi concentration camps at Auschwitz and Buchenwald. This is his account of that atrocity: the ever-increasing horrors he endured, the loss of his family and his struggle to survive in a world that stripped him of humanity, dignity and faith. Describing in simple terms the tragic murder of a people from a survivor's perspective, Night is among the most personal, intimate and poignant of all accounts of the Holocaust. A compelling consideration of the darkest side of human nature and the enduring power of…
I was born in East Germany and experienced the disappearance of that country and the huge changes that followed as a child. My history teachers reflected this fracture in the narratives they constructed, switching between those they had grown up with and the new version they had been told to teach after 1990. It struck me how little resemblance the neat division of German history into chapters and timelines bears to people’s actual lives which often span one or even several of Germany’s radical fault lines. My fascination with my country’s fractured memory has never left me since.
Jähner’s Aftermath is one of the best books about post-1945 Germany. Defeated and confronted with the horrors their country had unleashed during the preceding six years of genocidal war in Europe, most ordinary Germans were keen to move on, rebuild and forget. A myth was born that saw 1945 as Germany’s ‘Zero Hour,’ a kind of tabula rasa, from which the nation could start anew. Jähner’s social history of the first ten years after the Second World War shatters this illusion powerfully and definitively. His book is a great foundation for anyone who wants to understand Germany today.
How does a nation recover from fascism and turn toward a free society once more?This internationally acclaimed revelatory history—"filled with first-person accounts from articles and diaries" (The New York Times)—of the transformational decade that followed World War II illustrates how Germany raised itself out of the ashes of defeat and reckoned with the corruption of its soul and the horrors of the Holocaust.
Featuring over 40 eye-opening black-and-white photographs and posters from the period.
The years 1945 to 1955 were a raw, wild decade that found many Germans politically, economically, and morally bankrupt. Victorious Allied forces occupied the four…
When an EMP brings down the power grid, Dr. Anna Hastings must learn what it means to be a doctor in a world deprived of almost all technology. She joins devoted father Mark Ryan and his young daughter on a perilous journey across a thousand miles of backcountry trails.
Professor Elie Wiesel was instrumental in my translating and researching my mother’s journals. My awakening to the dark period in the chapter of the Jewish history happened between 1971-1974 at CCNY, when our paths crossed while I was taking his classes at the department of Jewish studies. It was in his classes that the things that bewildered me as a child growing up in communist Poland in the shadows of the Holocaust aftermath started to make sense. I asked my mother to commit to paper the painful memories, she buried deep inside her. She and the next generations have an obligation to bear witness, to be this history's keepers.
The famous Hannah Arendt coined “the banality of evil." Not monsters, but ordinary people were able to follow Hitler’s murderess ideology. Ordinary Men clearly shows how men and women from all walks of life were capable of becoming cold-blooded killers. Ordinary Men were the Nazi mobile gas units and death squads responsible for the murder of 1.5 million Jews in Eastern Poland & Ukraine.
Most of my career has been spent as a scholar of interfaith relations, understanding how people understand each other and develop dialogue. This laid the background for my book, while I also understood the need for looking at not just how people get on during the good times, but what happens when religious communities and non-religious groups end up in antagonism or even violent confrontation.
As a Professor of Interreligious Studies, Religious Hatred is one of fifteen books I have written in a career that has seen me teach at universities on three continents, as well as being an advisor and trainer to governments, media, NGOs, and various faith-based organisations and communities.
If the name Deborah Lipstadt seems familiar to you, it probably is, as she is almost certainly the most famous scholar of antisemitism.
This book will tell the story of why she became famous, which was dramatized in the Hollywood film Denial starring Rachel Weisz as Lipstadt.
I could have recommended many of Lipstadt’s books, but this one has both the compelling story of how she was sued for libel by the Nazi sympathiser and Holocaust denier David Irving, while also providing a solid introduction to what has been one of her main areas of research, which is documenting and understanding Holocaust denial.
This is the only book from the perspective of the defendant who emerged victorious. It features reviews on book pages of national newspapers, and in history magazines. Deborah Lipstadt chronicles her five-year legal battle with David Irving that culminated in a sensational trial in 2000. In her acclaimed 1993 book "Denying the Holocaust", Deborah Lipstadt called David Irving, a prolific writer of books on World War II, "one of the most dangerous spokespersons for Holocaust denial", a conclusion she reached after closely examining his books, speeches, interviews, and other copious records. The following year, after Lipstadt's book was published in…
As the only child of Holocaust survivors, I wanted to know everything, and my parents would tell me nothing. "It is to spare you" would be my mother's words of comfort to me. Sadly they were not. Growing up is at best complex; growing up as children of Holocaust survivors is even more so. Some second-generation children could escape the shadow of their parents' suffering; for others, their parents' experiences led them, as I did, into early maturity.
After reading Escaping The Whale, I was eager to meet Marcia Gold as a young girl. Here again, Ruth Rotkowitz does not disappoint. The desires and dreams of Holocaust survivors for their children to have an innocent and happy childhood are not always possible. Marcia, a young girl in the 1960's experiences the impact of her parent's history and the complications they bring to the anxiety of adolescence and the emotional problems that will be part of her life in the future.
What is childhood? Bubbles and snowmen? Picnics and ice cream? Sunshine and laughter? We have been fed a romantic fantasy of the innocence and bliss of childhood. In The Whale Surfaces, author Ruth Rotkowitz holds a microscope to those idealized years in the life of the protagonist she created in her debut novel, Escaping the Whale. This microscope, at times, becomes a sledgehammer.
Marcia Gold is the daughter of Holocaust survivors whose lives have been defined by their painful experiences in Europe. A sensitive child, Marcia has absorbed this history as her own, and the Holocaust looms over her childhood…
Connections In Time Bain's Story
by
S.G. Boudreaux,
Finding Family, Discovery, Destiny. This is what nineteen-year-old Bain Brinley is searching for.
In his homeland, far in the mountains, he stepped into what he could only describe as a time-portal and landed in a strange land known as Egypt. Then he falls through another portal during a storm, only…
I’ve had a life-long interest in genocide dating back to my teenage years, when I read Simon Wiesenthal’s book The Murderers Among Us. Wiesenthal introduced me to the idea that governments sometimes murdered innocent people and could elude justice for their crimes. The question of human evil interacted with my theological interest in the problem of evil generally. Both genocide scholars and theologians were posing similar questions: how could people or God permit the occurrence of wanton evil when it was in their power to avoid it? And what should we do about genocide after it has happened? These questions launched my research into genocide and continue to fuel my study of this topic.
Where Gitta Sereny talks with people involved in Nazi atrocities, Ernst Klee presents documentary evidence of these crimes. No one has published better or more important compendia of documents on Nazi crimes than Klee. I discovered his books as an exchange student in Germany (1988-89) and quickly found them to be unique. Klee’s spare method is to portray the Nazis’ descent into evil through the medium of their own texts and photographs. Regrettably, few of his books have been translated into English. The one I’m recommending here is a fine introduction to his style of historical writing.
Klee’s evidence shows the awful arc drawn by Nazi crimes, from German incitement of pogroms against Jews in the east and Einsatzgruppen shootings of Jewish men, women, and children to the development of stationary gassing installations in death camps. Klee has a point of view, but he doesn’t want to convince you with…
The title "The Good Old Days" ("Schone Zeiten" in German) comes from the cover of a private photo album kept by concentration camp commandant Kurt Franz of Treblinka. This gruesomely sentimental and unmistakably authentic title introduces an disturbing collection of photographs, diaries, letters home, and confidential reports created by the executioners and sympathetic observers of the Holocaust. "The Good Old Days" reveals startling new evidence of the inhumanity of recent twentieth century history and is published now as yet another irrefutable response to the revisionist historians who claim to doubt the historic truth of the Holocaust.
I have always known that my parents survived the Holocaust. I often listened in when they, my aunt, uncle, and their survivor friends would sit and talk of their lives during the Holocaust. I am the past president for the Phoenix Holocaust Survivor’s Association (now called the Phoenix Holocaust Association) and am on its Board and the Chair of its Education Committee. During this year of Covid, I have been instrumental in hosting numerous writers from around the world who have spoken, in Zoom, about their Holocaust writings and research.
No one can truly know what life was like for Jews under the Nazis. We cannot feel the constant terror and inhumanity imposed upon their Jewish victims. We cannot hear their constant pleas, moans, and screams. We cannot smell the stench of filth, sickness, and death. Nevertheless, Joseph Gershowitz manages to take us as close as we can to his suffering in his absolutely riveting first-hand account of life in the Nazi’s concentration camps. On the Borderline of Extermination is a must-read for understanding the cruelty, barbarism, and inhumanity of the Germans and their all too willing helpers.
A true story of strategy and survival as told by Joseph Gershkowitz (AUSCHWITZ HÄFTLING 99310). With this inspiring story of innate knowledge and determination, Mr. Gershkowitz paints a vivid picture of the atrocities of the Holocaust as seen through his eyes. With that, 100% of the proceeds will be split and donated to the United States Holocaust Memorial Museum in tribute of Joseph Gershkowitz to ensure the memory of the Holocaust is never forgotten & the Women for Women International organization that works to support marginalized women in countries that have been severely affected by conflict and war.
I am Professor Emeritus in the School of Social Sciences and Humanities at Loughborough University. I have written widely in the areas of social and cultural history, the sociology of art and culture, and media and communication studies. Recent projects have involved books on song and music in the workplace, popular culture, cultural studies, advertising and racism, and blackface minstrelsy. I co-wrote Media and the Management of Change with Emily Keightley, the last volume in a trilogy on media and memory and the interaction of memory and imagination.
A predominant amount of work in memory studies has focused on national memory cultures. The shift in this anthology is towards small, local or regional memories and towards vernacular sites of remembering. Its contributors attend in the main to personal and familial forms of memory, and thus on the narrative modes and media associated with them. The chapters cover a fascinating range of topics, making for a diverse volume united by a key preoccupation with the locatedness of memory, rather than referring broadly across a whole national context or to a huge sweeping range of memory and remembering. This is a very welcome shift, bringing to the fore everyday objects of memory that have tended to be less predominant—hence ‘peripheral’, in the sense of being swept aside or overshadowed. Redressing this allows for a more complex understanding of relations between public and private memory and remembering practices, across varying temporal…
After a period of intense work on national memory cultures, we are observing a growing interest in memory both as a social and an individual practice. Memory studies tend to focus on a particular field of memory processes, namely those connected with war, persecution and expulsion. In this sense, the memory - or rather the trauma - of the Holocaust is paradigmatic for the entire research field. The Holocaust is furthermore increasingly understood as constitutive of a global memory community which transcends national memories and mediates universal values. The present volume diverges from this perspective by dealing also with everyday…
The Go-Giver tells the story of an ambitious young man named Joe who yearns for success. Joe is a true go-getter, though sometimes he feels as if the harder and faster he works, the further away his goals seem to be.
I am Professor Emeritus in the School of Social Sciences and Humanities at Loughborough University. I have written widely in the areas of social and cultural history, the sociology of art and culture, and media and communication studies. Recent projects have involved books on song and music in the workplace, popular culture, cultural studies, advertising and racism, and blackface minstrelsy. I co-wrote Media and the Management of Change with Emily Keightley, the last volume in a trilogy on media and memory and the interaction of memory and imagination.
In this book Max Silverman focuses on the remembering and understanding of extreme violence and terror, arguing against the tendency to separate different histories from each other along ethno-cultural lines. In countering this tendency, he conceives of the present not as an isolated moment but rather as a composite structure made up of different temporal traces from the past, lying in varying layers of visibility within the present, each of them capable of mediating, and being transformed by, another. Silverman builds a cogent case for the ways in which history, memory and imagination overlap and interact. After reading this book, it is difficult, if not impossible, to mount a defence of memory as authentic, sovereign, and autonomous.
The interconnections between histories and memories of the Holocaust, colonialism and extreme violence in post-war French and Francophone fiction and film provide the central focus of this book. It proposes a new model of 'palimpsestic memory', which the author defines as the condensation of different spatio-temporal traces, to describe these interconnections and defines the poetics and the politics of this composite form. In doing so it is argued that a poetics dependent on tropes and techniques, such as metaphor, allegory and montage, establishes connections across space and time which oblige us to perceive cultural memory not in terms of its…
