Here are 33 books that Epping Forest fans have personally recommended if you like
Epping Forest.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I arrived in Epping Forest when I was four and quickly came to love its trees and ponds. I saw Churchill speak in Loughton in 1945. We were taken on fishing expeditions to the Forest Ponds, and I got into my next school by writing an essay on ‘Newts’. When older I regularly walked to look at the two ponds on Strawberry Hill. Later still I brought my children to the Forest. My two sons were baptised in the church in the Forest, Holy Innocents. I am a woodlander through and through with an instinctive love of the Tudor aspects of the Forest when Fairmead was Henry VIII’s deer park.
This is a guide to Epping Forest at the end of the First World War, and covers its history, topography (many routes through the Forest), wildlife, and geology of the Forest, with maps. It is fascinating to see what parts of Epping Forest looked like a hundred years ago, and what birds and wildlife could be seen then.
Forgotten Books publishes hundreds of thousands of rare and classic books.
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. This text has been…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I arrived in Epping Forest when I was four and quickly came to love its trees and ponds. I saw Churchill speak in Loughton in 1945. We were taken on fishing expeditions to the Forest Ponds, and I got into my next school by writing an essay on ‘Newts’. When older I regularly walked to look at the two ponds on Strawberry Hill. Later still I brought my children to the Forest. My two sons were baptised in the church in the Forest, Holy Innocents. I am a woodlander through and through with an instinctive love of the Tudor aspects of the Forest when Fairmead was Henry VIII’s deer park.
I recommend this book as I have often gone back to it.
It takes us from Chingford Plain to Fairmead Bottom, High Beach, Upshire, Waltham Abbey, Epping, Strawberry Hill, and Connaught Waters, all of which I often visited in my boyhood and youth. There are many lovely pictures, most in black and white and some in colour, and there are good maps.
It gives me pleasure to be reminded of pre-1968 local scenes in the pictures.
I arrived in Epping Forest when I was four and quickly came to love its trees and ponds. I saw Churchill speak in Loughton in 1945. We were taken on fishing expeditions to the Forest Ponds, and I got into my next school by writing an essay on ‘Newts’. When older I regularly walked to look at the two ponds on Strawberry Hill. Later still I brought my children to the Forest. My two sons were baptised in the church in the Forest, Holy Innocents. I am a woodlander through and through with an instinctive love of the Tudor aspects of the Forest when Fairmead was Henry VIII’s deer park.
This is a massive book, 480 pages packed with pictures of old Forest houses, contrasting past and present views.
It begins with the Forest, deer, and ancient camps and soon devotes 20 or 30 pages to old pictures of each of the Forest villages and places, including Woodford, Buckhurst Hill, Chigwell, Loughton, Chingford, High Beach, Theydon Bois, Abridge, Epping and Waltham Abbey. Press reports from past centuries and the 1980s and quotations from books on Epping Forest can be found on every page to illustrate the pictures.
The historic Epping Forest area of Great Britain is portrayed through "then and now" comparisons, recording the changing scene since the earliest days of photography. From Forest Gate in the south to Epping in the north; from Chigwell and Abridge in the east through Chingford to the great abbey of Waltham in the west, a wide-ranging mixture of contemporary extracts has been blended with more than 1400 photographs, drawings and maps, together with specially-taken aerial photographs, to trace the events and developments which have shaped the locality. The illustrations being combined with a text researched mainly from newspapers, magazine articles…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I arrived in Epping Forest when I was four and quickly came to love its trees and ponds. I saw Churchill speak in Loughton in 1945. We were taken on fishing expeditions to the Forest Ponds, and I got into my next school by writing an essay on ‘Newts’. When older I regularly walked to look at the two ponds on Strawberry Hill. Later still I brought my children to the Forest. My two sons were baptised in the church in the Forest, Holy Innocents. I am a woodlander through and through with an instinctive love of the Tudor aspects of the Forest when Fairmead was Henry VIII’s deer park.
This book has a Foreword by Lord Murray, who lived near me and I often met.
It covers the area in eight sections, including Buckhurst Hill, Chingford Woods and Fairmead Bottom, Loughton Woods (Strawberry Hill and Loughton Camp), High Beach, and Ambresbury Banks. There are black and white, and coloured, pictures and maps. I used to run into Ken Hoy at events and we sometimes chatted.
This book gives information about over 200 of the Forest’s woods, plains, streams, and tracks.
As a child, my family and I would make scary movies to watch at our own annual family film festival. Horror has always been a passion of mine. The way horror can evoke emotions in you that you can’t otherwise access is a special kind of high. As a horror movie/game/book aficionado, I’ve tried to weave elements of horror into my stories. My favorite types of scary stories are the ones that would stand on their own, even if the ghosts were taken away. I am so passionate about horror with heart, which can be hard to find in a world of slasher movies and true crime.
I love Edgar Allan Poe. His stories are so visceral and yet so simplistic in their scares. Of all of the stories by Poe, however, I think this book was a bit of a sleeper agent for me. It wasn’t until COVID-19 happened that I really saw how terrifying this story really was.
The idea of the rich hiding out from a plague that’s destroying the world was much too relatable in 2020. Just like in other titles in this list, the actual ghost itself isn’t necessarily what’s scary. It’s what the ghost represents. Not just death but pride, privilege, selfishness, guilt, and apathy.
Re-reading this book back in 2020 was an experience much too understandable, and it really scared me in a way it hadn’t before. The message Poe was trying to convey stuck with me in a new and horrifying way.
Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.
Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.
Arguably America's most influential short story writer, Edgar Allan Poe's tales of suspense never fail to spook…
A New York Times bestselling author, I love excavating the lives of eccentric, strong-willed women. There’s the thrill of the chase—holding handwritten letters and diaries and uncovering, bit by bit, the story of each woman—and the adventure of encountering the unexpected: Wandering through a rattlesnake-infested Montana cabin (Photographing Montana 1894-1928: The Life and Work of Evelyn Cameron); being woken by a ghost while staying at a decaying Astor mansion in the Hudson Valley (Archie and Amélie: Love and Madness in the Gilded Age); climbing 200 stone steps to reach the Royal Archives in Windsor Castle, while the recently-departed Queen Elizabeth was in the courtyard below (Victoria’s Island, in process). Such fun.
I adore eccentric, talented women—and Julia Margaret Cameron was surely that—and I love nineteenth-century photography. When nearly 50 years old, Cameron took up photography and created her signature art of soft-focus, emotive portraiture. She was living on Britain’s Isle of Wight, surrounded by a who’s who of Victorian England: Tennyson, Lewis Carroll, Dickens, Charles Darwin, and Queen Victoria herself who summered in a nearby palace. Cameron photographed the humblest islanders as well as some of the greatest personages of the day, and her work has inspired modern artists such as Robert Mapplethorpe and Patti Smith.
Acknowledged as the outstanding portrait photographer of her generation, Julia Margaret Cameron was a very late starter. She was born to English and French parents in Calcutta in 1815, five days before the Battle of Waterloo. Her father was a high-ranking civil servant in the British East India Company, and it was expected that Julia would follow the example of her sisters by connecting herself to an established Anglo-Indian professional. She did exactly that in 1838 when she married Charles Hay Cameron, a legal scholar, and settled down to the quiet life of a typical Victorian colonial matron. But beneath…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I grew up loving the works of Shakespeare and the Romantic poets. Now I write romantic fantasy with a lyrical, fairy-tale vibe. The Seasons Cycle is a spin-off series from my main Lake Traveler saga. My poetry includes Poems of Myth & Magick, andSongs of Love & Longing. I compose songs and background music for key scenes in my stories. My music has been described as GoT meets LoTR with a lyrical twist and a musical theatre vibe. You can check out my songs and instrumental pieces on my youtube channel and my music website.
Yeats is one of my favourite poets, and while you may not associate him with fantasy, he did write some extraordinarily beautiful poems that are retellings of Irish folk tales and legends. Teeming with faeries, immortals, and other fey creatures, these are poems in the tradition of the great Romantic poets such as Byron, Shelley, Keats, and Tennyson. The titular poem is only one of many beautiful fantasy poems in this collection.
I grew up loving the works of Shakespeare and the Romantic poets. Now I write romantic fantasy with a lyrical, fairy-tale vibe. The Seasons Cycle is a spin-off series from my main Lake Traveler saga. My poetry includes Poems of Myth & Magick, andSongs of Love & Longing. I compose songs and background music for key scenes in my stories. My music has been described as GoT meets LoTR with a lyrical twist and a musical theatre vibe. You can check out my songs and instrumental pieces on my youtube channel and my music website.
"The Lady of Shalott" is a famous poem in the Romantic tradition. It’s partly inspired by Edmund Spenser’s "The Faerie Queene," and partly by the Arthurian legend. Most people have heard at least a few of the oft-quoted lines. I’ve lost count of how many times I’ve read it, but I still get caught up in the story-telling and the magical fantasy vibes. In my opinion, it’s right up there with the greatest fantasy poems of all time.
Four gray walls, and four gray towers, Overlook a space of flowers, And the silent isle imbowers The Lady of Shalott.
Tennyson's romantic poem, full of atmosphere and emotion, tells the story of the mysterious Lady of Shalott. In this exquisite illustrated edition, Charles Keeping's evocative pictures take us to Camelot, a fabled world of knights and castles, to witness the cursed life and tragic death of a beautiful but doomed maiden. This new edition features rescanned artwork to capture the inspiring detail of Keeping's illustrations and a striking new cover.
I grew up reading Agatha Christie, Dorothy Sayers, and everything British. My first novel celebrated American literature and small towns, and my first murder mystery was a love letter to England. I once spent twenty days visiting almost thirty bookshops and reading my way all over England, and let me tell you, I learned a thing or two about murders.
What could be more quintessentially British than Her Majesty, the Queen, solving murders at her different castles? Her Majesty The Queen Investigates is a charming series based on meticulous research. It offers fascinating insights into the large organization surrounding the palace and a convincing portrait of the Queen herself.
With just the right amount of corgis and murders, Her Majesty the Queen Investigates is a cozy murder series to delight all anglophiles. Fans of The Crown will be especially pleased—the fourth book in the series, A Death in Diamonds, is the start of a historical trilogy.
For fans of The Crown and The Thursday Murder Club by Richard Osman. On a perfect Spring morning at Windsor Castle, Queen Elizabeth II will enjoy a cup of tea, carry out all her royal duties . . . and solve a murder.
'Like an episode of The Crown - but with a spicy dish of murder on the side' (DAILY MAIL) ______________________
The morning after a dinner party at Windsor Castle, eighty-nine-year-old Queen Elizabeth is shocked to discover that one of her guests has been found murdered in his room, with a rope around his neck.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
Robert Lacey is credited with changing the way that people read and write about the British monarchy. In 1977 his tell-it-how-it-is Majesty: Elizabeth II and the House of Windsor overturned the clichés of the traditional ‘royal book’, hitherto the preserve of ex-nannies and obsequious court correspondents. As a Cambridge-trained historian of the first Elizabethan age – his biographies Robert, Earl of Essex and Sir Walter Ralegh won critical acclaim – the young journalist added the investigative techniques of his work on the Sunday Times to portray the monarchy in a fresh and analytical fashion. Robert is today Historical Consultant to the Netflix TV series The Crown.
Here is the finest and fiercest-ever fusillade of anti-royal protest – complete with weeping Queen on the cover. Just as Elizabeth II was settling to celebrate her first 25 years on the throne, the impertinent Scottish Member of Parliament for Fife, Willie Hamilton (1917-2000), rattled out this broadside of hard-hitting complaint against royal conceit and idleness. Hamilton combined compelling statistics on palace extravagance with his own radical sense of right and wrong. He grudgingly admired Queen Elizabeth, the Queen Mother, as "a remarkable old lady." But he dismissed Princess Margaret as "a floozy" – and Prince Charles as "a twerp." The MP claimed that his busy postbag from the British public ran 7-3 daily against the Crown.
