Here are 88 books that The Lady of Shalott fans have personally recommended if you like
The Lady of Shalott.
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I grew up loving the works of Shakespeare and the Romantic poets. Now I write romantic fantasy with a lyrical, fairy-tale vibe. The Seasons Cycle is a spin-off series from my main Lake Traveler saga. My poetry includes Poems of Myth & Magick, andSongs of Love & Longing. I compose songs and background music for key scenes in my stories. My music has been described as GoT meets LoTR with a lyrical twist and a musical theatre vibe. You can check out my songs and instrumental pieces on my youtube channel and my music website.
"The Forsaken Merman" is one of the most beautiful and saddest fantasy poems I have ever read. Being a songwriter, I have a keen ear for music in words. This is a lyrical poem that sings in rhyme and meter. It’s a tragic song to love lost. The longing is real. You will feel it and you will be moved by it.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I grew up loving the works of Shakespeare and the Romantic poets. Now I write romantic fantasy with a lyrical, fairy-tale vibe. The Seasons Cycle is a spin-off series from my main Lake Traveler saga. My poetry includes Poems of Myth & Magick, andSongs of Love & Longing. I compose songs and background music for key scenes in my stories. My music has been described as GoT meets LoTR with a lyrical twist and a musical theatre vibe. You can check out my songs and instrumental pieces on my youtube channel and my music website.
"La Belle Dame Sans Merci" may not be Keats’ most well-known poem but it’s right up there with his best, and Keats’ best might just be the very best when it comes to romantic poetry. This is a beautiful fantasy poem that’s both hot and disturbing. It’s dark fantasy at its best. Its lyrical and sensuous beauty will give you chills and goosebumps.Other fantasy-themed poems in this collection include "Endymion," "Lamia and Hyperion," "Isabella," and "St Agnes’ Eve," all based on myths and legends.
'What the imagination seizes as Beauty must be truth' So wrote the Romantic poet John Keats (1795-1821) in 1817. This collection contains all of his poetry: the early work, which is often undervalued even today, the poems on which his reputation rests including the 'Odes' and the two versions of the uncompleted epic 'Hyperion', and work which only came to light after his death including his attempts at drama and comic verse.
It all demonstrates the extent to which he tested his own dictum throughout his short creative life. That life spanned…
I grew up loving the works of Shakespeare and the Romantic poets. Now I write romantic fantasy with a lyrical, fairy-tale vibe. The Seasons Cycle is a spin-off series from my main Lake Traveler saga. My poetry includes Poems of Myth & Magick, andSongs of Love & Longing. I compose songs and background music for key scenes in my stories. My music has been described as GoT meets LoTR with a lyrical twist and a musical theatre vibe. You can check out my songs and instrumental pieces on my youtube channel and my music website.
Yeats is one of my favourite poets, and while you may not associate him with fantasy, he did write some extraordinarily beautiful poems that are retellings of Irish folk tales and legends. Teeming with faeries, immortals, and other fey creatures, these are poems in the tradition of the great Romantic poets such as Byron, Shelley, Keats, and Tennyson. The titular poem is only one of many beautiful fantasy poems in this collection.
AcClaim is a dark, high-society romance about Beatrix Winslow-Hale, a successful romance author who believes desire can be negotiated and controlled—until enigmatic billionaire Dorian Wolker crosses the line between consensual surrender and violation. Publicly humiliated and emotionally shattered, Beatrix turns to Manon de Rochemaure, her fiercely loyal best friend and…
I grew up loving the works of Shakespeare and the Romantic poets. Now I write romantic fantasy with a lyrical, fairy-tale vibe. The Seasons Cycle is a spin-off series from my main Lake Traveler saga. My poetry includes Poems of Myth & Magick, andSongs of Love & Longing. I compose songs and background music for key scenes in my stories. My music has been described as GoT meets LoTR with a lyrical twist and a musical theatre vibe. You can check out my songs and instrumental pieces on my youtube channel and my music website.
This book is a beautifully illustrated work of art. I absolutely adore the well-chosen excerpts from some of the Bard's most famous plays, including his fantasy ones (The Tempest and Midsummer Night’s Dream). This book contains some of the most beautiful passages in the English language. If you love the language of Shakespeare, you will swoon over this book. I do every single time.
An engaging introduction to Shakespeare, this lyrically llustrated anthology has been carefully edited to be accessible both to older children and teenagers. More then 200 short gems of verse, arranged in thematic sections -- heroics and love, good and evil, fun and frolic, magic and mystery -- capture the rich, powerful language and imagery of Shakespeare without overwhelming the reader who is new to Elizabethan poetry. A beautiful book that the whole family can treasure. Includes index of plays and first lines.
I grew up surrounded by a library of dusty vintage novels, so perhaps it wasn’t that surprising that I went on to write my own gaslamp fantasy influenced by English folklore and Victorian heroines. I love historical novels that provoke wonder, and magical novels that are rich with history, and (blame it on being an only child?) most of all I love a female protagonist I’d want to have tea with.
I loved the soft and quiet governess Elaine and the way she uses her unique magic. The surprising 1820s post-apocalyptic setting draws you in immediately, and the allusions to The Lady of Shallot are perfect.
I’d like to share a nice cup of tea with Elaine, and with her magical abilities, we would always have fresh water for the teapot.
Elaine thought she’d be safe in Brighton. But then the sea rose up and flooded the city. Now, fish dwell in submerged ground floors, mists wreathe the ruined houses, and faery creatures roam the watery streets.
Trapped in an attic for several months, protected by small enchantments, Elaine’s supplies are running low. But she doesn't dare risk the dangers outside, until the night her hiding place is discovered by a roguish treasure hunter who brings trouble in his wake.
Forced into the open, Elaine must finally confront her past, battle an old foe, and protect the family legacy…
I have been writing poetry for over 50 years and realized that as soon as I read Milton’s Paradise Lost – which blew my mind and emotions with its power of language – that epic poetry is the highest and greatest form of poetry. Thus, I have been assiduously reading epics ever since! I love them. And I write books on poetry writing (e.g. The Poetry Show: Macmillan, 1987), write on poetry for New York’s The Epoch Times, and am on the Advisory Board of The Society of Classical Poets. My own HellWard demonstrates a lifetime’s distillation about writing epic poetry, and shortly volume 2, StairWell, will be available.
Sometimes one has to come clean: does nepotism rule? It’s true: Joseph Sale is my son, a successful horror and fantasy novelist. But here he has taken Edmund Spenser’s C16th masterpiece, The Faerie Queen, which was unfinished, and completed it using a different stanzaic form. I’d like to recommend The Faerie Queen itself, but it is too dense and archaic. Joseph’s sequel, by way of contrast, is modern, fast-paced, action-packed, thrilling, and imaginative in the highest order. To see what the heroic is like (and bring out the warrior in you) read Book 6 and Canto 5: the epic descent of Thoth into hell – a match for Gandalf and the Balrog in writing style and power.
Virtue’s End is a spell, a magickal incantation designed to invoke and vivify that which has been lost by the modern world. This lyrical, occult fantasy-epic follows the account of Horus, a magickal sorcerer blessed with both hellish and heavenly powers, who, upon meeting the demon Melmoth, embarks on a strange quest to save the mystical realm of Ethismos, the seat of human imagination. There, Horus will meet great warriors and friends who will aid him in his battle against the coming darkness, as well as ghosts of his past, spectres of the traumas he has endured, and old enemies…
"A profound and often affecting story of resilience." —Kirkus Reviews
The Silent Women, an extraordinary novel inspired by the real women of Oak Ridge, Tennessee—the Manhattan Project’s “Secret City," where thousands kept the deadliest secret of World War II—is a sweeping, absorbing, and deeply human story about chosen…
The child’s immersion into nature is a most relevant theme for me as an environmental educator, but it is critical to America as a whole. Our future depends upon it. We continue to live in a culture that shoves nature into the background, something viewed as pleasant scenery but not truly interactive in our lives. The “store” has become the source of things to many young people. The current generation of American parents is not equipped to teach children about nature and its indelible place in our survival as a species; therefore, books must become surrogates in this mission.
Though this book has a terrific storyline, a finely fleshed-out cast of characters, and a very appealing writing style, what mattered to me most was a tacit bond of honor between the main character (the well-known private detective, Spenser) and his cohort in danger (Hawk). Their banter and ripostes are Parker’s trademarks that have made him a bestseller.
But what lies beneath that friendship is a code of honor that appeals to me in a powerful way. In this story, a young boy must rise above the pettiness of his parents’ friction and divorce. Spenser and Hawk provide the physical protection that he needs, but just as important is what the boy comes to understand about friendship and loyalty by observing his protectors’ interactions.
“[Robert B.] Parker's brilliance is in his simple dialogue, and in Spenser.”—The Philadelphia Inquirer
A bitter divorce is only the beginning. First the father hires thugs to kidnap his son. Then the mother hires Spenser to get the boy back. But as soon as Spenser senses the lay of the land, he decides to do some kidnapping of his own.
With a contract out on his life, he heads for the Maine woods, determined to give a puny 15 year old a crash course in survival and to beat his dangerous opponents at their own brutal game.
If you ask people to name a book set in the Regency period, your money is safe if you bet on them picking a Jane Austen. But the Regency was about much more than manners and matrimony. In my own areas of interest – justice, money, and financial crime – everything was changing, with the widespread introduction of paper money and cheques, the recognition that those on trial should have a defence as well as a prosecution, and the creation of modern police in the form of the Metropolitan Police. Dickens made the Victorian era famous, but the decades before good Queen V ascended the throne are equally fascinating.
And this choice is a sneaky one: it was published in 1826, but it’s actually set in the late 21st century. I couldn’t resist including it for three reasons: it’s a product of the 1820s (and deals with several social concerns of the time, such as republicanism), it’s written by a woman (and my other four choices aren’t), and its rather apposite storyline concerns a mysterious pandemic that rapidly sweeps across the entire globe, ultimately resulting in the near-extinction of humanity (leaving just the last man)… It wasn’t popular at the time – widely considered to be Shelley’s weakest work – but to be fair to her, she was simply ahead of the game and had invented the genre of dystopian fiction. Read in that light, it’s a brave and fascinating work.
With an Introduction and Notes by Dr Pamela Bickley, The Godolphin and Latymer School, formerly of Royal Holloway, University of London.
The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.
Mary Wollstonecraft Shelley (1797-1851) was the only daughter of Mary Wollstonecraft, author of Vindication of the Rights of Woman, and…
I am a chameleon scholar. Though my first love is poetry, I have written about all the arts, about 18th-century authors (especially Samuel Johnson), about theories of literature and literary vocations, about Sappho and other abandoned women, about ancients and moderns and chess and marginal glosses and the meaning of life and, most recently, the Scientific Revolution. But I am a teacher too, and The Ordering of the Arts grew out of my fascination with those writers who first taught readers what to look for in painting, music and poetry—what works were best, what works could change their lives. That project has inspired my own life and all my writing.
This classic study introduced me and the whole world of critics and scholars to theoretical perspectives that still resonate among historians of literature and culture.
It defines a momentous change: the shift from views of art as a mirror—a reflection of things as they are—to a lamp—a radiant projection from the hearts and minds of its creators. This revolution in aesthetic principles, formulated by German and British theorists, also resulted in new ways of looking at nature and in new kinds of poetry.
Abrams charts the depths of Romantic theory; and his work helped spur a revival of interest in the Romantics—now often cherished as the first modern poets.
Broken Boots, Redeemed Soul: A Veteran’s War with Sin and Salvation
by
Brian Lofton,
Broken Boots, Redeemed Soul: A Veteran’s War with Sin and Salvation, is a raw and faith-centered memoir about life after military service—and the internal battles many never see. Brian Lofton shares his journey through addiction, shame, identity loss, and spiritual distance, revealing how the hardest struggles often begin after…
My life is one of two halves; I spent the first half living in the industrial West Midlands, at school and then training to become a doctor, and the second half living in rural bliss in the southwest of England. For the day job, I’m an anesthesiologist, but my true passion, thanks to my mother being an English teacher, is reading romance and writing my own. I am well-travelled and spend a quarter of each year in France, so my books often have characters from all over Europe as well as characters working in the medical profession or overcoming/ living with a variety of health conditions.
As a Brit, I love books set in the US; I love exploring our cultural differences. This one is an angsty emotional journey with a very strong female character, which isn’t always successfully pulled off in romance novels. Love isn’t always rainbows and sunshine, and I think this is one of those stories reminding us that it needs to be worked at.
Twenty-one year old Laura Sedgwick is a rebel without a cause. Her only plans for life are to make no plans She revels in her fascination of the unexpected as she navigates her way through mid-nineties' Dallas nightlife. One very bad night brings her face to face with the one man likely to change her mind about…well...everything.
Twenty-three year old Seth Whitaker has every intention of seeing through with his well mapped out life. He is a hard working over-achiever that has no intentions of slowing his pace for anyone. With a fierce…