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Death and Rebirth in a Southern City.
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Why do I love books set in cemeteries? Maybe it’s because I grew up living right next to one and still do. I spent hours as a child wandering around and even playing hide and seek among the tombstones. It’s a place where the living and dead meet, a place of mourning, memories, and peace. Cemeteries have so many superstitions and lore surrounding them. The stories written about them can be spooky, mysterious, sad, heartfelt, and any number of things, so the ideas are endless.
I loved this book from the first page. There’s something both eerie and comforting about a boy raised by ghosts in a graveyard. I was enamored by the atmosphere, soft fog, ancient tombstones, and strange creatures lurking just out of sight.
Gaiman has a gift for writing stories that feel like old folktales, but are still fresh and full of heart. I didn’t want it to end because I fell in love with the idea of this unconventional “family” protecting a boy as he grows up surrounded by the dead. It’s dark, magical, and unexpectedly warm.
When a baby escapes a murderer intent on killing his entire family, who would have thought it would find safety and security in the local graveyard? Brought up by the resident ghosts, ghouls and spectres, Bod has an eccentric childhood learning about life from the dead. But for Bod there is also the danger of the murderer still looking for him - after all, he is the last remaining member of the family. A stunningly original novel deftly constructed over eight chapters, featuring every second year of Bod's life, from babyhood to adolescence. Will Bod survive to be a man?
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I have inventoried hundreds of cemeteries and thousands of historic gravestones, my mentor (Jim Deetz) wrote the seminal study that brought the study of gravestones into archaeology, and I truly believe the words of former English Prime Minister William E. Gladstone, who said, “Show me the manner in which a nation or a community cares for its dead and I will measure with mathematical exactness the tender sympathies of its people, their respect for the laws of the land and their loyalty to high ideals.”
Greg Melville’s Over My Dead Body: Unearthing the Hidden History of America’s Cemeteries is a highly personal yet richly researched investigation into the history of U.S. cemeteries. Best of all, Melville doesn’t just study gravestones or the final resting place of famous people, he takes a deep dive into nearly every aspect of memorialization, including landscapes, mortuary practices, economics, and social rituals.
A lively tour through the history of US cemeteries that explores how, where, and why we bury our dead The summer before his senior year in college, Greg Melville worked at the cemetery in his hometown, and thanks to hour upon hour of pushing a mower over the grassy acres, he came to realize what a rich story the place told of his town and its history. Thus was born Melville's lifelong curiosity with how, where, and why we bury and commemorate our dead. Melville's Over My Dead Body is a lively (pun intended) and wide-ranging history of cemeteries, places…
I have inventoried hundreds of cemeteries and thousands of historic gravestones, my mentor (Jim Deetz) wrote the seminal study that brought the study of gravestones into archaeology, and I truly believe the words of former English Prime Minister William E. Gladstone, who said, “Show me the manner in which a nation or a community cares for its dead and I will measure with mathematical exactness the tender sympathies of its people, their respect for the laws of the land and their loyalty to high ideals.”
This is one of the few books on cemeteries that captures the unmistakable ethereal beauty of graveyards. Sandra Clark’s spectacular photographic collection of images from some of America’s most breathtaking memorials in New Orleans brings together art and science, soliloquy and stone, and most importantly, life and death.
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I have inventoried hundreds of cemeteries and thousands of historic gravestones, my mentor (Jim Deetz) wrote the seminal study that brought the study of gravestones into archaeology, and I truly believe the words of former English Prime Minister William E. Gladstone, who said, “Show me the manner in which a nation or a community cares for its dead and I will measure with mathematical exactness the tender sympathies of its people, their respect for the laws of the land and their loyalty to high ideals.”
For many of us who study cemeteries, there is a danger of thinking that these landscapes of the dead are just bodies and gravestones. Katherine Ramsland’s Cemetery Stories: Haunted Graveyards, Embalming Secrets, and the Life of a Corpse After Death is one of the few books out there that details every step between death and internment, which are just as revealing about American culture as a fancy gravestone epitaph or a biography of a deceased local celebrity.
Admit it: You're fascinated by cemeteries. We all die, and for most of us, a cemetery is our final resting place. But how many people really know what goes on inside, around, and beyond them?
Enter the world of the dead as Katherine Ramsland talks to mortuary assistants, gravediggers, funeral home owners, and more, and find out about:
Stitching and cosmetic secrets used on mutilated bodies
Embalmers who do more than just embalm
The rising popularity of cremation art
Ghosts that infest graveyards everywhere
I have always been passionate and outspoken about fairness. This passion evolved into my attention to words and laws and a belief that they could affect behavior. This passion evolved into my passion for social change. Finally, it evolved into a passion for public service, where I could make things happen that I believed would help people. My first action as Chief Ranger for Legislation in the Boston office of the National Park Service was proposing a new park for women’s history, which eventually became the Women’s Rights National Historical Park.
I wish I could have read this book as I struggled to promote the sites in Seneca Falls to become a new national park. The US Congress directed the National Park Service to seek out and preserve sites that tell “nationally significant” aspects of our country’s history. Naming a place and its remaining structures nationally significant brings notice, interest, visitors, and support. Severely limiting parks focused on women might suggest that women’s history is not nationally significant.
I found the 19 chapters describing the benefits and challenges of selecting, preserving, and promoting the sites, structures, and stories of women’s trials and achievements heartening and inspiring. Each chapter provides valuable insights into the complex process of protecting historical places that reflect women's contributions to our nation's history. These stories highlight the importance of giving due recognition to sites connected to women's experiences and struggles.
Historic sites are visited by millions of people every year, but most of these places perpetuate the public notion that men have been the primary agents of historical change. This book reveals that historic sites and buildings have much to tell us about women's history. It documents women's contributions to the historic preservation movement at places such as Mount Vernon and explores women's history at several existing landmarks such as historic homes, as wells as in a wider array of cultural landscapes ranging from nurses' residences in Montreal to prostitutes' quarters in Los Angeles. The book includes essays on six…
Laura A. Macaluso researches and writes about monuments, museums, and material culture. Interested in monuments since the 1990s, the current controversies and iconoclasm (monument removals) have reshaped society across the globe. She works at the intersection of public art and public history, at places such as George Washington’s Mount Vernon.
Controversial Monuments and Memorialswas published the year after the “Unite the Right” rally in Charlottesville, which saw whites rally around the monument to Thomas Jefferson on the University of Virginia campus. This event, and the murders of nine African Americans at Emanuel AME Church in Charleston, SC in 2015, hastened public discord with symbols of the Confederacy and white supremacy. Allison’s book was the first to step into the space where scholars, museum staff, and community activists came together to examine how monuments were used as tools for systemic racism as well as progressive social change. The book is a great resource for those looking to enter the conversation about controversies surrounding monuments and memorials in the United States.
Out of the chaos and pain of Charlottesville, museum professionals, public historians, and community leaders must move quickly to face the challenges of competing historical memory, claims of heritage desecration and the ongoing scourge of racism. This book takes on the tough issues that communities across America---and analogous locales overseas---must face as white supremacy, political quagmires and visions of reconciliation with the past collide.
The events of summer of 2017 that culminated in Charlottesville are outgrowths of ongoing dialogues and disputes about controversial history that encompass numerous historical situations and touch every part of US history. Strategies for working effectively…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I have been moved by women’s stories that are buried in time (but not quite gone!) since I was a young girl. As a college student and now professor (I teach writing and gender studies), much of my work is focused on telling hidden stories for the first time and stories where the record needs correcting. This is probably to do with my childhood; I am the oldest daughter in a loving but difficult Irish-Catholic family where women were often shamed for many reasons. When I was 15, I read Sylvia Plath for the first time and knew—there was more to this story, and I meant to find it out.
I love nothing more than a book that unsettles me, that I grasp almost bodily in the reading but have to return to again and again to truly understand. Lose Your Mother is that kind of book. In Chapter Seven, Hartman tells us that, while working in the archive of the Atlantic slave trade, she came across a scandal: on board the slave ship Recovery, two African girls—one named Venus—are murdered by the captain, John Kimber.
A trial ensues. A mate is put on the stand, who admits there was a book on the ship, a list of all its horrors, The Dead Book, but it’s lost now. Lose Your Mother is Hartman’s attempt to write her version of The Dead Book without committing the same violence against the girls that they endured in their short lives. How she wonders, can we reimagine life for Venus when all we know…
In Lose Your Mother, Saidiya Hartman journeys along a slave route in Ghana, following the trail of captives from the hinterland to the Atlantic coast. She retraces the history of the Atlantic slave trade from the fifteenth to the twentieth century and reckons with the blank slate of her own genealogy.
There were no survivors of Hartman's lineage, nor far-flung relatives in Ghana of whom she had come in search. She traveled to Ghana in search of strangers. The most universal definition of the slave is a stranger—torn from kin and country. To lose your mother is to suffer the…
I am an art historian and the author of various books about modern art, including Styles, Schools & Movements: The Essential Encyclopaedic Guide to Modern Art and three editions of Destination Art. I coined the phrase ‘Destination Art’ in order to discuss artworks in which location is an integral ingredient, as is the journey to find them. I had noticed projects like these happening all over the world, but often in a quiet way. They needed someone to shine the light on them – so I did! My goal is to educate, enthuse and excite – and to continue my mission of spreading the word about intriguing and inspiring art projects.
Art critic Gayford’s engaging and entertaining essays recount his adventures over the years when meeting artists and visiting destination art sites around the world, such as Brancusi’s Endless Column in Romania and the Chinati Foundation in Texas. A great storyteller, his writing is both chatty and informative and the book is a pleasure to read.
Bestselling author of Modernists & Mavericks Martin Gayford recounts some of the extraordinary journeys he has made in the name of art.
In the course of a career thinking and writing about art, Martin Gayford has travelled all over the world both to see works of art and to meet artists. Gayford's journeys, often to fairly inaccessible places, involve frustrations and complications, but also serendipitous encounters and outcomes, which he makes as much a part of the story as the final destination. Entertaining and informative, Gayford includes trips to see Brancusi's Endless Column in Romania, prehistoric cave art in France,…
My early memories of San Francisco in the late 1970s are anything but glamorous. We lived in a crummy apartment down the street from the People’s Temple, and my preschool, in the always gray Sunset, served carob, not chocolate. Despite decamping for the greener pastures and white sands of Carmel-By-The-Sea, I was forever hooked by the gritty magic of San Francisco. I eventually returned to the city’s foggy Richmond District, where now I ruminate on past adventures, plot new ones, and write about the place I love. I'm the author of Moon Napa Sonoma, Moon California, and Moon Northern California, and my work has appeared in 7x7, the San Francisco Chronicle, and Alaska Magazine.
Cool Gray City of Love is a portrait, in the most classical sense, of San Francisco, and Kamiya is the journeyman traveling the cityscape to capture his subject’s soul. Each chapter centers on a point on San Francisco’s vast landscape, which blossoms into a tiny universe of place and history at Kamiya’s hand. He begins at the Farallon Islands, then jumps to The Tenderloin, then to Alcatraz, followed by Glen Canyon. While the journey can seem as incongruous as Bullitt’s race through San Francisco, it is as equally compelling, entertaining, and stunning. You’ll find yourself pulled along, promising to put the book down at the end of each chapter but unable to, falling in love with the city as you go.
"A kaleidoscopic homage both personal and historical . . . Kamiya’s symphony of San Francisco is a grand pleasure." ―New York Times Book Review
The bestselling love letter to one of the world's great cities, San Francisco, by a life-long Bay Area resident and co-founder of Salon.
Cool, Gray City of Love brings together an exuberant combination of personal history, deeply researched history, in-depth reporting, and lyrical prose to create an unparalleled portrait of San Francisco. Each of its 49 chapters explores a specific site or intersection in the city, from the mighty Golden Gate Bridge to the raunchy Tenderloin…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
My father was a curator and archaeologist at the British Museum, so I had to have my own collection in our attic. It was somewhat more modest but included both cultural and natural artifacts and guided me to both a career in geology and an interest in the links between culture and science. I wrote a book with my father on the geology of Greece for archeologists, which eventually led to my latest book on the Seven Wonders of the Ancient World. I write from the perspective that ancient cultures were constrained and shaped by natural resources and events, as they are still today. By understanding that link, we can perhaps better comprehend our world.
This short book starts with my favorite executive summary of the Seven Ancient Wonders of the World, ‘Two statues, a temple, a roof-top garden, two tombs and a lighthouse’.
Each monument is discussed by an expert on the subject who gives you all you need to know and not much more.
The book was first published in 1988 but is still acknowledged as the best general summary, as the classical sources and archeology have not changed significantly since then.
Sets each of the seven wonders in their historical context, bringing together materials from ancient sources and the results of modern excavations to suggest why particular places and objects have been seen as the touchstone for human achievement.
