Books like Restoring Women's History through Historic Preservation

I found a quote from my father written in 1982 in my tattered copy of Stanton’s biography when I was appointed the first superintendent of the new park. He asked, “How do you know all this?” A perfect question from a well-educated and well-read father who was then 70. He surely never studied women’s history.

I, a graduate of the Arts College at Cornell University just 40 miles away from Seneca Falls, had never heard of Stanton or Seneca Falls until 20 years after my graduation. It’s remarkable how little awareness there was, even in such close proximity, about these historical figures and events that would become so central to my work. My personal knowledge of women’s history was practically non-existent at the time.

I began as superintendent in 1982, and of the very fine books here recommended, only one had been published in 1982: Stanton’s autobiography. Stanton’s descriptions, supplemented… show more.

I was awe-struck with Polly Kaufman traveling the country and interviewing women in the Park Service, including myself. Her book dramatically documented the resistance to women’s history, women rangers, and women in leadership, affirming my frustrations throughout my 28-year career in the Service.

Polly began by researching the early history of the Park Service, a time when women were forbidden to be hired as rangers. She traced the drawn-out saga of decades of struggle women faced to become “real rangers” and earn the right to wear the official hat and uniform.

Polly also describes the histories of early women who rose to become park superintendents and other leaders in the Service. Additionally, she includes the astounding visit of Elizabeth Cady Stanton to Yosemite Valley in 1871.

I knew nothing of the history of Seneca Falls, or the 1848 convention, or really the struggle for women’s rights. When I first proposed the simple idea of “a new park about women’s history,” I had never heard of Elizabeth Cady Stanton, a forceful leader in the struggle for women’s rights for decades.

Judy Wellman was researching her book when I opened the Women’s Rights National Historical Park in 1982. I hired Judy as the park historian in the opening year and was graced with her wisdom as we developed the first exhibits and programs. I and the park benefitted greatly from her research through my six years as the founding superintendent of the park.

I love this book and so wish it had been available to me, park planners, and the public in 1982. But it was published in 2011. I received it as a gift and did not immediately realize it was intended for young adults. But how significant is it to reach girls and boys while still young and unbiased so they could better understand their lives as they unfolded?

I loved that it was accessible in its words, and very much in its design. Lots of space, largish print, clearly written, all make it also very appropriate for women, and men, of my age, which is 82. Weakened eyesight, shorter attention spans, no base of information to build on, this book is perfect also for seniors who probably had no formal education in women’s history and women’s rights.

This short book starts with my favorite executive summary of the Seven Ancient Wonders of the World, ‘Two statues, a temple, a roof-top garden, two tombs and a lighthouse’.

Each monument is discussed by an expert on the subject who gives you all you need to know and not much more.

The book was first published in 1988 but is still acknowledged as the best general summary, as the classical sources and archeology have not changed significantly since then.

I love nothing more than a book that unsettles me, that I grasp almost bodily in the reading but have to return to again and again to truly understand. Lose Your Mother is that kind of book. In Chapter Seven, Hartman tells us that, while working in the archive of the Atlantic slave trade, she came across a scandal: on board the slave ship Recovery, two African girls—one named Venus—are murdered by the captain, John Kimber.

A trial ensues. A mate is put on the stand, who admits there was a book on the ship, a list of all its horrors, The Dead Book, but it’s lost now. Lose Your Mother is Hartman’s attempt to write her version of The Dead Book without committing the same violence against the girls that they endured in their short lives. How she wonders, can we reimagine life for Venus when all we know… show more.

Art critic Gayford’s engaging and entertaining essays recount his adventures over the years when meeting artists and visiting destination art sites around the world, such as Brancusi’s Endless Column in Romania and the Chinati Foundation in Texas. A great storyteller, his writing is both chatty and informative and the book is a pleasure to read.

Death and Rebirth in a Southern City: Richmond’s Historic Cemeteries is two books in one. It is a traditional survey of a particular region’s graveyards that is rich in history and lore. But it also exposes historical racial inequities in the care of a city’s dead and sets the stage for current activism that is seeking to reclaim important sites of memorialization for the area’s disenfranchised population and its current descendants.

Controversial Monuments and Memorials was published the year after the “Unite the Right” rally in Charlottesville, which saw whites rally around the monument to Thomas Jefferson on the University of Virginia campus. This event, and the murders of nine African Americans at Emanuel AME Church in Charleston, SC in 2015, hastened public discord with symbols of the Confederacy and white supremacy. Allison’s book was the first to step into the space where scholars, museum staff, and community activists came together to examine how monuments were used as tools for systemic racism as well as progressive social change. The book is a great resource for those looking to enter the conversation about controversies surrounding monuments and memorials in the United States.

With a healthy dose of gallows humour, Sarah Vowell explores glorious conundrums of American history, politics, and culture. As such, the book provoked me to appreciate how visiting sites of the significant dead has long been in the touristic imagination. The book takes you on a journey – part history lesson, part travelogue – through the black spots of American political violence. Through a bizarre road trip to places where American politicians met a bloody end, I found Vowell’s own thoughts on the American character both witty and quirky. I also love how she explodes myths and, consequently, exposes a profound level of hypocrisy in the quest for (American) political and cultural advantage.