12 Books Like Eclipse

Ho boy, Schismatrix. Our third book this year is a standout amongst the golden-age cyberpunk novels, as it is Bruce Sterling’s most ambitious—and one of his weirdest—novels. Schismatrix takes many of the core cyberpunk themes and turns them up to 11: corporate republics have replaced traditional countries, businesses and philosophies intermingle, rising and falling with the market and with the current fashion, and life-and-death decisions are made as matters of policy, profit, and the inner urgings of hardwired human augmentation.

The story follows the protagonist/anti-hero Abelard Lindsay through his rather bizarre life. Lindsay undergoes augmentation, diplomatic programming, and gets involved with numerous plots throughout the universe, promoting first this corporation and then that one, becoming involved with schemes to boost this philosophy and then turning on it, and competes or cooperates with several main characters as circumstances dictate. It’s a dizzying, twisting plot of betrayed or abandoned loyalties and goals,… show more.

Synners is a book you’ve got to want to read, it is not casual. The mix of prose and blank verse create a haunting text, but the pacing has been noted by some reviewers as a weak point—which misses the point. The protagonists in Synners are, effectively, hackers of a sort, virtual reality aficionados who create VR content, plugging their minds directly into their hardware: then, something goes wrong in the global VR networks, people start dying from the online experience, and it’s only these plunky, drugged-out adventurers who can untangle the plot and save the day. The complication is more a matter of who they’ve become over the years leading up to the literary present of the novel, rather than the antagonist’s actions, and the prose style effectively communicates the kind of drifting, obsessive state that their lives have adopted, disconnected by the very thing that connects them to… show more.

This book, a classic of the atomic age, knocked my socks off rereading it.

While outwardly about a group of marooned boys scrapping for dominance on a remote island, it also resembled my late-seventies, Southern California prep school.

Some kids survived there by physically menacing playground “Piggy’s.” Others, like decent-hearted Jack, appealed for unity, demanding they keep a fire stoked for potential rescue before the savages within all of them aren’t worth saving anymore.

With that conch and bloody glasses, we appreciate mankind’s warring dualities.

One of the progenitors of the Cyberpunk genre; unlike modern takes on Cyberpunk, this keeps to the core dystopian themes that have been all but forgotten thanks to the over emphases on aesthetics.

This was my first peek into the world of paranormal ghost stories through books. Before this spooky thriller, truth be told, I didn’t know there was such a genre as ghost thrillers. 

I will forever be grateful to Riley Sager for not only opening me up to such a captivating genre but for writing such an amazing story.

This book gives you the present perspective of a woman returning to a haunted house that ran her family away 25 years ago, alongside the perspective of what happened 25 years ago when she was a child from the lens of a “NYT-selling novel” written by her father. 

The twists are jaw-dropping.

City Come A-Walkin’ is it, the beginning, the first true cyberpunk novel. 

As William Gibson famously said in the forward to the 15-year anniversary edition, “John Shirley is cyberpunk’s patient zero.” Debuting in 1980, City follows Stu Cole, a streetwise nightclub owner who angered San Francisco’s political and criminal elite, bringing down the full weight of their power; his only hope, the enigmatic construct known only as, “City.” 

A proto-AI, City was a conglomeration of the computer, surveillance, and data infrastructure that took on a life of its own, becoming sapient and dangerous. To ten-year-old me, it was the coolest book I had ever read (and it didn’t hurt that the school library refused to order it for me) and really put the punk in cyberpunk.

So often overlooked by cyberpunk aficionados, Streetlethal is the first of the Aubrey Knight novels by Steven Barnes.

Published in 1983, Streetlethal is a story of betrayal, corruption, criminal syndicate politics, and the dichotomy between the obscenely wealthy and the outcast poor. The gritty look at power from below—as Aubrey is set up, almost shanked in prison, and then on the run in the city’s literal underworld—is the novel’s major draw, but the most interesting part, looking back, is that both it and City include psychic elements. 

Hard as it is to believe now, in the ‘80s, psychic powers were considered science. Really. Even mainstream TV shows like Magnum PI and Miami Vice regularly employed psychic powers as plot movers. Bizarre, but true.

Software is a zany romp through a 1983 vision of 2020, with sapient AIs living on the moon and maybe invading South Florida. 

Like its author, Software is a rich amalgamation of disparate elements: on the one side, the book is campy fun, while on the other, it’s a legitimate exploration of Artificial Intelligence and identity.  Back when I was first getting into cyberpunk, this was another difficult find, despite having won the Philip K. Dick award; I actually didn’t read it until the late ‘90s! 

The author’s life is nearly as interesting as his books, too: his full name is Rudolf von Bitter Rucker, a descendant of German philosopher Georg Friedrich Hegel, though he grew up in Louisville, KY, and he would eventually develop his own literary movement, Transrealism.

For the last book on our list, we look at Hardwired, by Walter John Williams because, in my humble opinion, it marks the completion of cyberpunk’s subgenre formation. 

Published in 1986, Hardwired follows a protagonist named Cowboy as he connects his brain to various machines through a hardwire and fights the evil orbital corporations that own the world.  Awesome. It stands out to me in the history of golden-age cyberpunk novels in that it calls upon elements from previous cyberpunk works more-so than its predecessors, solidifying the subgenre’s obligations. 

To say it another way, Hardwired alludes to earlier cyberpunk works to effectively place the story within the reader’s literary experience. And that presupposed cyberpunk experience demarcates the subgenre, a clarion signal that the subgenre was here to stay.”

I’ve always been fascinated by the Salem Witch Trials (my youngest daughter is even named Salem), and so, in my search for a good modern take on them, I stumbled across this book. The fact that it was based on a true story immediately drew me in.

Like other books on this list, this story isn’t outright horror. It’s subtle. Rather than using ghosts and violence to scare the reader, this book focused on mob mentality, hysteria, and bias in a way that was so real and relatable that it felt like this could actually happen to me or someone I know.

I think the most effective horror puts you into a situation that’s so familiar and plausible that it keeps you looking over your shoulder. In my opinion, people are always much scarier than ghosts, and so this book that studied mob mentality chilled me with just how easily… show more.