Books like City Come a Walkin' — picked by fans

From early on, I found myself captivated by the concept of a dystopic future for humanity. Years later, a 20+ year police career cemented the notion that people are not inherently good and that if a dystopic future is at all possible–we as a species will make it a reality. My love of science fiction, especially all forms of dystopia, combined with a hard-earned street-level grit and a love of action. Whether writing solo or with my amazing co-author, Dr. Gareth Worthington, I often inject these elements into my stories. I hope you enjoy the books on this list as much as I did!

Growing up in the ‘80s, I discovered cyberpunk just when the subgenre acquired its name and was instantly hooked. While its style and action were certainly engaging, it was cyberpunk’s message about the surveillance state, corporate power, fascism, and corruption, which contrasted so violently from mainstream science fiction, that kept me turning pages. 40 years later, after writing novels for 25 years, completing 12 books, I’m still fascinated by what cyberpunk can do. In an age where Humanity is mortally threatened by climate change and inequality, we need cyberpunk now more than ever, with its action and adventure and a little something for us to think about, too.

Growing up in the ‘80s, I discovered cyberpunk just when the subgenre acquired its name and was instantly hooked. While its style and action were certainly engaging, it was cyberpunk’s message about the surveillance state, corporate power, fascism, and corruption, which contrasted so violently from mainstream science fiction, that kept me turning pages. 40 years later, after writing novels for 25 years, completing 12 books, I’m still fascinated by what cyberpunk can do. In an age where Humanity is mortally threatened by climate change and inequality, we need cyberpunk now more than ever, with its action and adventure and a little something for us to think about, too.

Growing up in the ‘80s, I discovered cyberpunk just when the subgenre acquired its name and was instantly hooked. While its style and action were certainly engaging, it was cyberpunk’s message about the surveillance state, corporate power, fascism, and corruption, which contrasted so violently from mainstream science fiction, that kept me turning pages. 40 years later, after writing novels for 25 years, completing 12 books, I’m still fascinated by what cyberpunk can do. In an age where Humanity is mortally threatened by climate change and inequality, we need cyberpunk now more than ever, with its action and adventure and a little something for us to think about, too.

Fantasy takes me to a place where I can get out of my own skin, explore new worlds, and live adventures. The stories that pulled folks from our world (for those of you as loosely tethered as I am, I refer to Earth) provided more connection to the idea that I could be in those fantasy worlds and involved in those stories. That’s the bonus level of escapism! I didn’t realize just how many of my favorite stories fell into that category until I wrote this. Those books were definitely instrumental in my writing, though I didn’t follow any of those specific formulas. I’ll have to write another grouping for the other major category of books that influenced my writing.

I’ve been fascinated by musicians almost my entire life, but I always wanted more than the slick on-screen video, profile on the Lifestyles of the Rich and Famous, or interview. I wanted to know the whys and hows: why they wrote a certain way, what made them want to be a musician first, and where the inspiration and determination came from. What are they like when they’re hanging out at home, not in the spotlight? This research led me to the music and musicians of Laurel Canyon in particular and how one small area of Los Angeles has managed to create music still influential today. 

I’ve been playing and singing music since I was six, and my childhood dream was to become an orchestral cello player. Over the years, I learned a number of other instruments and studied music around the globe, yet I was always intrigued, even intimidated, by those who were able to compose. This list of books helps readers like me really get inside the heads of some of the greatest composers (and performers) of popular music in the 20th and 21st centuries. While many of my questions were answered, there remains a sense of mystery and wonder that even the artists themselves can’t always explain.

Richard Niles was born in Hollywood but grew up in London where his 50-year professional career as a composer, arranger, record producer led to work with some of the most acclaimed artists of our time, including Paul McCartney, Ray Charles, James Brown, Tina Turner, Cher and jazz icon Pat Metheny. He has worked on 20 Gold and 28 Platinum records. He has published many books on music including The Pat Metheny Interviews, The Invisible Artist, From Dreaming to Gigging, Piano Grooves, Songwriting – The 11-Point Plan, Adventures in Arranging, Adventures in Jazz Composition, What is Melody?, and How to be an Employable Musician. Dr. Niles' PhD is from Brunel University and he has lectured internationally.

My interests as a historian involve examining how Americans organize to change policy or politics through affiliations beyond political parties and, by extension, thinking about how culture is made and supported through institutions and businesses. These messy networks and relationships ultimately define how we relate to one another in the U.S. Indie music scenes are one way to trace all of these relationships, from federal policy governing radio stations and what goes out over the airwaves to the contours of local music scenes, to the business of record labels, to ordinary DJs and music fans trying to access information and new sounds that they love.

I have two major passions in life: music and writing. I started learning guitar aged 16, and my friends and I formed a band as soon as we possibly could. My first professional job was writing about pop music for a monthly magazine, and much later in life, I discovered jazz. Now I’m a bass-player, jazz singer, and composer who works with some of the finest jazz musicians in London, and I play regularly at Ronnie Scott’s club. As well as the Donald Fagen biography, I’ve also written biographies of the great jazz singers Mark Murphy (for me, the greatest of them all) and Jon Hendricks.