100 Books Like Software

I don’t think cyberpunk as we know it would exist without William Gibson’s Neuromancer. If PKD jump-started the genre, then Gibson advanced it in ways previously unimaginable.

I love the tone and texture of this book. Written in a gritty urban style, the mixture of atmosphere and wacky characters vividly paints the concept of high-tech and low-life that underpins the cyberpunk genre. Plus, it has “street samurai”–I mean, let’s go!

City Come A-Walkin’ is it, the beginning, the first true cyberpunk novel. 

As William Gibson famously said in the forward to the 15-year anniversary edition, “John Shirley is cyberpunk’s patient zero.” Debuting in 1980, City follows Stu Cole, a streetwise nightclub owner who angered San Francisco’s political and criminal elite, bringing down the full weight of their power; his only hope, the enigmatic construct known only as, “City.” 

A proto-AI, City was a conglomeration of the computer, surveillance, and data infrastructure that took on a life of its own, becoming sapient and dangerous. To ten-year-old me, it was the coolest book I had ever read (and it didn’t hurt that the school library refused to order it for me) and really put the punk in cyberpunk.

So often overlooked by cyberpunk aficionados, Streetlethal is the first of the Aubrey Knight novels by Steven Barnes.

Published in 1983, Streetlethal is a story of betrayal, corruption, criminal syndicate politics, and the dichotomy between the obscenely wealthy and the outcast poor. The gritty look at power from below—as Aubrey is set up, almost shanked in prison, and then on the run in the city’s literal underworld—is the novel’s major draw, but the most interesting part, looking back, is that both it and City include psychic elements. 

Hard as it is to believe now, in the ‘80s, psychic powers were considered science. Really. Even mainstream TV shows like Magnum PI and Miami Vice regularly employed psychic powers as plot movers. Bizarre, but true.

For the last book on our list, we look at Hardwired, by Walter John Williams because, in my humble opinion, it marks the completion of cyberpunk’s subgenre formation. 

Published in 1986, Hardwired follows a protagonist named Cowboy as he connects his brain to various machines through a hardwire and fights the evil orbital corporations that own the world.  Awesome. It stands out to me in the history of golden-age cyberpunk novels in that it calls upon elements from previous cyberpunk works more-so than its predecessors, solidifying the subgenre’s obligations. 

To say it another way, Hardwired alludes to earlier cyberpunk works to effectively place the story within the reader’s literary experience. And that presupposed cyberpunk experience demarcates the subgenre, a clarion signal that the subgenre was here to stay.”

I loved the cyberpunk setting, the tension of not knowing who was going to win, the fact that a lot of characters were activists and belonged to the counterculture, the futuristic technology, and the complexity of the protagonists. I also loved how even though a pair of antagonists represented the side my values go against, I couldn't perceive them as villains. I experienced such intimate and vulnerable moments with them that I ended up accepting them for who they were.

The book explores issues of freedom and slavery, human relationships and the relationship between humans and bots, gender, love, the dangers of patented science, and more. It was very intense, brimming with ideas, feelings, technology (some of which went over my head), science, and action.

I knew the film Blade Runner before I read this, the novel upon which it's based, but I was not prepared for the richer complexities of the novel.

My favorite parts of the novel, a bizarre new religion and the extinction of all but human and animal life, barely make it into the film. Even the androids, built to be slaves, are much more nuanced and complex than in the film. I loved the conclusion of the book, which affirms the beauty of life, both natural and mechanical.

Pixel Juice is a collection of short stories, all set in the near future. Some of the stories are linked and have a continuing thread and some are standalone, but all of them are enthralling.

Jeff Noon belongs primarily to the “cyberpunk” subgenre of science fiction, and an ironic prescience runs through these stories in the manner of Dark Mirror, testing your acceptance of the advances of technology, consumer culture, and mass media.

I came away from reading this book the first time feeling quite emotional about how well he evoked the uncanny weirdness we take for granted living in a world dominated by data and screens. 

First of all, the main character, Laytham, gets my little bi-sexual heart leaping with excitement. He’s sexy and dark and mysterious. He’s got some serious issues but handles it all with a healthy dose of cynicism and magic.

I love how gritty this book is. It’s the stench of the city mixed with the sweat and arousal of a dance club. I’ve never seen magic done this way, where one of the characters uses the computer to access his own magical network.

I read this book at a time in my life when things just were not going in the direction I wanted them to. It inspired me to take back control of my life. In a lot of ways, it is very cyberpunk, rooted in urban fantasy.

I included this book to counterbalance all the machinery and tech in my list. And while I am super intrigued by robots being robots, it’s also okay to go against expectations like the character in this book does! This robot actually unplugs (against his parent’s will) to explore what’s lies beyond his digital world.

Every now and then, I discover a book that has imagined a world and/or a character that takes me by surprise, and I can’t stop reading about them. Again, it’s all about character! In this book, I met a human cyborg enslaved by a computer program and built as a security unit rented out to corporate groups exploring planets for profit.

This sentient cyborg frees itself from enslavement, hilariously staves off the boredom of security work by watching its favorite media series, and as it watches characters in these shows, begins to learn about human behavior. I enjoyed the awkward, touching way it developed friendships and emotional connections. The character, which calls itself Murderbot, presents as if it’s on the spectrum.

Its first-person narration is snarky, occasionally hilarious, and endearing as it slowly learns what it means to have friendships. And oh, it finds all this wildly inconvenient, hates eye… show more.