Books like Dolores Claiborne

I love 'Show, Don’t Tell' because it really brings a novel to life for the reader. It’s something so many writers struggle with, but it can turn a so-so novel into one readers can’t put down. Losing yourself in a story is the sign of great writing, and when a writer can show me what’s in their head and do it in a way that makes me forget I’m reading, well, that’s a book that keeps me turning the pages until it’s done. And that’s my favorite part of reading, writing, and teaching writing. 

I am drawn to books in which family history is never as simple as it first appears. I have always loved fiction about memory, silence, and the choices people make when they discover that something they believed about their past was not entirely true. As a novelist, I keep returning to these themes because I am fascinated by the way family stories shape who we become. I am especially interested in women who have to rebuild their sense of themselves when old explanations stop making sense. The books on this list stay with me because they do more than reveal secrets; they show what happens after the truth is known.

I grew up in a household with a secret at its center, one that I've long suspected held trauma. Long before the formation of the family I was born into, my mother was a divorcee with a young child, my eldest sister (a fact I only found out by finding a photo of my parents’ wedding with my sister in it!). My mother refused to tell my sister anything about her biological father or the circumstances of the divorce, saying only that she “preferred to pretend that part of her life had never happened.” I never did learn the full story. Needless to say, novels that give their protagonist that chance are very close to my heart.

I am a writer who was first a reader and am convinced that novels can speak profound truth. They’ve helped me too many times to believe otherwise. I write novels about how we unwind from painful pasts to create new and better lives. In my experience, that requires us to face difficult truths and choose to be different until we are. I write fiction because I can begin with something awful, cut out boring detours that didn’t matter, and get my honorable and well-intentioned characters to happy endings faster than I’ve gotten to mine. These books map similar journeys, and all have left me better off for having read them.

I’ve been interested in stories about power, exploitation, and female resilience for as long as I can remember. As a former professional dancer, I grew up in a world where the body was watched, judged, disciplined, and expected to perform, no matter the circumstance. My later experience as a physician scholar and as a mother has deepened my interest in the systems that shape girls’ and women’s ideas about their own lives. Finally, as a survivor, I also understand how these experiences can distort a girl’s sense of herself. I come to these books from the intersection of art, medicine, feminism, and lived experience.

A thing I love about detective stories is that, from the moment they were probably invented by Edgar Allen Poe in 1841, authors have been playing with the form. Poe’s The Murders in the Rue Morgue begins with a display of Dupin’s ratiocinative powers, and detective stories do often involve a protagonist reasoning through clues and red herrings on the way toward the resolution of a central mystery. But the kinds of “clues” we use to make sense of (or make peace with) the world are varied, and the mysteries that obsess us are vast—as illustrated over and over again in this mutable genre.

I’m an outdoors-loving person but I'm writing this in the last gasps of winter and I'm done with being cold. The best answer to a long winter has always been curling up somewhere warm with a book that makes me forget about the rest of the world. My books – it was pointed out to me recently – are usually set in the middle of summer because I think deep down I will always love a long summer holiday. (As I write this, I also realise there’s a lot of Famous Five in my DNA too.) Books you read as a kid do stick with you your whole life and can really form your personality.

I’m an outdoors-loving person but I'm writing this in the last gasps of winter and I'm done with being cold. The best answer to a long winter has always been curling up somewhere warm with a book that makes me forget about the rest of the world. My books – it was pointed out to me recently – are usually set in the middle of summer because I think deep down I will always love a long summer holiday. (As I write this, I also realise there’s a lot of Famous Five in my DNA too.) Books you read as a kid do stick with you your whole life and can really form your personality.

I am a history-phobe turned history fanatic thanks to a snippet of a family story about my great-grandmother. Casual interest morphed into a focused passion when I learned that she truly had homesteaded-- all by herself and in her late teens-- in eastern Montana in 1917. Her accomplishment inspired four years of research and writing, resulting in my first historical novel, Hattie Big Sky, which earned a Newbery Honor award and spent weeks on the New York Times bestseller list. More importantly, that bit of family lore revealed my purpose as a writer and I have since devoted my career to bringing the past alive for today’s young readers.

I have always loved history, from ancient Egyptian times up to recent history (the 1950s and 1960s). Put history in the context of a crime and the history becomes even more fascinating. A book where the history of that time comes vividly alive for the reader is the greatest pleasure a reader can experience.