Books like The Portrait of a Lady by Henry James

As well as being a novelist, I am also a script editor for film and TV. I specialise in thriller narratives and big themes in screenwriting, so it's no accident I am drawn to them in fiction too. Dystopian worlds offer such a rich backdrop for the BIG questions and observations. By putting new societies and threats under the microscope in stories, it can hold a mirror up to what's going on in real life. I think of dystopian novels as being akin to the canaries in the coal mine: they are not only cathartic, they sound the warning bell on where we are going as a society ourselves.

I grew up in a confusing, chaotic household, and magic was always an escape for me. Books were my place to dream about other worlds and bigger choices. Stories of forgotten, invisible, or odd people who found their way to each other, found courage and talents they didn’t know they had, and then banded together to fight some larger foe even though they were scared. Was it possible that dragons and witches and gnomes were real and very clever at hiding in plain sight? What if I had hidden talents and courage and could draw on them with others just like me?

I’ve always been a big fan of sci-fi and fantasy, especially anything involving superheroes or D&D-style adventure. For the longest time, I had to find queer representation through subtle glances and creative readings of characters. I loved these stories for the sci-fi and fantasy elements, but it was frustrating that every love story that came up was straight. It didn’t feel possible for queer love to be a part of a plot, and even when there was a queer character it had a “very special episode” vibe to it. Finally, queer characters are becoming part of the story, and it doesn’t have to be a “big deal.”

Growing up in theatre, I was completely immersed in plays, which tend to be deep dives of the human psyche, and I latched on to those examinations like a dog with a bone. I’ve always loved the complexities of the human mind, specifically how we so desperately want to believe that anything beautiful, expensive, or exclusive must mean that the person, place, or thing is of more value. But if we pull back the curtain, and really take a raw look, we see that nothing is exempt from smudges of ugliness. It’s the ugliness, especially in regard to human character, that I find most fascinating. 

I have always loved history, from ancient Egyptian times up to recent history (the 1950s and 1960s). Put history in the context of a crime and the history becomes even more fascinating. A book where the history of that time comes vividly alive for the reader is the greatest pleasure a reader can experience.

I’ve always been surrounded by food culture. I grew up in a diner family. My parents started Lakey’s Cafe just before I was born. My first jobs as a kid were in that restaurant. After that, I worked in restaurants as a server for more than 10 years of my life. When the opportunity presented itself to throw in the napkin and become a writer, I did. My writing now as a professional writer centers around the food and beverage industry. One topic that I don’t see discussed enough is the role that food plays in science fiction and fantasy novels. Food in novels has a way of showing us something about ourselves.

Having spent my youth watching dramas Crown Court and L.A. Law on TV and reading Rumpole of the Bailey, it’s not surprising I became a lawyer and then went on to write legal thrillers myself. The courtroom is an inherently theatrical place, where emotions and tensions run high. It’s a place where egos collide, theories are propounded and punctured and the liberty (and sometimes the life) of the accused is at stake. It follows, then, that lawyers operate in a totally even-handed system, where they’ll always achieve a fair and just result and uncover the truth. All the books I’ve recommended challenge this notion in different (but equally brilliant) ways.

I am a writer who was first a reader and am convinced that novels can speak profound truth. They’ve helped me too many times to believe otherwise. I write novels about how we unwind from painful pasts to create new and better lives. In my experience, that requires us to face difficult truths and choose to be different until we are. I write fiction because I can begin with something awful, cut out boring detours that didn’t matter, and get my honorable and well-intentioned characters to happy endings faster than I’ve gotten to mine. These books map similar journeys, and all have left me better off for having read them.

I’m the author of 24 twisty psychological thrillers, many of which are Amazon bestsellers. Most of them are set in southern England where I live. My life was tipped upside down in 2015 when I was diagnosed with Ewing’s Sarcoma, a rare bone cancer. Although I have a masters in writing and was traditionally published for non-fiction, I hadn’t been brave enough to put my fiction out in the world. Cancer changed that. I’m now a full-time author, writing about scary things that happen to ordinary people. I’m also an avid reader of thrillers and enjoy nothing more than reading a book with an ending that makes me gasp!

Okay, I’m just going to say this: I’m a notoriously likable person. I try to be kind. I try to do good. But in fiction, unlikeable characters fascinate me—their secretiveness, their single-minded energy, their shameless lies and utter selfishness. I’ve written Regency Romances featuring dark antagonists. I’ve written murder mysteries featuring—you know, murderers. (I’ve also written some literary novels about ordinary mortals.) I wouldn’t want to have a villain for a pal. But I sure like the freedom fiction gives me to get to know a few.