Here are 100 books that Sacajawea fans have personally recommended if you like
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I’ve loved both history and fantasy since I was a child. The first book I can remember reading at all was The Hobbit. The first historical novel I fell in love with was The Killer Angels. I visited the battlefield of Gettysburg with my family, and currently teach the movie every year to my high school film class. (I’ve never visited Middle Earth, but plan to visit New Zealand as soon as possible). I’ve been reading both genres ever since—and quite by accident my first novel contains a mix of both genres.
It purports to be historical fiction set in the Old West, following one of the last great cattle drives. Yet within a few chapters, it begins to feel like a series of episodes from Grimm’s fairy tales.
I remember at UC Irvine, where I earned my Fiction MFA, several fellow writers were reading this novel alongside me. We kept stopping each other in the hall or at cocktail parties to relive this or that chapter, struggling to understand how it could be both so entertaining and so good.
The fact that it is long—a real doorstopper of a book—adds to its “too-big-for-one-genre” feel.
Larry McMurtry's Pulitzer Prize winning novel is a powerful, triumphant portrayal of the American West as it really was. From Texas to Montana, it follows cowboys on a grueling cattle drive through the wilderness.
It begins in the office of The Hat Creek Cattle Company of the Rio Grande. It ends as a journey into the heart of every adventurer who ever lived . . .
More than a love story, more than an adventure, Lonesome Dove is an epic: a monumental novel which embraces the spirit of the last defiant wilderness of America.
First Drive is a classic, coming of age, cattle drive western adventure.
It’s 1868. Grab your hat, step into your boots, and strap on those spurs. Your cow pony is saddled up and ready to ride the Chisholm Trail. A brand-new outfit drives its first herd to market. The trail…
As an author, I love telling stories set on the frontier and populated by pioneers. That has a lot to do with the books I read long ago. My characters tend to have their heads in the clouds, like Ken from Mary O’Hara’s My Friend Flicka. They dream of towering peaks, promising paths, and opportunities beyond the world they grew up in. Back in high school, I took an elective class—Historical Fiction—I wasn’t even sure what that was! We read The Source by James Michener. When I’m not hiking or dreaming about horses, there’s nothing I love more than making up wilderness stories set in the 1800s.
It’s hard to believe this classic is celebrating fifty years on television. And, of course, long before that, it was a treasure of a book that delighted generations of young people. The worst-kept secret is: you don’t outgrow this beloved author’s work.
It’s probably her fault that just thinking about covered wagons makes me long for the good old days—ones that came and went long before I was born. It’s not just the kind of book you want to read over and over again; it’s the kind of book you want to read aloud to others.
Classic tales by Laura Ingalls Wilder about life on the frontier and America's best-loved pioneer family.
The sun-kissed prairie stretches out around the Ingalls family, smiling its welcome after their long, hard journey across America. But looks can be deceiving and they soon find that they must share the land with wild bears and Indians. Will there be enough land for all of them?
The timeless stories that inspired a TV series can now be read by a new generation of children. Readers who loved Anne of Green Gables, Little Women, and Heidi will be swept up by…
As an author, I love telling stories set on the frontier and populated by pioneers. That has a lot to do with the books I read long ago. My characters tend to have their heads in the clouds, like Ken from Mary O’Hara’s My Friend Flicka. They dream of towering peaks, promising paths, and opportunities beyond the world they grew up in. Back in high school, I took an elective class—Historical Fiction—I wasn’t even sure what that was! We read The Source by James Michener. When I’m not hiking or dreaming about horses, there’s nothing I love more than making up wilderness stories set in the 1800s.
Many books tend to glorify traveling the Oregon Trail, but this book does not. Instead, it portrays the heartbreak of loss, the realism of a harsh migration, and the blossoming of an unexpected but tender romance.
The pages raced by, and it was hard to step away from this captivating novel. I highly recommend reading it.
In this epic and haunting love story set on the Oregon Trail, a family and their unlikely protector find their way through peril, uncertainty, and loss.
The Overland Trail, 1853: Naomi May never expected to be widowed at twenty. Eager to leave her grief behind, she sets off with her family for a life out West. On the trail, she forms an instant connection with John Lowry, a half-Pawnee man straddling two worlds and a stranger in both.
But life in a wagon train is fraught with hardship, fear, and death. Even as John and Naomi are drawn to each…
First Drive is a classic, coming of age, cattle drive western adventure.
It’s 1868. Grab your hat, step into your boots, and strap on those spurs. Your cow pony is saddled up and ready to ride the Chisholm Trail. A brand-new outfit drives its first herd to market. The trail…
As an author, I love telling stories set on the frontier and populated by pioneers. That has a lot to do with the books I read long ago. My characters tend to have their heads in the clouds, like Ken from Mary O’Hara’s My Friend Flicka. They dream of towering peaks, promising paths, and opportunities beyond the world they grew up in. Back in high school, I took an elective class—Historical Fiction—I wasn’t even sure what that was! We read The Source by James Michener. When I’m not hiking or dreaming about horses, there’s nothing I love more than making up wilderness stories set in the 1800s.
I wasn't only captivated by this book. I had to consume the entire series. It was hard to wait for the last couple of books, but it was well worth it.
I'm a big fan of the author, John Deacon, and I enjoy his many other series too, but the Heck and Hope series is my favorite. It’s got a larger-than-life hero, the full experience of the western frontier, and wholesome family values. I loved this series so much, I sent copies to my favorite aunt so she could read them too.
An epic tale of strength, compassion, and adventure on the western frontier.Orphaned at fourteen, Hector “Heck” Martin heads west, determined to see the far country and make a man of himself.
Along the way, he falls in love with bold and beautiful Hope Mullen. But Heck is too young and poor to marry, so he heads west again.
During a three-year journey, Heck crosses thousands of miles, becomes a bareknuckle boxer, a mountain man, and an Indian fighter, and meets the likes of Kit Carson and Jim Bridger as he explores the gorgeous and deadly frontier.
I was browsing a bookstore around 1996 when I spotted a book about Lewis and Clark. I took a look, saw a list of the members of the expedition, and realized I hardly knew anything about those individuals. I wondered who they were and what happened to them during and after their trek across the country. I started reading books and articles and making trips to conventions or archives in places like St. Louis and Philadelphia. It has been a great twenty-five years, and my passion for Lewis and Clark has never ebbed. I hope you enjoy the books discussed here as much as I have.
Gary E. Moulton is a history professor who spent twenty years editing the 13-volume journals of the Lewis and Clark Expedition, written by the captains and four of their men, describing in amazing detail the three years and one month they spent together. Moulton and his team not only transcribed all of these accounts—they offer informative footnotes that explain everything—from the Indians encountered to the plants and animals seen on the journey to the mountains and rivers traveled. So, it is no surprise that Moulton is the expert on the Expedition. Us Lewis and Clark afficionados own and love all 13 volumes, but this single volume is perfect for anyone interested in reading—and understanding—what the men themselves experienced.
Following orders from President Thomas Jefferson, Captains Meriwether Lewis and William Clark set out from their wintering camp in Illinois in 1804 to search for a river passage to the Pacific Ocean. In this riveting account, editor Gary E. Moulton blends the narrative highlights of the Lewis and Clark journals so that the voices of the enlisted men and of Native peoples are heard alongside the words of the captains. All their triumphs and terrors are here-the thrill of seeing the vast herds of bison on the plains; the tensions and admiration in the first meetings with Indian peoples; Lewis's…
In grade school, I was taught that my ancestors in Borikén (Puerto Rico) were eradicated by the Spanish, just a few decades after Christopher Columbus “discovered” the Americas. I have since become an Anthropologist of technology, where I study how the infrastructure failures and disasters like hurricanes are reactivating a dormant Taíno identity on my ancestral archipelago. My speculative fiction is inspired by this research and my fractured family history as a descendant of the Taíno, enslaved Africans, and their colonizers from Spain. In my stories, I challenge the narrative of my own extinction, imagining alternative pasts and futures where the Taíno are flourishing and Boricuas are free from American colonial rule (Taínofuturism).
The future is Indigenous. Time is not linear. The scientific and the spiritual are not mutually exclusive. The apocalypse can be survived.
These are some of the many provocations explored in the stories, essays, and excerpts that make up Grace Dillon’s (Anishinaabe) groundbreaking anthology, Walking the Clouds. The voices that appear in this collection lay the foundations for indigenous futurism and challenge the ongoing colonial politics of science fiction (SF) as a genre. SF tropes like alien encounters, apocalypses, and interstellar voyages are realigned with the assimilationist and genocidal histories of colonialism that inspired them.
Walking the Clouds is a powerful intervention and a must-read for anyone seeking an introduction to indigenous futurisms and decolonial fiction.
In this first-ever anthology of Indigenous science fiction Grace Dillon collects some of the finest examples of the craft with contributions by Native American, First Nations, Aboriginal Australian, and New Zealand Maori authors. The collection includes seminal authors such as Gerald Vizenor, historically important contributions often categorized as "magical realism" by authors like Leslie Marmon Silko and Sherman Alexie, and authors more recognizable to science fiction fans like William Sanders and Stephen Graham Jones. Dillon's engaging introduction situates the pieces in the larger context of science fiction and its conventions.
Organized by sub-genre, the book starts with Native slipstream, stories…
I am a lifelong history lover. I was the kid who hung around the feet of the elders, listening to their stories and learning about the past. That led to a deep interest in tracing family history, which has been a passion since about the age of ten. I still can get lost for hours finding ancestors or reading about their lives. That interest led me to a double major in college and I earned a Bachelor of Arts in both history and English with a two-year degree in journalism. I live a short distance from Oklahoma and one of my favorite pastimes is to go to powwows whenever possible.
I have a passion for history and did one of my history thesis in college on white women and their Native American captives. In this story, there's a strong attraction, a commitment to abandon the life she knows by the heroine to embrace her lover's culture. Zeke's transformation back into Lone Eagle is one that really touched me emotionally.
The second book in Rosanne Bittner’s bold Savage Destiny series continues the love story of Zeke and Abbie Monroe. For the first five years of her marriage Abbie lives among the Cheyenne, learning their customs and beliefs and giving birth to a son who is as wild and free as his Native American family, and a daughter who will one day be forced to choose between her Indian and white blood. Through real historical events involving the government and Native Americans, Zeke and Abbie cling to one another through danger and torn loyalties. This story vividly depicts the “right” and…
Greg Shed is a self-taught California illustrator specializing in Americana. In addition to commercial work and portraits, he has illustrated more than a dozen children’s books—several of which are about American history. A dedicated researcher, Greg has traveled from the Plymouth colony to the American prairie in search of authenticity and details. He has consulted with Native American craftsmen on the manufacture of native period attire. He is known for capturing golden light in his paintings, which often depict Native American cultures, wildlife, and landscapes.
Creation’s Journey ties actual native stories and beliefs with genuine artifacts from the vast collections of the National Museum of the American Indian. It provides a refreshing approach to our understanding of indigenous people’s utilitarian objects and how important they are in their daily lives. The photos in this book show the care for detail and craftsmanship that was pervasive in everyday Native American objects and clothing. It inspired me to commission native Americans to hand make the various costumes shown in my book.
Drawing on the vast collections of the National Museum of the American Indian, Creation’s Journey retells the story of native life from the Arctic to the Tierra del Fuego, and from childhood to old age.
My grandparents played a pivotal role in my childhood, living with us and raising my brother and me while my parents worked long hours. Some of my favorite memories of those years are lying in bed as Abuelo told me stories that made me laugh instead of making me sleepy, cooking picadillo with my abuela in the kitchen, and going on long walks along the beach with my abuelo. Though they didn’t speak to me in Spanish, they taught me to sing nursery rhymes and enticed me with sticks of Big Red gum to get me to learn how to roll my r’s.
This book's evocative verse drew me in immediately, whisking me into a cozy childhood memory of my own. I love the repeated refrains of Fry Bread…which allows young ones to anticipate and ‘read along,’ increasing engagement with the child.
The beautiful illustrations, which show children of many different skin tones in the kitchen assisting and then awaiting the delicious result, amplify the story, showing how grandparents can be sources of love and support for their grandchild's network of friends.
I especially love this book because it reminds me of cooking Cuban bread pudding with my abuela for Thanksgiving, her contribution to the American holiday that reminded her of her home.
Fry bread is food. It is warm and delicious, piled high on a plate.
Fry bread is time. It brings families together for meals and new memories.
Fry bread is nation. It might look or taste different, but it is still shared by many, from coast to coast and beyond.
Fry bread is us. It is a celebration of old and new, traditional and modern, similarity and difference.
Fry Bread is a story told in lively and powerful verse by Seminole Nation member Kevin Noble Maillard, with vibrant art from Pura Belpre Award winner Juana Martinez-Neal.
I have been a historian of the Indigenous world for more than two decades, but I have learnedso much since I expanded my perspective from Mesoamerica and the Aztec-Mexica into the wider history of Native peoples. There are literally hundreds of Indigenous communities across the world and so there is always more to learn. I have been incredibly privileged to learn by listening to Indigenous people – in person, in print, and on digital and social media. I hope these books can offer some starting points to set you on a similar journey of discovery, opening up some new ways of thinking and of seeing both the past and the present.
Andrés Reséndez estimates that between 2.4 and 4.9 million Indigenous Americans were enslaved between 1492 and 1900, a statistic that will shock many people, as the history of Native enslavement in the Americas barely seems to have touched the popular imagination.
This book, accessibly written but based on meticulous research, is absolutely essential reading, as it returns this ‘other slavery’ to its rightful place in our understandings of Indigenous, American, and global history.
Since the time of Columbus, Indian slavery was illegal in much of the American continent. Yet, as historian Andres Resendez illuminates in The Other Slavery, it was practiced for centuries as an open secret. There was no abolitionist movement to protect the tens of thousands of natives who were kidnapped and enslaved by the conquistadors and later forced to serve as domestics for Mormons and rich Anglos, or to descend into the "mouth of hell" of eighteenth-century silver mines, where, if they didn't die quickly from cave-ins, they would die slowly from silica in their lungs. Resendez builds the incisive,…
