55 Books Like The Mysterious Mr. Quin

If Dashiell Hammett’s Sam Spade served as the model for most private detective protagonists in American books (and movies), Raymond Chandler’s private detective Philip Marlowe offered a fascinating, inside-out variation. Marlowe—especially in this book, which I love as Chandler’s best—seems more analytical than Spade, more passionate than Spade, but just not quite as cool by today’s standards. 

That little loss doesn’t hurt him or this classic, however, which provides the best plot with the most expressive prose of this top 5 private detective novels. Marlowe’s war-torn pal disappears, the guy’s oversexed wife gets murdered, and Marlowe naturally becomes police suspect number one. 

In between the developments, Marlowe makes light: “Mostly I just kill time, and it dies hard.” That’s a clever way to say so long to involvement, but the longest goodbye, the real and permanent one to which the book’s title refers and we sometimes call death—that’s the… show more.

This was the book that started my fascination with the Victorian era. From the first time the character of Sherlock Holmes was introduced, I was hooked. I first read it when I was nine. I remember sitting down with it and practically devouring it. I did not put it down until I had finished. I was enchanted by Sherlock Holmes and his mind. I still am.

After Conan Doyle, Georges Simenon is the greatest writer of European crime fiction, especially in his Maigret novels and short stories. This is a wonderful example of Maigret (and Simenon) at his very best, with Maigret and his inspectors coming alive for the reader, and the suspects presenting him with a serious challenge of wits.

Edward Marston’s Railway Detective books, set in Victorian England and featuring Inspector Colbeck, have become under-the-wire best sellers internationally. This book features a dozen short stories where he and his sergeant investigate crimes happening in different railway companies. It is a wonderful introduction to the whole Railway Detective series and these short stories can be savored at leisure as a starter for the main course of the full-length novels.

It might seem pompous and affected to recommend this masterpiece by one of the greatest deities in the literary pantheon (who’s no stranger to accusations of pompousness and affectation himself…)—especially when it’s not immediately clear who’s on the other side of Isabel Archer’s “will they or won’t they?” story. Is it the competent, hardworking Caspar Goodwood? The aristocratic, lovelorn Lord Warburton? Her kind, ailing benefactor Ralph Touchett? Or the uncaring art collector Gilbert Osmond? It is evidence of Henry James’ genius that I felt, at the end of the novel, that I had encountered every one of these characters at some point in my life (occasionally in myself)—and his brilliant heroine became the unhearing recipient of all the advice I’ve ever needed to give myself on how to choose a partner.

Milo Hastings’s book, The City of Endless Night, written right after the end of WWI, foretells Germany’s eventual rise to power again. The book’s main character Lyman De Forrest takes us through a socially stratified underground Berlin, where 300,000,000 people live. In the lower strata, every aspect of life, including how much a person gets to eat each day (based on their weight), is controlled. Despite being more than 100 years old, this book is surprisingly modern and the food politics are just as relevant.

"The serial killer isn’t on trial he’s on the jury."

Actor Bobby Solomon is accused of murdering his wife and bodyguard in a frenzied attack. Eddie Flynn, former conman turned lawyer, is brought in to assist the defence team. Eddie’s the full package—resourceful, quick-witted, a masterful cross-examiner, and he can handle himself in a fight. He also believes in Bobby’s innocence. But he’s up against an ingenious, ruthless killer who will stop at nothing to achieve his cause. 

If the central premise—that of a killer infiltrating the jury and undermining the entire justice system—isn’t sufficiently terrifying, then the array of corrupt police officers and self-serving lawyers (on both sides) should tip you over the edge. Happily, Eddie stands head and shoulders above them all.

One night, decades after I first read James’s suspenseful gem of a novel, the book suddenly came to mind.

For years, I’d been struggling with how to fit together two women whose voices had been haunting my head. Now, in a flash, I saw the parallels they offered to the characters in Aspern. A determined, none-too-scrupulous scholar (male, in James’s book), an elderly woman who’d had a secret affair with a celebrated man, the two living together in the ruins of a once-elegant home, and a cache of hoarded papers the scholar desperately wants…

I dissected Aspern chapter by chapter, then gently fitted my characters onto its skeleton. Voilà: Must Read Well. “We stand on the shoulders of giants,” writers sometimes say. Also, “Steal from the best.”

It's not strictly a biography, but it might as well be one. A brilliant stylist, Breslin creates a fictionalized dramatization that has the unerring ring of Runyon’s truth.

His chronicling of the raffish world of Broadway and adjacent side streets was the basis for the musical Guys and Dolls. Breslin uses copious dialogue and minutely observed incidents to flesh out things that happened or may very well have happened.

Now look, Stephen hardly needs the bump in sales but I do love this book.

I read it in one sitting one night as a kid and was engrossed. I read it for too young for the adult themes, but I feel like that is an official stage of most peoples’ adolescence and should be in textbooks.